Senin, 29 September 2014

? Download PDF Not Under My Roof: Parents, Teens, and the Culture of Sex, by Amy T. Schalet

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Not Under My Roof: Parents, Teens, and the Culture of Sex, by Amy T. Schalet

Not Under My Roof: Parents, Teens, and the Culture of Sex, by Amy T. Schalet



Not Under My Roof: Parents, Teens, and the Culture of Sex, by Amy T. Schalet

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Not Under My Roof: Parents, Teens, and the Culture of Sex, by Amy T. Schalet

Winner of the Healthy Teen Network's Carol Mendez Cassell Award for Excellence in Sexuality Education and the American Sociological Association's Children and Youth Section's 2012 Distinguished Scholarly Research Award
For American parents, teenage sex is something to be feared and forbidden: most would never consider allowing their children to have sex at home, and sex is a frequent source of family conflict. In the Netherlands, where teenage pregnancies are far less frequent than in the United States, parents aim above all for family cohesiveness, often permitting young couples to sleep together and providing them with contraceptives. Drawing on extensive interviews with parents and teens, "Not Under My Roof" offers an unprecedented, intimate account of the different ways that girls and boys in both countries negotiate love, lust, and growing up.
Tracing the roots of the parents' divergent attitudes, Amy T. Schalet reveals how they grow out of their respective conceptions of the self, relationships, gender, autonomy, and authority. She provides a probing analysis of the way family culture shapes not just sex but also alcohol consumption and parent-teen relationships. Avoiding caricatures of permissive Europeans and puritanical Americans, Schalet shows that the Dutch require self-control from teens and parents, while Americans guide their children toward autonomous adulthood at the expense of the family bond.

  • Sales Rank: #335609 in Books
  • Published on: 2011-11-01
  • Released on: 2011-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .92 pounds
  • Binding: Paperback
  • 312 pages

Review
“Amy Schalet’s book compares the sexual attitudes of American and Dutch parents and her findings are nothing short of staggering: Whereas most American parents panic about the idea of allowing their kids to have sex with other kids under their roof, for many Dutch parents, it’s not only fine — it’s responsible parenting. . . . Schalet’s extensively researched, fascinating work . . . is a startling wake-up call about America’s largely misguided attitudes toward sex and growing up.” (Salon)

"Her book starts in the adolescent bedroom, and ends up explaining why the US is so conservative on social issues and the Netherlands so liberal."—Financial Times

(Financial Times)

“This is a thorough and intriguing look at how attitudes about sexuality have developed in each country since the 1970s. The author presents a brief but convincing discussion of how the economic and political systems in Holland and the US evolved to create the cultural frameworks that led Dutch parents to normalize teenage sexuality and US parents to dramatize it. Schalet has juxtaposed US and Dutch cultural histories, family values, and societal attitudes about such seemingly diverse issues as sexuality, immigration, and the intersection of individual autonomy and state sovereignty to produce a fascinating look into the origins and consequences of two diametrically opposed paradigms of adolescent sexuality. . . . Highly recommended.” (Choice)

"Not Under My Roof is a fascinating book. I have told all of my friends who have teenagers to read it. I also recommend it for classroom use. College students will immediately grasp how society shapes their experiences of sex, drugs, and alcohol."


(American Journal of Sociology)

“[An] engaging and informative monograph. . .  .Lucid and highly attuned to the complexities of human experience, Not Under My Roof should find a welcome place in advanced undergraduate and graduate courses on sexuality, gender, and culture and should be required reading for scholars in those areas, as well as for makers of public policy."
(Gender and Society)

“The analyses and insights are mightily impressive. . . . Schalet’s own background has enabled her to be both an insider and an outsider in her observations in both countries, and this advantage has clearly been maximised. A very important work, and very strongly recommended.” (Sex Education)

“In Not Under My Roof, Amy Schalet mines the radically different American and Dutch understandings of adolescent sexuality—their different takes on lust, love, gender, hormones, control, and selfhood—and comes away with scholarly gold. Carefully researched, wicked smart, and filled with the voices and stories of parents and teenagers, Schalet’s is one of the best books on sexuality and culture in years.” (Joshua Gamson, University of San Francisco)

“Schalet’s insightful analyses—grounded in history, sociology, and adolescent development—provide a roadmap for normalizing sexuality and guiding social policy. Taking adolescent sexuality out of the darkness of the back seat and into the light under the family roof has the power to transform adolescent and adult sexuality and family relations.”

