Senin, 29 Februari 2016

## Download Hardship and Happiness (The Complete Works of Lucius Annaeus Seneca), by Lucius Annaeus Seneca

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Hardship and Happiness (The Complete Works of Lucius Annaeus Seneca), by Lucius Annaeus Seneca

Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and advisor to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection helps restore Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities.

Hardship and Happiness collects a range of essays intended to instruct, from consolations—works that offer comfort to someone who has suffered a personal loss—to pieces on how to achieve happiness or tranquility in the face of a difficult world. Expertly translated, the essays will be read and used by undergraduate philosophy students and experienced scholars alike.

  • Sales Rank: #1133272 in Books
  • Published on: 2014-03-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.20" w x 5.50" l, 1.15 pounds
  • Binding: Hardcover
  • 352 pages

Review
“[The Complete Works of Lucius Annaeus Seneca] brings together many preeminent anglophone scholars of Seneca as editors and translators and succeeds in its aim to reach a wider audience through readable, modern English translations. . . . The overall high quality of the translations and notes make this volume (and its respective series) highly desirable for scholars and libraries alike.” (Classical Journal)

“A significant improvement over what has been available in English of the previous century. . . . The translations presented here admirably achieve the aim set out by the series’ editors: ‘to be faithful to the Latin while reading idiomatically in English.’ . . . Hardship and Happiness is a handsome volume, beautifully conceived and executed.” (Review of Metaphysics)

“We owe a debt of gratitude to Chicago for this one-volume selection of essays from long ago, which still have the power to stimulate our minds today.” (Classics for All)

About the Author
Elaine Fantham was the Giger Professor of Latin at Princeton University from 1986 to 1999. She has written many books and commentaries on Latin literature, including Seneca’s Troades. Harry M. Hine is professor emeritus in the School of Classics at the University of St Andrews in Scotland and the translator of Seneca’s Natural Questions, also in the series. James Ker is associate professor of classical studies at the University of Pennsylvania and the editor of A Seneca Reader: Selections from Prose and Tragedy. Gareth D. Williams is the Violin Family Professor of Classics at Columbia University and the author of many books, including The Cosmic Viewpoint: A Study of Seneca’s “Natural Questions.”

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Minggu, 28 Februari 2016

# Free PDF Making the Modern: Industry, Art, and Design in America, by Terry Smith

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Making the Modern: Industry, Art, and Design in America, by Terry Smith

In this ambitious book, Terry Smith chronicles the modernist revolution in American art and design between the world wars—from its origins in the new industrial age of mass production, automation, and corporate culture to its powerful and transforming effects on the way Americans came to see themselves and their world. From Ford Motor's first assembly line in 1913 to the New York World's Fair of 1939, Smith traces the evolution of visual imagery in the first half of America's century of progress.

  • Sales Rank: #1669121 in Books
  • Published on: 1993-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.39" h x 6.93" w x 9.67" l,
  • Binding: Hardcover
  • 528 pages

From Library Journal
Smith aims to gain a clearer understanding of modernity by focusing on America in the 1920s and 1930s, decades that shaped modernity and the images that represent it. He points to an iconology of modernity in which "six images constantly occur, separately or in couplets: industry and workers, cities and crowds, products and consumers." Then, by reviewing the relationships among factory production, government-sponsored works, documentary photography, industrial design, high art, and other forces that eventually shaped what he calls Life- style modernity, Smith goes on to demonstrate that modernity is more complex than the formalism and aestheticism propounded by the Museum of Modern Art. The photography of Charles Sheeler and Margaret Bourke-White, the paintings of Sheeler and Frida Kahlo, the industrial design of Ramond Loewey and Norman Bel Geddes, and the architecture of Louis Kahn receive special attention in this well-argued and well-documented revisionist view. Highly recommended.
- Douglas G. Campbell, George Fox Coll., Newberg, Ore.
Copyright 1993 Reed Business Information, Inc.

