! Free Ebook All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916, by Robert W. Rydell

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All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916, by Robert W. Rydell

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Robert W. Rydell contends that America's early world's fairs actually served to legitimate racial exploitation at home and the creation of an empire abroad. He looks in particular to the "ethnological" displays of nonwhites—set up by showmen but endorsed by prominent anthropologists—which lent scientific credibility to popular racial attitudes and helped build public support for domestic and foreign policies. Rydell's lively and thought-provoking study draws on archival records, newspaper and magazine articles, guidebooks, popular novels, and oral histories.

• Sales Rank: #545703 in Books
• Published on: 1987-10-15
• Released on: 1987-10-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.10 pounds
• Binding: Paperback
• 338 pages

About the Author
Robert W. Rydell is professor of history at Montana State University and served as John Adams Professor of American Civilization at the University of Amsterdam.

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16 of 19 people found the following review helpful.
World's Fairs and the Leisure Class
By Pop Curious
Robert W. Rydell's book, All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916 is far different a study than Roy Rosenzweig's, yet it offers some interesting insights into how the moneyed leisure class still indulged in luxuries of their own. Rydell writes that the impetus behind world's fairs was to boost the economy while maintaining an American authority over the displays. Just as saloons and amusement parks were necessary for America's working class, the World's Fairs were designed for the leisure class.
The world fairs of 1876-1916 betrayed a much more sinister agenda. Ideas of American progressed became related to scientific racism. The widening concern over immigration by the leisure class eventually promoted eugenicist ideas about the hierarchy of white populations.
World's fairs did not stand in direct opposition to the leisure pastimes of the working class. In fact, they utilized them to "scientifically" and racially segregate members of the American population.
Rydell argues that the world's fairs in America from 1876-1916 were a material vision of political, business, and intellectuals to promote their vision of racial dominance. Thus, so far we have witnessed segregation of leisure along class lines but not until reading , All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916 is it so clear that the elements of leisure rested on racial superiority.

12 of 12 people found the following review helpful.
Great historical study
By Paul McGinnis
This book is an extensive study of American World's Fairs from 1876 to 1915, a pivotal period in this country's history. The author gives a lot of historical background about that era, plus a lot of well-researched information about the expositions of that period. He does a great job of showing how these expositions were designed to lure the public into supporting the interests of the power structure of the time. In addition to the text, there are a lot of photographs, some quite rare, to give the reader a feel for these expositions.

0 of 0 people found the following review helpful.
The chapter on the Columbian Exposition in Chicago throws open ...
By Rick Heflin
The chapter on the Columbian Exposition in Chicago throws open our understanding of the imbedded racism of that time. They really did think they were doing it right. It also shows, historiographically, how much as changed in our ideas not only about race, but also the place of people such as Columbus in history...........

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! PDF Ebook The Stoic Idea of the City, by Malcolm Schofield

PDF Ebook The Stoic Idea of the City, by Malcolm Schofield

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The Stoic Idea of the City offers the first systematic analysis of the Stoic school, concentrating on Zeno's Republic. Renowned classical scholar Malcolm Schofield brings together scattered and underused textual evidence, examining the Stoic ideals that initiated the natural law tradition of Western political thought. A new foreword by Martha Nussbaum and a new epilogue written by the author further secure this text as the standard work on the Stoics.

"The account emerges from a jigsaw-puzzle of items from a wide range of authorities, painstakingly pieced together and then annotated in a series of appendixes, the whole executed with fine scholarship, clarity, and good humor."—Times Literary Supplement

• Sales Rank: #2678851 in Books
• Published on: 1999-07-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, .75 pounds
• Binding: Paperback
• 196 pages

Review
An impressive feature of Schofield's book is his clear and meticulous exposition of the evidence, substantial passages of which are given in translation. Any future study of Zeno's Politeia will have to take into account Schofield's fascinating reconstruction of the work of Cassius the Sceptic. -- Classical Review

The plan and argument of this book are refreshingly direct ... A distinguished contribution to the field. It sets a high and innovative standard for historical analysis. -- Bryn Mawr Classical Review

About the Author
Malcolm Schofield is Professor of Ancient Philosophy at the University of Cambridge and a Fellow of St John's College.