(John Santelli, MD, Columbia University)

“Combining intimate personal stories with brilliant sociological insight, Schalet challenges our assumptions about teenage sex and the inevitability of conflict between teenagers and parents. American adolescents rebel, and their parents impose harsh discipline because they prize individual autonomy and fear the social disorder it implies. Dutch parents expect their children to be reasonable because they see self-regulation as a natural attribute of a cohesive society. This far-reaching and enthralling cultural analysis puts flesh on the bones of theories of modern individualism, and, perhaps more importantly, it offers American parents a new, hopeful—if at times unsettling—sense of how we might better love, respect, and care for our children.”

(Ann Swidler, University of California, Berkeley)

“I just finished reading Amy Schalet’s wonderful book, “Not Under My Roof”, and can’t say enough good things about it. It’s easy to read and understand. As the CEO of an almost 100-year-old nonprofit, the American Social Health Association, whose purpose is to educate American’s about how to be sexually healthy, this book is spot on. We tell people every day that parents are critical in starting a child on a sexually healthy life. It is my sincere hope that every parent will read this book.

As the parent of a 23 and 17-year-old, I am humbled by how very much I had to learn. From the first time I heard Amy speak, I was forever changed as a parent. Thank you Amy!” (Lynn B. Barclay President and CEO, American Social Health Association)

“Not Under My Roof is a thought-provoking sociological treatise rooted in the lives and words of real people. The material is sophisticated, but the writing is clear and direct, which makes it a pleasure to read.  Dr. Schalet’s meticulous research gleans the perspectives of teens and their parents in both the U.S. and Holland, offering poignant insight into the struggles over emerging sexuality that occur in the transition from adolescence to adulthood.  Hers is a lucid window into another culture that may help us to more clearly see ourselves.” (Jillian Henderson, University of California, San Francisco)

“With grace and style, Amy Schalet presents a forceful and convincing argument about the divergent cultural approaches to sexuality, socialization of adolescents, and conceptions of citizenship in the United States and the Netherlands, probing deep-seated value differences that play out in the management of sex. Nuanced, well documented, and remarkably persuasive, Not Under My Roof is an exemplary study.”

(Frank Furstenberg, University of Pennsylvania)

Winner of the Healthy Teen Network’s Carol Mendez Cassell Award for Excellence in Sexuality Education
(Healthy Teen Network)

ASA Children and Youth Section's 2012 Distinguished Scholarly Research Award
(American Sociological Association)

About the Author

Amy T. Schalet is assistant professor of sociology at the University of Massachusetts, Amherst.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Smart, humane, and USEFUL social science
By Benjamin Moodie
Prof. Schalet's book may be the most useful scholarly work ever written about adolescent sexuality. Her comparison of how parents and society deal with teens and sex in Holland and the United States is all the more significant since both societies have been strongly influenced by Calvinist Protestantism and both cultures prize social equality, individuality, and autonomy.

As Schalet explains, Dutch society has developed a template for "normal" and healthy adolescent sexual development that fosters emotionally committed relationships under parents' and adults' watchful gaze. Although she is scrupulously fair in admitting its imperfections, Schalet shows that this template leads to clearly superior health outcomes, since Dutch teens have much lower rates of unintended pregnancy, sexually transmitted diseases, and abortions than do American teens. By contrast, American teenage sexuality is a battleground pitting girls against boys, parents against children, and ungovernable adolescent peer groups against ineffectually authoritarian adult laws and norms. Few of the participants on the American scene seem particularly happy with the way things are. This is where Amy Schalet's book is so valuable: she shows that things could be otherwise.

As a piece of scholarship, this book is of sterling quality: it recognizes and respects the cultural and institutional forces at work in each country's approach to adolescent sexuality. Schalet demonstrates that culture shapes behavior and experience powerfully, but that cultural change is also possible: the Dutch approach to sexuality is a recent, post-1960s innovation.

The American parents, health professionals, educators, and even teens who will benefit most from this book are those with socially liberal impulses who feel that there must be a better way, but are not entirely sure what a realistic alternative to the status quo might be. For these people, Schalet shows a way forward that is neither the current prohibitionist culture nor a completely permissive libertarian mirror image of the status quo. Her book holds out the possibility of a more humane, mutually respectful, and healthy adolescent experience of sexuality.