From the Back Cover
In this ambitious book, Terry Smith chronicles the modernist revolution in American art and design - from its origins in the new industrial culture of the twentieth century to its powerful and transforming effects on the way Americans came to see themselves and their world. From Ford Motor's first assembly line in 1913 to the New York World's Fair in 1939, Smith traces the distinctive visual imagery that evolved as the core of American modernity in the first half of the twentieth century. Illustrated with an extraordinary variety of photographs, many previously unpublished, Making the Modern focuses on the key images of modernity - industry and workers, cities and crowds, and products and consumers - as portrayed across the broad spectrum of American experience. Albert Kahn's plant designs, Charles Sheeler's industrial landscapes, Margaret Bourke White's photographs, Diego Rivera's Detroit murals, the design of Fortune magazine, advertising, the FSA historical project - all are cited here in a brilliant synthesis of visual imagery and historical interpretation. Smith reveals how this visual revolution played an instrumental role in the complex psychological, social, economic, and technological changes that came to be known as the second industrial revolution. From the role of visualization in the invention of the assembly line, to office and building design, to the corporate and lifestyle images that filled new magazines such as Life and Fortune, he traces the extent to which the second wave of industrialization engaged the visual arts to project a new iconology of progress. Employing a wide rage of disciplines - including history of technology, business, design, art, advertising, andarchitecture - Smith provides fresh readings of an array of topics including: the nostalgic desire for the past as an essential part of modernity; Frida Kahlo's feminist resistance to masculinist modernization; the popularity of industrial design; the Chicago and New York expositions as consumerist utopias. This broad, challenging work advances our understanding not only of twentieth-century art and design, but also of a crucial period in the history of modern culture.

About the Author

Terry Smith is the Andrew W. Mellon Professor of Contemporary Art History and Theory at the University of Pittsburgh. His many books include The Architecture of Aftermath, also published by the University of Chicago Press.

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Jumat, 26 Februari 2016

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The Curse of Cain: The Violent Legacy of Monotheism, by Regina M. Schwartz

The Curse of Cain confronts the inherent ambiguities of biblical stories on many levels and, in the end, offers an alternative, inspiring reading of the Bible that is attentive to visions of plenitude rather than scarcity, and to an ethics based on generosity rather than violence.

"[A] provocative and timely examination of the interrelationship of monotheism and violence. . . . This is a refreshing alternative to criticism-biblical and otherwise-that so often confuses interpretation with closure; it is an invitation to an ethic of possibility, plenitude, and generosity, a welcome antidote to violence, as important for its insights into memory, identity, and place as for its criticism of monotheism's violent legacy."—Booklist

"Brilliant and provocative, this is a work demanding close attention from critics, theologians, and all those interested in the imaginative roots of common life."—Rowan Williams, Bishop of Monmouth

"A stunningly important book."—Walter Brueggemann, Theology Today

"Artfully rendered, endlessly provocative."—Lawrence Weschler, New Yorker

  • Sales Rank: #404744 in Books
  • Published on: 1998-10-01
  • Released on: 1998-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .73 pounds
  • Binding: Paperback
  • 228 pages

From Booklist
This provocative and timely examination of the interrelationship of monotheism and violence was precipitated by a question posed to Schwartz when she was teaching the Bible to undergraduates, "What about the Canaanites?" Biblical narrative has been a singularly powerful form of social memory, and Schwartz's reflection on its often violent political impact is an eloquent call not so much to close as to open an "old monotheistic" book to the possibility of multiplicity so that, as she puts it, "new books may be fruitful and multiply." This is a refreshing alternative to criticism--biblical and otherwise--that so often confuses interpretation with closure; it is an invitation to an ethic of possibility, plenitude, and generosity, a welcome antidote to violence, as important for its insights into memory, identity, and place as for its criticism of monotheism's violent legacy. Steve Schroeder

From Kirkus Reviews
Schwartz (English/Northwestern Univ.; Remembering and Repeating, not reviewed) has written a strange, discomfiting book on the Bible's legacy of violence. The author uses the Bible as a lens to explore Western culture's heritage of violence, but defines violence in such a broad way--as ``acts of identity formation'' and ``the very construction of the Other''--that the reader is left wondering what isn't violent behavior. Indeed, the book is far more deconstructive than constructive; it is only in the last chapter that Schwartz rather generically envisions a Bible that embraces generosity and pluralism, not scarcity and a totalizing monotheism, as ethics to cultivate. The book also suffers from a certain eco-preachiness (as in such first-person assertions as ``we cannot really own anything''), which systematically undermines what is truly prophetic here. Yet there is also a coldly brilliant realism at work. Schwartz writes with style and verve, gracefully teasing out new meanings from the Bible's elusive Hebrew text. Her chapters on land and kinship are as insightful as they are disturbing. Particularly significant is her connection between monotheism, land, and female sexuality: Hosea's denunciations of the adulterous wife, for example, can be understood as more than an embrace of a strict moral code. The wife (who represents faithless Israel) has also violated Yahweh's property rights, because unlike a self-respecting whore, she doesn't even receive money for her favors, but pays her lovers. The story, Schwartz argues, is a metaphor for Israel's transgression of the boundaries of monotheism, which is basically ``a doctrine of possession.'' Ultimately, both monogamy and monotheism function to set a people apart in a covenant relationship--but, Schwartz reminds us, this otherness is always inherently dangerous, potentially violent. The construction of boundaries, Schwartz asserts, leads to nations, and then to bloodshed. Unfortunately, the few alternatives she offers are vague and touchy-feely. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

