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The Mourner's Song: War and Remembrance from the Iliad to Vietnam, by James Tatum
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No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.
Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.
Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
- Sales Rank: #2885189 in Books
- Published on: 2004-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .84 pounds
- Binding: Paperback
- 235 pages
From the Inside Flap
No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.
Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.
Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
About the Author
James Tatum is the Aaron Lawrence Professor of Classics at Dartmouth College. He is the author of several books, most recently Xenophon's Imperial Fiction: On the Education of Cyrus, and the editor of The Search for the Ancient Novel.
Most helpful customer reviews
1 of 2 people found the following review helpful.
Uneven look, for literature students, at "war and remembrance"
By moose/squirrel
Tatum is a classicist by profession, and the best parts of this book are his reflections on the Iliad, reflections inspired by remembrance of a childhood friend who was killed in Vietnam.
Unfortunately, while Tatum knows a great deal about the Iliad, he knows and (it seems to me) accurately intuits much less about war and the ordinary soldier's experience of it. Besides Homer, his knowledge of these subjects appears to come primarily from recent literature and literary criticism. Surely it isn't true that the Iliad "says everything there is to say about war."
Tatum understands that war is a terrible business. Unfortunately, that elementary awareness leads him to observations like, "Good killing, like good sex, is much enhanced by eye contact" - as if the average soldier is a serial killer at heart. (Tatum was led to this conclusion partly by a scene in "Saving Private Ryan.") He also believes that "the feminist imagination has made short work of" battlefield heroism, assuring us that "A hero ain't nothin' but a sandwich." He wonders if some people have gone to war to see whether death in combat is ever "as funny" as some of the deaths described by Homer. I guess I don't quite share Tatum's sensibility.
Very good on the Iliad (and on Robert Lowell's poem, "For the Union Dead").
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