Staunch social conservatives who read this book will probably come away unconvinced, believing that American adolescents are somehow intrinsically less self-disciplined than their European counterparts. (How is it that "socialism" teaches self-control so effectively?) Or they may believe that making teens "pay for their sins" is morally or religiously appropriate.

But for American readers who want a more compassionate--and demonstrably effective--approach to helping adolescents learn about love and sex, Schalet's book is indispensable. The more widely this book is read, the better the prospects for improving our children's lives, home by home and community by community.

9 of 9 people found the following review helpful.
Awesome Book...MUSR READ!
By Lynn Barclay
I just finished reading Amy Schalet's wonderful book, "Not Under My Roof", and can't say enough good things about it. It's easy to read and understand. As the CEO of an almost 100-year-old nonprofit, the American Social Health Association, whose purpose is to educate American's about how to be sexually healthy, this book is spot on. We tell people every day that parents are critical in starting a child on a sexually healthy life. It is my sincere hope that every parent will read this book.

As the parent of a 23 and 17-year-old, I am humbled by how very much I had to learn. From the first time I heard Amy speak, I was forever changed as a parent. Thank you Amy!

5 of 5 people found the following review helpful.
A must-read for anyone who cares about teen sexuality
By Melmar
"Not Under My Roof" is a must-read for any parent who cares about what the sexual development of their children will mean to the family, any doctor who works with teens, and any policy maker who wonders how to navigate the dicey waters of teen sexuality, pregnancy, and STDs. It also breaks new ground by making us think about the role of culture in shaping what we take most for granted: how our children become adults. "Not Under My Roof" is the rare book that presents original, research-based findings that also have real-world relevance. It's also written in nice, clear language and filled with great stories.

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Sabtu, 27 September 2014

! Download Ebook The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture, by Timothy D. Taylor

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The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture, by Timothy D. Taylor

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The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture, by Timothy D. Taylor

From the early days of radio through the rise of television after World War II to the present, music has been used more and more to sell goods and establish brand identities. And since the 1920s, songs originally written for commercials have become popular songs, and songs written for a popular audience have become irrevocably associated with specific brands and products. Today, musicians move flexibly between the music and advertising worlds, while the line between commercial messages and popular music has become increasingly blurred.

Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar upsurge in consumerism, and the more complete fusion of popular music and consumption in the 1980s and after. The Sounds of Capitalism is the first book to tell truly the history of music used in advertising in the United States and is an original contribution to this little-studied part of our cultural history.  

  • Sales Rank: #1944622 in Books
  • Brand: Brand: University Of Chicago Press
  • Published on: 2012-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.40 pounds
  • Binding: Hardcover
  • 368 pages
Features
  • Used Book in Good Condition

Review
“In The Sounds of Capitalism, Timothy D. Taylor presents a rich and compelling story about music’s emergence within the broad fields of US advertising and consumer culture. With great clarity and critical acumen, Taylor charts a complex history of the various ways in which advertisers have relied on music in order to sell consumer goods, employing strategies which, over time, have produced a complex semiotics blurring distinctions between the auditory and the material, between taste in music and desire for purchasable things. Taylor’s book is stunning in its exhaustive accounting of a vast, unexplored territory in US cultural history. And as we read through the tale, we gain something even more: a startling realization of how deeply intertwined our musical values and practices of consumption really are. The book promises to become a major text in the history of consumption as it establishes a new foundation in the study of US popular music.” (Ronald Radano University of Wisconsin-Madison)

“Today, in a business where everyone knows everything, Timothy Taylor has written a scrupulously researched, thoroughly enjoyable history of the wild world of advertising music. The Sounds of Capitalism is the engrossing story of how the musical face of America’s economy has evolved through the generations; told in the words of those who were there. This is a landmark book."

(Steve Karmen "King of the Jingle")

“This strikingly original work skillfully weaves together the author’s unmatched knowledge of modern music and perceptive reading of previously untapped sources to reveal how popular music and advertising became mutually dependent industries across a century of change. It will force us to rethink what we know about the popular arts and consumer culture.” 