From the Back Cover
A murderer, an outcast, a man cursed by God and exiled from his people - Cain, the biblical killer of Abel, is a figure of utter disdain. But that disdain is curiously in evidence well before his brother's death, as God inexplicably refuses Cain's sacrifice while accepting Abel's. Cain kills in a rage of exclusion, yet it is God himself who has set the brothers apart. For Regina Schwartz, we ignore the dark side of the Bible to our peril. The perplexing story of Cain and Abel is emblematic of the tenacious influence of the Bible on secular notions of identity - notions that are all too often violently exclusionary, negatively defining "us" against "them" in ethnic, religious, racial, gender, and nationalistic terms. In this compelling work of cultural and biblical criticism, Schwartz contends that it is the very concept of monotheism and its jealous demand for exclusive allegiance - to one God, one Land, one Nation or one People - that informs the model of collective identity forged in violence, against the other. The Hebrew Bible is filled with narratives of division and exclusion, scarcity and competition, that erupt in violence. Once these narratives were appropriated and disseminated by western religious traditions, they came to pervade deep cultural assumptions about how collectives are imagined - with collective hatred, with collective degradation, and with collective abuse. Recovering the Bible's often misguided role as a handbook for politics and social thought, Schwartz demonstrates just how dangerous it can be.

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18 of 20 people found the following review helpful.
Very important discourse
By A Customer
While frequently very western in scope and perspective, this book offers a unique view of the formation of identity within the framework of competition that has been the calling card of monotheism since the beginning of recorded history. She quotes the bible and related texts familiarly and, without apology, draws attention to the paradigms that are built and followed throughout. The writing is flawless and edgy, very flowing and logically directed, and, if anything, she is too kind to her subject, willing to accept the undeniability of certain facts, even outside the influence of monotheism (important since identity seems to be a secular goal as well, a national goal...) Maybe some readers would be more content to have her draw more solid lines between competitive identification (deFacto creation of an "Other" within a closed system) and violence, but I found that the connections were readily available, especially to anyone familiar with contemporary church teachings. Her discussions of Ownership and Land are the most unsettling and satisfying, while the attention paid to homosexuality (and the innately un-biologically sponsored disgust of manufactured by monotheists) is thin and frustratingly incomplete. But that is not a flaw. This is a large subject, one not lending itself to easy interpretation. Most exciting, I think, is the evidence supporting her claim that Monotheism is a philosophy of scarcity,not just regulated inclusion. There are powerful images there, especially when seen alongside the newly revived evangelism of many protestant religions. You realize in the face of that movement, it is bound to fail because it is not built to succeed. Their God is not meant to be a God patronized by everyone, however, he is meant to be a God superior to everyone. This is necessarily a violent dynamic, if even ideologically. A very insightful book, even handed and reasonable. In a larger format, it would have been fascinating to see more pieces drawn from other monotheistic religions...

11 of 13 people found the following review helpful.
Unjustified Violence, in Search of an Identity, Then and Now
By TheoGnostus
"The issue I am focusing attention on is the price of imagining collective identity under one principle and banishing the rest--it doesn't have to be one god, it can be one nation, one kinship group, one territory." Regina Schwartz

Violence and Monotheism:

Monotheism is a deep, complex concept with a multifaceted history, complicit with violence, and the demand of allegiance to one god, is accompanied by aggression against those of other beliefs, is Dr. Schwartz conclusion, based on her study relating violence to Monotheism. Unfortunately, tales of violence may have been exaggerated in the Hebrew narratives to impress, while it receded when Hebrew Monolatery developed into Monotheism. Sometimes peoples that have a monotheistic religion are in fact very pluralistic and tolerant.

Violent Interpretations:

"Biblical narratives are infinitely interpretable, and interpretations of the Bible have been put to any and every political purpose. The number of ante-bellum clergy who used the Bible to justify slavery is astonishing." Regina Schwartz, a promoter of Ethics and Non violence says, adding, "The Bible..., not only as a spiritual guide and a handbook of truth, but also as a manual of politics. As though all this authorizing of scripture doesn't make biblical interpretation hazardous enough,..."

She interprets the Bible as describing peoples who were in conflict, competing for their needs, of material resources, in the ancient world, as they are today. Biblical narratives reflect that violence against peoples who worship other deities, leaving us a legacy of intolerance, and sometimes authorizing such intolerance as God's own command.

Themes and Findings:

The author's scheme is logical, analytical and thematically compelling, briefly; Violence, in search of identity, Covenants to confirm identity, Land to conserve identity, Legislation to guard identity and limit internal conflict, Nationalism to strengthen identity, Memory to preserve identity.