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15 of 21 people found the following review helpful.
Good, But Not So Good
By Kevin Morrow
Schofield delves quite deeply into the minds of the stoics and their views of community or citizenship, particularly the cosmic city and being a "citizen of the universe" (kosmopolitai). In doing so, he presents perennial concepts that relate to the ideal city, such as natural law, friendship and the peculiar philosophy of eros (love), pointing out works that related this subject to the example of the male system of society that characterized both Sparta and Crete (37-39).
In the first two chapters, one has the tiresome task of getting through a defense over Zeno's Republic. His Republic was disowned by some later Stoics, one of them being Cassius. Schofield meticulously but without easy readability defends Zeno's work as continuing the tradition and style of political philosophy established by Plato (27,28,42,56).
Overall, I suppose this book would be an ideal book for someone who has studied Greek philosophy in depth, but for the common reader, nay, even the beginning student in Greek studies, it is a difficult work to get through. He occasionally uses Greek words without translation, naively assuming the reader has a command over the Greek language. I give it 3 stars because of its difficult readability.

0 of 0 people found the following review helpful.
Four Stars
By Jeffrey Barnouw
good

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~ Download Ebook Natural Right and History (Walgreen Foundation Lectures), by Leo Strauss

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In this classic work, Leo Strauss examines the problem of natural right and argues that there is a firm foundation in reality for the distinction between right and wrong in ethics and politics. On the centenary of Strauss's birth, and the fiftieth anniversary of the Walgreen Lectures which spawned the work, Natural Right and History remains as controversial and essential as ever.

"Strauss . . . makes a significant contribution towards an understanding of the intellectual crisis in which we find ourselves . . . [and] brings to his task an admirable scholarship and a brilliant, incisive mind."—John H. Hallowell, American Political Science Review

Leo Strauss (1899-1973) was the Robert Maynard Hutchins Distinguished Service Professor Emeritus in Political Science at the University of Chicago.

• Sales Rank: #164841 in Books
• Published on: 1999-10-15
• Released on: 1965-10-15
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .90" w x 5.50" l, .78 pounds
• Binding: Paperback
• 336 pages

From the Back Cover
The problem of natural right is one of the most controversial and significant issues in contemporary political and social philosophy. Leo Strauss, eminent author of The Political Philosophy of Hobbes, examines the current status of this problem and shows that the reasons which have led to a rejection of natural right are not valid.

About the Author
Leo Strauss (1899-1973) was the Robert Maynard Hutchins Distinguished Service Professor Emeritus in Political Science at the University of Chicago.