(Gary Cross author of An All-Consuming Century: Why Commercialism Won in Modern America)

"Timothy D. Taylor’s unique contribution is his application of the historical approach to his subject, tracing, through extensive interviews and archival research, the evolution of music in American advertising from the early days of radio to the present. In doing so, he offers both a thorough and detail-rich history of this increasingly ubiquitous part of American life, and a broader meditation on the politics of sound in contemporary culture."
(Caroline Waight MAKE: A Chicago Literary Magazine)

“As the musicologist Timothy D. Taylor shows in The Sounds of Capitalism, the links between American popular music and advertising are longstanding. While he briefly covers the “prehistory” of the phenomenon in the cries of 13th-century street hawkers recorded in the Montpellier Codex, Taylor’s real starting place is radio, which, he argues, is where the marriage between music and advertising was first truly consummated.” (Evan Kindley n+1)

“Taylor is to be commended for his organization of the text (which is exhaustively researched and annotated) and accessible writing style, which invite readers into his narrative personably, effortlessly, and enjoyably. His examples ably illustrate his points, and while he competently nods to the scholarly community through his implementation of cultural theory (especially in the last chapter), the clear, jargon-free language in which he has couched his analyses will appeal to a broad audience.” (Ethnomusicology)

“For anyone interested in how music interacts with consumer desire and conceptions of self within consumer society, Taylor’s work is essential. It makes a compelling case that all of us interested in discussing music or U.S. culture in the last century must account for advertising as part of the story.”
  (Journal of the Societey for American Music)

About the Author

Timothy D. Taylor is professor in the Department of Ethnomusicology and Musicology at the University of California, Los Angeles. He is the author of Global Pop: World Music, World Markets; Strange Sounds: Music, Technology, and Culture; and Beyond Exoticism: Western Music and the World.

Most helpful customer reviews

7 of 7 people found the following review helpful.
The Soundtrack to Sales
By Rob Hardy
I often have a tune running in my head, an "earworm" that may be playing in my mind for a while before I even tune in and listen to the music. (I find this such an interesting occurrence - it's an example of how I am not in charge of what goes on even inside my own cranium.) I usually don't mind this; the music will be a Bach cantata or a Gershwin tune, and those are not such a bad interior soundtrack. But every so often, against my will, whatever entity is pushing my cerebrum's jukebox buttons will pick a commercial jingle. Since I don't watch much commercial television these days, the inner DJ has to reach way back; not long ago I was hearing "Things go better with Coca-Cola," which was from over forty years ago. (I am worried now that mentioning it here will bring on a reprise.) Those advertising songwriters surely knew what they were doing. And they still do, although the role of music in commercials has changed a lot since those jingle days. That's part of the message of _The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture_ (University of Chicago Press) by ethnomusicologist Timothy Taylor. While it is an academic work, with about a quarter of its pages devoted to footnotes and bibliography, Taylor has a jolly subject, and there are many surprises and funny events recounted here. There is, too, a distressing analysis that shows that advertising and popular music have merged so that it is hard to tell them apart.

The first real jingle seems to have been a heavy ditty from 1926 by the Wheaties Quartet ("They're crispy, and crunchy, the whole year through / The kiddies never tire of them and neither will you.") There were others, but the first jingle to have a life of its own (they didn't say "go viral" back then) was the "Pepsi-Cola Hits the Spot" campaign of 1939. ("Pepsi-Cola hits the spot, / Twelve full ounces, that's a lot...") The Chiquita Banana Song came out in 1944, and was so durable that it was last modernized in 1999. In the fifties, jingles were harnessed for the sort of consumerism that was supposed to show those commies how good we have it over here, and many of the tunes were marches, like the music for the 1953 Gillette ad "To Look Sharp", also known as the "Look Sharp March" ("To look sharp, every time you shave / To feel sharp, make your beard behave, / Just be sharp. Use Gillette Blue Blades / For the quickest slickest shave of all.") Fashions change in advertising, and by the 1980s, jingles were seen as too hard-sell and obvious. Rock and pop songs were thought to be purer and more authentic, and so what could advertisers do but make them impure and inauthentic? That there were baby-boomers who would respond to the tugs of the heart from nostalgic songs was realized in 1984 by Ford, which put seventeen classic rock hits into advertisements for Lincoln-Mercury. It was known as the "_Big Chill_ Campaign," from the movie with the same boomer theme. A creative director at the agency that made the commercials said, "The music... recalls their adolescence, the most exciting time of their life and it transfers some of those good feelings to Lincoln-Mercury." MTV sparked a language of fast pace and quick cuts; not only did video directors shoot commercials, the MTV videos might well be considered commercials themselves. Volkswagen concentrated on rock in its ads so much that it sold a CD, _Street Mix: Music from Volkswagen Commercials_, and you could hear the music on an online radio station at its website. One job title at agencies might be "Trend Analyst," and one firm recruits 3000 people "between the ages of eight and twenty-four to investigate what is cool and trendy." CD manufacturers affix stickers to CDs saying, "As heard on the ______ commercial."