She proposes that the injunction "Thou shalt have no other gods before me" promotes intolerance to other people, and their beliefs. The Bible, debates Dr. Schwartz, has bequeathed not only narratives of violence, but has promoted an ethic of charity and social justice; taking care of the widow, the orphan, and the poor. The Bible also offers alternative visions toward the neighbor, of peace and generosity, of forging alliances with the foreigner, and we could highlight them. The prophets emphasized visions of bounty and peace, of the lion laying down with the lamb, thus, overwriting the violent themes of winners and losers.

The Curse of Cain:

The Curse of Cain invites a fresh analytical re-reading of the Hebrew Bible narratives without prejudice or bias. Dr. Schwartz proposes Cain's violence was the first sin against God and humanity. Her study plan is impressive, and her interpretation of the narrative is both bold and lucid, analyzing the perplexing stories to discover a psychological motive for the unjustified violence, and evaluates its implications.

8 of 9 people found the following review helpful.
Startling and Moving
By Santi Tafarella
Almost every page of Regina Schwartz' book on the Hebrew Bible flashes with startling insights. Her most basic (and I think most helpful) overall observation is to note the pervasive issue of scarcity functioning throughout the Old Testament. Land is scarce, blessings are scarce, and this scarcity drives characters into conflict, and conflict leads to concerns over identity and possession (Who's in and who's out? Who gets what?). Hence her chapter headings run like this: "Inventing Identity", "Owning Identity" etc. Schwartz' "scarcity leading to identity formation" key for reading the Hebrew Bible opens a great deal of fresh interpretive space. Get this book, then reread the Old Testament again, as if for the first time.

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Kamis, 25 Februari 2016

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The Limits of RationalityFrom University Of Chicago Press

Prevailing economic theory presumes that agents act rationally when they make decisions, striving to maximize the efficient use of their resources. Psychology has repeatedly challenged the rational choice paradigm with persuasive evidence that people do not always make the optimal choice. Yet the paradigm has proven so successful a predictor that its use continues to flourish, fueled by debate across the social sciences over why it works so well.

Intended to introduce novices to rational choice theory, this accessible, interdisciplinary book collects writings by leading researchers. The Limits of Rationality illuminates the rational choice paradigm of social and political behavior itself, identifies its limitations, clarifies the nature of current controversies, and offers suggestions for improving current models.

In the first section of the book, contributors consider the theoretical foundations of rational choice. Models of rational choice play an important role in providing a standard of human action and the bases for constitutional design, but do they also succeed as explanatory models of behavior? Do empirical failures of these explanatory models constitute a telling condemnation of rational choice theory or do they open new avenues of investigation and theorizing?

Emphasizing analyses of norms and institutions, the second and third sections of the book investigate areas in which rational choice theory might be extended in order to provide better models. The contributors evaluate the adequacy of analyses based on neoclassical economics, the potential contributions of game theory and cognitive science, and the consequences for the basic framework when unequal bargaining power and hierarchy are introduced.

  • Sales Rank: #1639760 in Books
  • Published on: 1990-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.29 pounds
  • Binding: Paperback
  • 272 pages

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3 of 3 people found the following review helpful.
Some prescient insights in a rapidly advancing field
By Herbert Gintis
This volume was written over twenty years ago in a rapidly-changing field, so its value is mostly historical, although there are a few classical papers, reprints, of enduring value by Mark Machina, Daniel Kahneman and Amos Tversky, and George Stigler and Gary Becker. I read this book as part of an endeavor to chart the development in our understanding of the rational actor model. While there is much that is out of date, trivial, and/or incorrect, there are some important insights worth recording.

The Introduction, by the editors and others, is extremely clear-headed. They identify the task of the book as that of determining "what is it that rational actor models can and cannot do." They further note that the rational actor model is "deeply interdisciplinary," and they argue that the future of rational choice theory "lies in analyses of norms and institutions." This position is extremely forward-looking, because until recently, rational choice and the theory of norms were considered antithetical approaches---a position leading to the impoverishment of both research areas.

Jon Elster provides a subtle and insightful analysis of instrumental rationality, by which he means that the agent chooses means that are most appropriate towards the achievement of desired ends. This notion is quite distinct from the "rational actor model" treatment of rationality as simply the transitive and consistency of preferences. Elster notes that some failures of the expected utility principle are really failures of instrumental rationality. For instance, "folk probability theory" differs systematically from mathematical probability theory, and this leads agents to make inferior choices, even given their preferences over outcomes. Nevertheless, preference transitivity may still hold. Elster's most original contribution here is a defense of the principle of rationality as the "default assumption," despite the fact that the principle fails in many important circumstances. On the other hand, Elster explicitly states that "normative behavior" is an alternative to "rational behavior," a view that contradicts that of the editors (and my own). He takes this position because he considers normative behavior as not a case of instrumental rationality (e.g., the norm of voting in a democracy is not instrumentally rational).