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31 of 31 people found the following review helpful.
An actual attempt to tell you what the book is about.
By greg taylor
I apologize for my review title. This is one of the cases when I am not sure I recognize the book I just read from the other reviews. I propose to try to tell you something about actual content and structure of the book. I think it is worth doing because I believe this to be one of the most important books on political philosophy written during the twentieth century.
Strauss' history of Western political philosophy can be summed up as follows. In the beginning there were the Greeks. They lived in their politeia (which Strauss translates as regime- see circa p.136 for his discussion). At first they believed that the laws of their particular cities were handed down from god(s) either directly or through divine inspiration. But then they began to reflect on the fact that their different politeia contradicted each other in their ideas of what was just, godly and noble.
Two things happened as a result. The ideas of nature and convention developed.
-Important methodological aside- As has been pointed out by Kennington and many other commentators, Strauss' use of the word `idea' (see. p. 123) is very particular and could be called Socratic-Platonic. In NRH, he uses the word very sparingly, and only to indicate the philosophical issues that are central to his story. The discussion of each chapter of the book and the book as a whole is built around these ideas. By my listing they are as follows: philosophy, history, natural right, science, nature, justice, man, best regime, man's perfection, the city, and virtue (I may have missed some of these). Now some of these, I would claim, Strauss sees as fundamental issues that have alternate solutions between which it is impossible to rationally decide and some of these issues are dead ends for philosophy. Part of the fun of reading Strauss is deciding which is which. And now back to our story.-
Out of these related ideas- convention and nature, the classical vision of political philosophy developed. Strauss covers this in his central chapters 3 and 4. There is only a few points I want to make about his presentation. He believes that the classical understanding of natural right and of man is based on " the hierarchic order of man's natural constitution" (127). Because our nature is hierachial, our ends are as well. Our highest end is the philosophy which is not a body of knowledge but a life of contemplation on the nature of the whole and on the nature of the parts.
Back in the political realm, the result is an investigation as to what constitutes the best regime- what form of politea encourages the development of gentlemen (from whom the philosophers will come-note the type of person that Socrates typically converse with in the Platonic dialogues) and the fostering of the virtues that will be necessary for both the city and the citizen (the virtues required for the philosopher are much more difficult to grasp). Note also that there is no discussion of individual rights here- it is of the duties of the citizen that we speak.
The beginning of the modern version of natural rights is almost an inversion of this view. Instead of focusing on what is highest (and therefore rarest) in human nature, the moderns (e.g., Hobbes) decided to focus on what was most common, indeed, what was universal in the hopes of actualizing their philosophies. Hobbes and Locke (according to Strauss) therefore focused on the passions, particularly on the desire for self-preservation. Strauss' reading of Hobbes and Locke is brilliant and is based on a very broad reading in their works. He sees modernity as undergoing three waves (see the essay, The Three Waves of Modernity, in Strauss' book An Introduction to Political Philosophy). The second wave, started by Rousseau, exposed the presumptions in the philosophies of Hobbes and Locke and ruthlessly critiques their philosophies on the basis of their own presumptions (see p. 269 of NRH for an example). Not discussed in NRH is how Nietzsche initiated the third wave by doing the same thing to Rousseau and his followers.
The third wave of modernity self-implodes in the philosophies of Heidegger (the radical historicist of the early chapters of NRH) and the vacuousness of positivism.
Thus my summary of NRH. Note that there is little content as to what natural right really is in Strauss' opinion. Strauss felt that we would get nowhere on understanding natural right unless we confronted the two major traditions in Western philosophy: historicist (modern) philosophy and nonhistoricist (ancient philosophy). His book is best seen as his attempt to reconsider the most elementary premises of those traditions (p. 32). After all of our careful reading, we are back at the beginning. Running as fast as we can to stay where we are. I am being glib.
I would love to have other readers of NRH comment on how I might improve my understanding of this book. I am nowhere near done with the book or the author. Like other reviewers, I disagree w/ Strauss in many of his fundamental presumptions (where is his argument for the soul?), I suspect many of his interpretations (although many are revelations) but I love learning from him and debating internally with him. He very rarely tells you what to think. He spends almost all of his time exploring the issue at hand in its full complexity. And he has driven me back to rereading Plato and Locke. Ain't nothing wrong with that.

59 of 65 people found the following review helpful.
Essential
By James Liu
I first encountered this book in high school, spurred by my american history and american government teachers. It is therefore somewhat elitist to state that this will go over anyone's head. The ideas and the prose may be complex, but it just requires some patience. If it's worth it to you, you'll be able to read it.
Strauss gave these lectures to counter what then was called historicism, the position that, because conceptions of such things as freedom and right have been so varied throughout time, that because nobody has been able to agree on what right is, that right is relative to the time. The upshod of the arguement is then, since nothing can count as right definitively, there is no right. Strauss argues that historicism, by being another appearance in history, is subject to the same criticism (therefore interally inconsistent) and that even if nobody has been able to agree on "right" doesn't mean that there isn't any such thing, but because debate has been so heated on the subject, it is only all the more evident that there is such a thing such as right.
I may be a slightly biased source, but i've read my share of Levi-Strauss and Foucault. Sure, Strauss confines himself to political philosophy, but the larger issues are there. Postmodern thought is showing strains of its own now, and Strauss pointed them out before they realized they were postmodern. Essential reading for both camps.

18 of 21 people found the following review helpful.
The History of Ideas
By Brian Pacific
"Nature was discovered when man embarked on the fundamental distinctions between hearsay and seeing with one's own eyes, on the one hand, and between things made by man and things not made by man, on the other."
Strauss provides a powerful and scholarly work in his tracing the idea of natural right. Strauss explains the origins of natural right, classical natural right, modern natural right and more. He includes arguments against Hobbes, Locke, Rousseau, Burke, and Weber. The depth of thought may be too much for the common reader, I found it difficult to fully grasp all of Strauss's ideas myself, but it is well worth reading for anyone interested in natural law or the history of ideas.