It's easy to get cynical looking at such blatant manipulation, but manipulation is the point. Remember what Lily Tomlin said, that without advertising, people would just wander the store aisles aimlessly, unable to act. The commercials described here sometimes didn't just influence our feelings toward a product, but influenced our feelings toward the whole world (remember "I'd like to teach the world to sing"?) And best of all, _The Sounds of Capitalism_ has a website, where you can hear the commercials referred to in the text. It is a wonderful way of pairing print and internet, and I have listened to a lot of the ads there. Now someone tell me how to get "When you say Budweiser, you've said it all" out of my head.

1 of 1 people found the following review helpful.
Five Stars
By J. Cheung
Great!

0 of 9 people found the following review helpful.
question on this one
By sandiegomoe
Does The Sounds of Captialism: Advertising, Music and the Conquest of Culture Kindle edition include actual audio of the jingles and advertisements? I think it would be very frustrating to read this book without audio accompaniment (sp?).

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Jumat, 26 September 2014

? Free Ebook Strindberg's Letters, Volume 2 : 1892-1912, by August Strindberg

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Strindberg's Letters, Volume 2 : 1892-1912, by August Strindberg

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Strindberg's Letters, Volume 2 : 1892-1912, by August Strindberg

This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.

  • Sales Rank: #5061967 in Books
  • Published on: 1992-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.00" l, 2.00 pounds
  • Binding: Hardcover
  • 506 pages

About the Author
Michael F. Robinson is associate professor of history at the University of Hartford.

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Selasa, 23 September 2014

~ Fee Download The Day of the Scorpion, by Paul Scott

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The Day of the Scorpion, by Paul Scott

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The Day of the Scorpion, by Paul Scott

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The Day of the Scorpion, by Paul Scott

In The Day of the Scorpion, Scott draws us deeper in to his epic of India at the close of World War II. With force and subtlety, he recreates both private ambition and perversity, and the politics of an entire subcontinent at a turning point in history.

As the scorpian, encircled by a ring of fire, will sting itself to death, so does the British raj hasten its own destruction when threatened by the flames of Indian independence. Brutal repression and imprisonment of India's leaders cannot still the cry for home rule. And in the midst of chaos, the English Laytons withdraw from a world they no longer know to seek solace in denial, drink, and madness.

  • Sales Rank: #414205 in Books
  • Published on: 1998-05-22
  • Released on: 1998-05-22
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.50" w x 5.50" l, 1.50 pounds
  • Binding: Paperback
  • 483 pages

Review
“Paul Scott’s vision is both precise and painterly. Like an engraver crosshatching I the illusion of fullness, he selects nuances that will make his characters take on depth and poignancy.” (Jean G. Zorn New York Times Book Review)

“One has to admire Mr. Scott’s gifts as a buttonholing storyteller, and his rich, close-textured prose; his descriptions of action and of certain kinds of relationships are superb.” (Guardian)

“What has always astonished me about The Raj Quartet is its sense of sophisticated and total control of its gigantic scenario and highly varied characters. The four volumes constitute perfectly interlocking movement of a grand overall design. The politics are handled with an expertise that intrigues and never bores, and are always seen in terms of individuals.” (Peter Green New Republic)

About the Author
Paul Scott (1920-78), born in London, held a commission in the Indian army during World War II. His many novels include Johnnie Sabib, The Chinese Love Pavilion, and Staying On.