Michael Hechter, in a short commentary, notes several weakness of the Folk Theorem approach to cooperation among self-regarding agents. His incisive and prescient remarks lead him, correctly I believe, to stress that we must seek an "external" rather than an "internal" model of social cooperation---one that depends on social norms in some extrinsic way.

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@ Fee Download Legal Secrets: Equality and Efficiency in the Common Law, by Kim Lane Scheppele

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Legal Secrets: Equality and Efficiency in the Common Law, by Kim Lane Scheppele

Does the seller of a house have to tell the buyer that the water is turned off twelve hours a day? Does the buyer of a great quantity of tobacco have to inform the seller that the military blockade of the local port, which had depressed tobacco sales and lowered prices, is about to end? Courts say yes in the first case, no in the second. How can we understand the difference in judgments? And what does it say about whether the psychiatrist should disclose to his patient's girlfriend that the patient wants to kill her?

Kim Lane Scheppele answers the question, Which secrets are legal secrets and what makes them so? She challenges the economic theory of law, which argues that judges decide cases in ways that maximize efficiency, and she shows that judges use equality as an important principle in their decisions. In the course of thinking about secrets, Scheppele also explores broader questions about judicial reasoning—how judges find meaning in legal texts and how they infuse every fact summary with the values of their legal culture. Finally, the specific insights about secrecy are shown to be consistent with a general moral theory of law that indicates what the content of law should be if the law is to be legitimate, a theory that sees legal justification as the opportunity to attract consent.

This is more than a book about secrets. It is also a book about the limits of an economic view of law. Ultimately, it is a work in constructive legal theory, one that draws on moral philosophy, sociology, economics, and political theory to develop a new view of legal interpretation and legal morality.

  • Sales Rank: #3547373 in Books
  • Published on: 1990-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .95" w x 6.00" l, 1.15 pounds
  • Binding: Paperback
  • 378 pages

About the Author
Kim Lane Scheppele is assistant professor of political science, assistant research scientist in the Institute of Public Policy Studies, and adjunct assistant professor of law at the University of Michigan. She is the coauthor of Crime and Punishment: Changing Attitudes in America and is cofounder of the Conference Group on Jurisprudence and Public Law.

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@ Download Ebook The Jewel in the Crown (The Raj Quartet, Book 1), by Paul Scott

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The Jewel in the Crown (The Raj Quartet, Book 1), by Paul Scott

No set of novels so richly recreates the last days of India under British rule—"two nations locked in an imperial embrace"—as Paul Scott's historical tour de force, The Raj Quartet. The Jewel in the Crown opens in 1942 as the British fear both Japanese invasion and Indian demands for independence. On the night after the Indian Congress Party votes to support Ghandi, riots break out and an ambitious police sargeant arrests a young Indian for the alleged rape of the woman they both love.

  • Sales Rank: #266545 in Books
  • Brand: University of Chicago Press
  • Published on: 1998-05-22
  • Released on: 1998-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.40" w x 5.50" l,
  • Binding: Paperback
  • 462 pages
Features
  • Great product!

Amazon.com Review
"Ah no, waste no pity on young Kumar. Whatever he got while in the hands of the police he deserved. And waste no pity on her either. She also got what she deserved."

August 1942. World War II is reaching its apex, with the conflict consuming almost all of Asia and Europe. In Southeast Asia, the Japanese have driven the British army out of Burma and are threatening India, where Britain's beleaguered forces find themselves facing an increasingly hostile Indian populace tired of decades of unfulfilled promises of freedom. On a dark monsoonal night in the town of Mayapore, amid an outbreak of anti-British rioting, a gang of Indian men rape a young British woman. Through this rape, we are introduced to a cast of characters engulfed and subsequently carried away by the storm of events. Paul Scott's The Jewel in the Crown is part historical novel, part mystery, part love story, part allegory. But to reduce it to any of these elements is to miss its irony, poignancy, and beauty. Full of complex characters and rich in atmosphere and symbolism, this is a novel that works on many different levels.

The events unfold through the eyes of a varied cast of characters--both British and Indian--united by their inability to escape the straightjacket of race and social roles, no matter their class, education, or political views. This is particularly excruciating for the rape victim and the young Indian man accused of the crime. These two are drawn to each other by their alienation from the roles they are expected to play. Englishwoman Daphne Manners finds herself increasingly estranged from her countrymen, while Hari Kumar, an Indian who has lived in Britain for all but two years of his life and is so anglicized that he doesn't even speak Hindi, can't abide his native land. Their struggle with the identities and constraints that society imposes on them and the manifestations of their conflict form the core of the novel, providing the timelessness and richness that make it one of the great novels of the 20th century.