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** Download PDF The Picture in Question: Mark Tansey and the Ends of Representation, by Mark C. Taylor

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A rich exploration of the possibilities of representation after Modernism, Mark Taylor's new study charts the logic and continuity of Mark Tansey's painting by considering the philosophical ideas behind Tansey's art. Taylor examines how Tansey uses structuralist and poststructuralist thought as well as catastrophe, chaos, and complexity theory to create paintings that please the eye while provoking the mind. Taylor's clear accounts of thinkers ranging from Plato, Kant, and Hegel to Merleau-Ponty, Derrida, and de Man will be an invaluable contribution to students and teachers of art.

• Sales Rank: #1393758 in Books
• Published on: 1999-04-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .60" w x 5.50" l, .46 pounds
• Binding: Paperback
• 151 pages

About the Author
Mark C. Taylor is professor of religion and chair of the Department of Religion at Columbia University. His most recent book is After God, also published by the University of Chicago Press.

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2 of 2 people found the following review helpful.
Necessary read
By Kaz Yourmse
I would first like to address the ridiculous one star review below. The fact that this book presents no pictures of the works themselves does not prevent it from being an invaluable guide to understanding his paintings. Anyone with access to a decent arts library or a computer can quickly become familiar with his paintings. Within 10 minutes of googling Tansey's name, I found a fan site with a large bank of images, titles, and dates, and happened to contain all major works discussed in this book. I would highly recommend familiarizing yourself with his work before reading this book for a more enjoyable and educational experience.

The book's description is very accurate in stating the accomplishments of Taylor's work. His ability to put Tansey's paintings in an art historical, philosophical, and theoretical context is astonishing and necessary in order to fully appreciate the depth of the artist. This book successfully explains the fundamental argument put forth in Tansey's paintings, that representation is not dead, it has only changed form. Taylor does this by exposing the illogical reasoning behind much of modern art criticism.

Being a student of the arts (which dismisses any grammatical errors in this review) with a bias towards representational painting, I particularly enjoyed insights into his painting method, use of monochrome, and process of composing studies for new works. Some of the chapters contained information relating to chaos and complexity theory were a bit over my head but interesting nonetheless. Enjoy

1 of 1 people found the following review helpful.
Very Engaging Study
By J. Anderson
I felt compelled to write a review to balance out the (somewhat silly) one-star review given by T.Swank. It is true that the book does not include any pictures of Tansey's work, but Taylor clearly explains the reason for this in the Preface (before the publishing date, Tansey changed his mind and refused to allow Taylor to reproduce any of his paintings). In opposition to the previous reviewer, I hardly think that this gives us any good reasons to simply dismiss all the content of Taylor's careful and insightful reflection on Tansey's paintings.

This book is an exceptional resource for anyone interested in Mark Tansey's work, but it is much more than that. This book is a meditation on representation itself, and like all of Taylor's work, it offers valuable thinking on the subject. This is a helpful resource for anyone interested in art theory or visual studies.

1 of 1 people found the following review helpful.
A Great Guide to Tansey
By Alec Bryan
Knowing that Tansey was consulted on the making of this book, it serves as a great guide for Tansey's work. The chapters are deep, and not anyone can appreciate them, but that does not discredit Taylor's in-depth precision on so much of Tansey's works. I am usually critical of criticisms of works, but that is why this book is so great. It enhances, and besides Cauley, sometimes Bloom, few critics can do this to the subject matter at hand. A must for the serious Tansey student.

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• Sales Rank: #3241182 in Books
• Published on: 1968-11-01
• Original language: English
• Number of items: 1
• Dimensions: 10.36" h x 1.90" w x 7.88" l, 4.04 pounds
• Binding: Hardcover
• 890 pages

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Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art.

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• Sales Rank: #1309034 in Books
• Brand: Brand: University Of Chicago Press
• Published on: 2011-03-15
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .70" w x 8.50" l, 1.89 pounds
• Binding: Paperback
• 264 pages

Features

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About the Author
Ming Tiampo is associate professor of art history at Carleton University in Ottawa and curator of the American International Association of Art Critics - award-winning Electrifying Art: Atsuko Tanaka 1954-1965 and Under Each Other's Spell: Gutai and New York.

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