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18 of 18 people found the following review helpful.
"Quit India!"
By Penner
The four volumes of the Raj Quartet overlap and complement one another, while at the same time forwarding the main storyline of the slow twilight of the British ascendancy in India, always with the rape of a white girl by Indian men as the central lodestone everpresent in the background, the nightmare which is seldom mentioned but which none can drive from their minds. Events occur, are discussed, witnessed as newspaper reports, court documents, interviews, vague recollections from years later, or perceived directly by the main characters. Then the next volume will take two or three steps back into previous events, and these same events will be perceived from another angle, perhaps only as a vague report heard far away across the Indian plain, or witnessed directly by another character, or discussed in detail long after their occurrence over drinks on a verandah. This may at times seem like rehashing, indeed as one reads the four volumes one will be subjected to the account of the rape in the Bibighar Gardens many times over; but what will also become apparent is that additional details, sometimes minor variations in interpretation and sometimes crucial facts, are being added slowly to the events discussed, as though the window to the past were being progressively wiped cleaner and cleaner with successive strokes of Scott's pen. In this way he draws the picture of the last days of the Raj not in a conventional linear fashion, but recursively, and from multiple angles. One gets the clear impression of life in India during the first half of the 20th century as similar in nature: Fragmented, multifaceted, largely dependent upon perspective and experience and never perceived whole or all at once.
Book 2 introduces what is going to be the main storyline of the tetralogy, although the rape in the Bibighar Gardens will remain in the back of everyone's mind, and sometimes at the front, throughout. First of all there is Mohammed Ali Kasim, a respected Indian Congressman arrested by the British as a matter of course when Congress finalizes its "Quit India" resolution; and his son Ahmed, the dissolute intellectual who spends his time in one of the remaining Princely States of India. Second, the Layton family is introduced, a typical example of the British military in India. Sarah Layton, the elder of the two daughters, is exquisitely rendered and will become one of the series' most familiar and constant characters. Ronald Merrick, the police officer who victimized Hari Kumar during the Bibighar Gardens affair, slouches back into the story as the best man at Susan Layton's wedding, only to be made into an unlikely hero and martyr at the end of the novel.

0 of 0 people found the following review helpful.
Breathtaking in its descriptions of the culture in India at ...
By Amazon Customer
Breathtaking in its descriptions of the culture in India at the time of the English rule. They lived in such a remote and elite lifestyle as compared to the Indian populace. Again hard to put down and yet didn't want it to end too quickly, either.

12 of 12 people found the following review helpful.
Surrounded by Threats
By Philip Spires
Just as history can't be undone, innocence, once lost, can't be retrieved. If history would allow, I would dearly love to read Paul Scott's The Day Of The Scorpion without having first read The Jewel In The Crown. Scorpion is very much a continuation of the Crown and I am not convinced that a reader coming cold to the book as a stand-alone work would cope with the multiple references to what came before. Like the characters in Paul Scott's novels, I can't undo history and can only thus reflect on another time through this forensic tale of war-torn colonial India as someone who did the Crown first.

The incidents that formed the backbone of The Jewel In The Crown are still to the fore. There are implications and consequences. But time and people have moved on. Not all have survived. There is a child called Parvati who figures large in the tale but hardly ever appears. Ronald Merrick, however, the policeman from Mayapore who was only seen from afar and through others' eyes in The Jewel In The Crown is now very much at the centre of things. His character, that of a self-made man, grammar school educated, middle, not upper class, provides the perfect contrast to the stiff upper lip fossilized Britishness of the military types. Merrick is no less British, no less confident in his prejudices. In fact he is arguably more aggressive in his need to assert a removed superiority, but his need is personal and antagonistic, containing neither the patronising nor the paternalistic tendencies of those born to rule. Racially he assumes superiority, whereas professionally he must earn it, because, unlike the upper classes, he was not born to it.

The Laytons are such an upper class colonial family. Daddy is a prisoner of war in Europe. Mildred is at home in India - if home it can be - silently stewing at the indignity of not being able to live in the larger house her status deserves. She has taken to the bottle. Susan, the younger daughter, is about to be married to a suitably stationed officer and, despite war, civil unrest, threats of political change in Britain and now fragile colonialism, expects a fairytale family future plucked straight from the pages of some glossy magazine. Sarah, her sister, is more down to earth, is perhaps both more phlegmatic and sceptical, certainly more conscious of her responsibilities and role and the fragility of life.

Both sisters remember a childhood experience when a gardener made a ring of fire and dropped a live scorpion into its midst. Thus surrounded by threat, it did for itself, or at least that's how it looked. How would people react if conflagration surrounded them? They would have to get on with their lives, of course. But for some, the process might prove tougher than for others.

And what if you are a local ruler, a Nawab, for instance, a British puppet popping around a little kingdom claiming it's a law unto itself? What to do if your chief minister has been imprisoned by your masters without trial, along with all others who share his opposition to the people who keep you in power? Where then should your loyalties lie?