The Jewel in the Crown, originally published in 1966, is the first of the Raj Quartet, the sweeping epic that looks at the collapse in the 1940s of British rule in India. It was followed by The Day of the Scorpion, The Towers of Silence, and A Division of Spoils. --Jonathan King

Review
“Paul Scott’s vision is both precise and painterly. Like an engraver crosshatching I the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” (Jean G. Zorn New York Times Book Review)

“One has to admire Mr. Scott’s gifts as a buttonholing storyteller, and his rich, close-textured prose; his descriptions of action and of certain kinds of relationships are superb.” (Guardian)

“What has always astonished me about The Raj Quartet is its sense of sophisticated and total control of its gigantic scenario and highly varied characters. The four volumes constitute perfectly interlocking movement of a grand overall design. The politics are handled with an expertise that intrigues and never bores, and are always seen in terms of individuals.” (Peter Green New Republic)

About the Author
Paul Scott (1920-78), born in London, held a commission in the Indian army during World War II. His many novels include Johnnie Sabib, The Chinese Love Pavilion, and Staying On.

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0 of 0 people found the following review helpful.
Be Prepared To Get Confused!
By Angelica McDermott
The book was slow reading due to Indian names and places, and difficult vocabulary that was not for easy reading. It was wordy, and too much explanation to get to the point.

19 of 19 people found the following review helpful.
A truly remarkable work
By A Customer
This novel, and the three following it, which together comprise the "Raj Quartet" are not to be missed. The fascinating stories of a dozen or so people in India during the last years of British rule are told from several different points of view throughout the entire series, and with each retelling, new impressions and opinions are expressed by the characters. New information is also relayed each time, adding new layers and propelling the story forward. The technical skill with which Scott manages to present so many different points of view alone makes the series worth reading. The incidental history lesson provided also adds a great deal. But it is the literary skill displayed that makes me rate these four novels near, if not at, the top of my list.
Be warned - these are not easy reads, especially if your knowledge of India under British rule is as limited as mine! The effort is well worth it, however.

12 of 12 people found the following review helpful.
Don't miss this book
By Bodhidharma
Jewel in the crown in the first novel in a series of four that are collectively known as the Raj Quartet. I had to struggle through the first hundred pages or so but after that was completely engrossed in the story right till the end. Paul Scott not only had an amazing gift to understand the complexities of human emotions but also to articulate them in a fashion that one finds it hard not to sympathize with his characters whether one agrees with them or not.

The story takes place in the early 1940s when anti-British feelings were at an all time high in British India. During this period of unrest, two British women - both of whom, ironically, loved India and detested the snobbery and superciliousness of the ruling British - were brutally assaulted, but decide not to cooperate with the imperial police. With this as the background, Paul Scott does a masterful job (through many interesting characters) of examining and explaining the issues of racism, love, sexuality, jealousy, etc. I can't wait to read the rest of the novels in this series.

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Selasa, 23 Februari 2016

> Download PDF Marion Mahony Reconsidered (Chicago Architecture and Urbanism)From University Of Chicago Press

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Marion Mahony Reconsidered (Chicago Architecture and Urbanism)From University Of Chicago Press

Marion Mahony Griffin (1871–1961) was an American architect and artist, one of the first licensed female architects in the world, designer for Frank Lloyd Wright’s Chicago studio, and an original member of the Prairie School of architecture. Largely heralded for her exquisite presentation drawings for both Wright and her husband, Walter Burley Griffin, Mahony was an adventurous designer in her own right, whose independent and highly original work attracted attention at a moment when architectural drawing and graphic illustration were becoming integral to the design process.

This book examines new research into Mahony’s life and paints a vivid portrait of a woman’s place among the lives and productions of some of our most noted American architects. The essays included take us on an ambitious journey from Mahony’s origins in the Chicago suburbs, through her years as Wright’s right-hand woman and her bohemian life with her husband in Australia—whose new capital city, Canberra, she helped to plan—up until her golden years in the middle of the twentieth century. Filled with richly detailed analyses of Mahony’s works and including and populated by an international cast of characters, Marion Mahony Reconsidered greatly expands our knowledge of this talented, complex, and enigmatic modern architect.

  • Sales Rank: #1581617 in Books
  • Published on: 2011-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .70" w x 8.50" l, 2.15 pounds
  • Binding: Hardcover
  • 192 pages

Review
“Marion Mahony Reconsidered tells the fullest story of Marion both as a person and as an architect available. The introduction and essays look at Marion’s whole career but also have an overriding purpose—to redress Marion’s erasure from history by raising new questions, by focusing on achievements that cannot be denied, and by beginning to fill in some of the blanks, gaps, and absences in her life story. This is a scholarly achievement of great significance to the history of architecture.”

(Jane Clarke, architectural historian)

“An architect and extraordinary graphic artist, Marion Mahony was nothing less than a force of nature. Until now, Mahony was often marginalized as merely a ‘helpmate’ to or ‘talented renderer’ for first Frank Lloyd Wright and then her husband, Walter Burley Griffin. At the other extreme, some have amplified her achievements by diminishing those of her husband. Meticulously researched and rich in critical analysis, Marion Mahony Reconsidered is a remarkably even-handed, well-balanced study. Marion Mahony at last has the monograph her remarkable career deserves. It is, moreover, a dangerous book for those who believe Wright single-handedly invented everything emanating from his Oak Park studio. Without reservation, this book belongs in the library of those interested in Mahony, Griffin, and Wright as well as the genesis of modern architecture in America.”

(Christopher Vernon, University of Western Australia)

“Absorbing. . . . Does much to place Mahony in the correct relationship to the men in her life and the world in which they collectively functioned.”

(Australian Book Review)

“Marion Mahony Reconsidered opens the door for further study and presents an insightful portrait of a pioneering designer whose contribution to American architecture deserves recognition and further study.”

(Art Libraries Society of North America)

“Marion Mahony Reconsidered presents new perspectives on a fascinating but elusive figure who emerged in one of the golden periods of Chicago architecture.” (Journal of Illinois History)

About the Author

David Van Zanten is the Mary Jane Crowe Professor in Art and Art History at Northwestern University. He is the author of Sullivan’s City: The Meaning of Ornament for Louis Sullivan, among several other books.

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0 of 0 people found the following review helpful.
Fascinating study of a very complex individual
By David Arbogast
Marion Mahony, who is best remembered for her stunning architectural renderings, was a highly complex individual. This book explores various strands of her complex life and personality. The text is excellent and the illustrations are equally superb. I highly recommend this book for those who are particularly interested in her, for those interested in Frank Lloyd Wright and the Prairie School of architecture, and for those interested in Walter Burley Griffin, Marion's husband.

0 of 0 people found the following review helpful.
Artist, draftsperson and architect, Mahony does it all
By Janice Feinglass
At last, one of America's first female licenced architects gets a monograph. Her wonderful landscapes of Tasmania are breath-taking. Any lover of Frank Lloyd Wright or Walter B. Griffin (her husband) should own this book.

0 of 0 people found the following review helpful.
Excellent review of an early 20th Century female architect whose ...
By DC in SD
Excellent review of an early 20th Century female architect whose talents have long been under appreciated and overshadowed by her employer, Frank Lloyd Wright.

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Senin, 22 Februari 2016

* Fee Download Prague Palimpsest: Writing, Memory, and the City, by Alfred Thomas

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Prague Palimpsest: Writing, Memory, and the City, by Alfred Thomas

A city of immense literary mystique, Prague has inspired writers across the centuries with its beauty, cosmopolitanism, and tragic history. Envisioning the ancient city in central Europe as a multilayered text, or palimpsest, that has been constantly revised and rewritten—from the medieval and Renaissance chroniclers who legitimized the city’s foundational origins to the modernists of the early twentieth century who established its reputation as the new capital of the avant-garde—Alfred Thomas argues that Prague has become a paradoxical site of inscription and effacement, of memory and forgetting, a utopian link to the prewar and pre-Holocaust European past and a dystopia of totalitarian amnesia.

Considering a wide range of writers, including the city’s most famous son, Franz Kafka, Prague Palimpsest reassesses the work of poets and novelists such as Bohumil Hrabal, Milan Kundera, Gustav Meyrink, Jan Neruda, VítÄ•zslav Nezval, and Rainer Maria Rilke and engages with other famous authors who “wrote” Prague, including Guillaume Apollinaire, Ingeborg Bachmann, Albert Camus, Paul Celan, and W. G. Sebald. The result is a comparative, interdisciplinary study that helps to explain why Prague—more than any other major European city—has haunted the cultural and political imagination of the West.

  • Sales Rank: #2895446 in Books
  • Published on: 2010-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, 1.01 pounds
  • Binding: Hardcover
  • 200 pages

Review
“Prague Palimpsest explores the complex interplay between history and imagination in representations of what the poet VitÄ•zslav Nezval called the ‘city-book.’ . . . The five main chapters supply fresh discussion of particular traditions: myths of the city’s origin; the Golem and Prague’s Jewish heritage; Kafka and his legacy; the relationship between Prague and Paris in the interwar avant-garde; and the writings of Paul Celan, Ingeborg Bachmann, and W. G. Sebald. Each supplies a rich store of examples, and shows a different Prague: nationalist capital, Gothic Praga magica, or city of surrealist flânerie.”

(Times Literary Supplement)

“Prague Palimpest should find an eager audience among scholars curious as to how writers have written in or around the city. Brief but elegant summaries of the works under discussion are followed by inspired interpretations.”

(Slavic Review)

About the Author

Alfred Thomas is professor of English and Germanic Studies at the University of Illinois at Chicago and the author of five books, including, most recently, The Bohemian Body: Gender and Sexuality in Modern Czech Culture.

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3 of 3 people found the following review helpful.
A Beautiful, Sensitive Treatment of Prague's Literary Uses
By Richard Demma
A hauntingly beautiful, sensitive treatment of Prague's literary tradition and the uses authors - both Czech and foreign - have made of the City as a 'palimpsest' of changing images through which they can exorcise their own personal demons and the traumas of the past century. This is especially so of German authors dealing with the traumatic guilt of the holocaust. I also found the book quite sad, as it recounts such immense suffering witnessed and experienced by the city and its inhabitants. Almost unbearable. It also makes for an excellent review of the Czech literary tradition, from its early past to its 19th century giants like Jan Neruda, all the way up to the contemporary lights of Michal Ajvaz and Sylvie Germain. Also invaluable is the author's treatment of Prague's most famous literary son, Franz Kafka. For the first time, I finally understood Kafka's place in the Czech literary tradition, and yes, he does have a place. He would not have become the author so well known today without the profound literary influences upon him of the great Czech authors of the past. The fact that he self-consciously chose to distance himself from this tradition (to universalize himself) and to eradicate from his writings any specific, concrete references both to the literary tradition and to Prague itself as a specific city does not take away from this fact. In this fashion, he somewhat resembles Samuel Beckett in relation to his own Irish literary tradition and the great Western dramatic tradition. For the first time I understood that Kafka does not simply float disembodied in space as an alienated German speaking Jew in the Czech lands. He grew out of the Czech literary tradition, was nourished by it, and in his own countervailing way contributed immeasurably to its enrichment. I book I will surely read again. HIghly recommended.

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Minggu, 21 Februari 2016

!! Ebook Lost Property: The Woman Writer and English Literary History, 1380-1589, by Jennifer Summit

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Lost Property: The Woman Writer and English Literary History, 1380-1589, by Jennifer Summit

The English literary canon is haunted by the figure of the lost woman writer. In our own age, she has been a powerful stimulus for the rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the fourteenth through the sixteenth centuries.
Lost Property traces the representation of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Queen of Scots, exploring how the woman writer became a focal point for emerging theories of literature and authorship in English precisely because of her perceived alienation from tradition. Through original archival research and readings of key literary texts, Summit writes a new history of the woman writer that reflects the impact of such developments as the introduction of printing, the Reformation, and the rise of the English court as a literary center.
A major rethinking of the place of women writers in the histories of books, authorship, and canon-formation, Lost Property demonstrates that, rather than being an unimaginable anomaly, the idea of the woman writer played a key role in the invention of English literature.

  • Sales Rank: #3609270 in Books
  • Color: Grey
  • Published on: 2000-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, 1.02 pounds
  • Binding: Paperback
  • 284 pages

About the Author
Jennifer Summit  is associate professor of English at Stanford University. She is the author of Memory's Library: Medieval Books in Early Modern England, published by the University of Chicago Press.

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Sabtu, 20 Februari 2016

? Ebook Free The Poet's Freedom: A Notebook on Making, by Susan Stewart

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The Poet's Freedom: A Notebook on Making, by Susan Stewart

Why do we need new art? How free is the artist in making? And why is the artist, and particularly the poet, a figure of freedom in Western culture? The MacArthur Award–winning poet and critic Susan Stewart ponders these questions in The Poet’s Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work.

Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets—Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create. A book about the pleasures of making and thinking as means of life, The Poet’s Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.

  • Sales Rank: #604142 in Books
  • Brand: Brand: University Of Chicago Press
  • Published on: 2011-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, .87 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

Review
"Susan Stewart is an investigator of linguistic nuance and a new metaphysics, par excellence.... I believe she is one of the finest poets of the last fifty years." -John Kinsella, Salt Magazine "Stewart's meditations on the history of poetry and the poetic are in themselves an original contribution to the philosophy of culture." -Hayden White, author of Figural Realism"

About the Author
Susan Stewart is the Avalon Foundation University Professor in the Humanities and director of the Society of Fellows in the Liberal Arts at Princeton University. A former MacArthur fellow, she is the author of five earlier critical studies, including Poetry and the Fate of the Senses (2002), winner of the Christian Gauss award of the Phi Beta Kappa Society and the Truman Capote Award. She is also the author of five books of poems, most recently Red Rover (2008) and Columbarium (2003), winner of the National Book Critics Circle Award. These titles, along with The Open Studio (2005) and The Forest (1995), are all published by the University of Chicago Press.

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