Though The Day Of The Scorpion is primarily a novel about women, it's the military side of the book that provides everyone involved with the ring of challenges they must face. With politicians in jail and Mr Ghandi's advocacy of non-violence, how does anyone relate to those Indians who have joined the Indian National Army to fight alongside the Japanese? If your mindset has been tutored on notions of paternalism and the white man's burden, how is possible that such people can exist? How can they reject what you have offered? But exist they do and their ammunition is live. And it's not only the British who cannot cope with such concepts.

The Day Of The Scorpion has many more themes than these. It is an episodic novel of quite remarkable complexity. The characters are beautifully drawn, rounded individuals, each presented with personal, social and political dilemmas. Not least among them is Hari Kumar, still imprisoned, whose loyalty is repeatedly tested, and whose resolve to protect remains unbreakable.

Paul Scott's novel recreates a complete world, a complete history via the experiences of individuals who, given the chance, are more than willing to explain their positions and dilemmas at length. But it is the detail of their stories that describes the pressures that now surround them. You cannot skip a word.

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Jumat, 19 September 2014

@ Ebook Download Drudgery Divine: On the Comparison of Early Christianities and the Religions of Late Antiquity, by Jonathan Z. Smith

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There is no doubt that publication Drudgery Divine: On The Comparison Of Early Christianities And The Religions Of Late Antiquity, By Jonathan Z. Smith will still make you inspirations. Even this is simply a publication Drudgery Divine: On The Comparison Of Early Christianities And The Religions Of Late Antiquity, By Jonathan Z. Smith; you could discover several styles and also kinds of books. From entertaining to experience to politic, and scientific researches are all provided. As exactly what we explain, right here we offer those all, from renowned authors as well as publisher worldwide. This Drudgery Divine: On The Comparison Of Early Christianities And The Religions Of Late Antiquity, By Jonathan Z. Smith is one of the compilations. Are you interested? Take it currently. How is the method? Learn more this post!

Drudgery Divine: On the Comparison of Early Christianities and the Religions of Late Antiquity, by Jonathan Z. Smith

Drudgery Divine: On the Comparison of Early Christianities and the Religions of Late Antiquity, by Jonathan Z. Smith



Drudgery Divine: On the Comparison of Early Christianities and the Religions of Late Antiquity, by Jonathan Z. Smith

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Drudgery Divine: On the Comparison of Early Christianities and the Religions of Late Antiquity, by Jonathan Z. Smith

In this major theoretical and methodological statement on the history of religions, Jonathan Z. Smith shows how convert apologetic agendas can dictate the course of comparative religious studies. As his example, Smith reviews four centuries of scholarship comparing early Christianities with religions of late Antiquity (especially the so-called mystery cults) and shows how this scholarship has been based upon an underlying Protestant-Catholic polemic. The result is a devastating critique of traditional New Testament scholarship, a redescription of early Christianities as religious traditions amenable to comparison, and a milestone in Smith's controversial approach to comparative religious studies.

"An important book, and certainly one of the most significant in the career of Jonathan Z. Smith, whom one may venture to call the greatest pathologist in the history of religions. As in many precedent cases, Smith follows a standard procedure: he carefully selects his victim, and then dissects with artistic finesse and unequaled acumen. The operation is always necessary, and a deconstructor of Smith's caliber is hard to find."—Ioan P. Coulianu, Journal of Religion

  • Sales Rank: #530201 in Books
  • Published on: 1994-05-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .70" w x 5.50" l, .49 pounds
  • Binding: Paperback
  • 160 pages

About the Author
Jonathan Z. Smith is the Robert O. Anderson Distinguished Service Professor of the Humanities in the College of the University of Chicago.

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11 of 11 people found the following review helpful.
First Principles
By farington
This is a first-rate bit of scholarly writing which goes beyond particulars and delves into an examination of basic principles; in this case, the question of when is it possible to conclude that one religious movement grew out of or was derived from another? As Smith says, resemblance is not geneology: just because two religions share some traits, it doesn't mean one was derived from the other. He presents a thorough discussion of the approaches taken by scholars in the past, relentlessly critiques them, and provides guidelines which are useful even for the general reader who's dipping into the world of the history of religion.

I was surprised by Smith's discussion of Thomas Jefferson in the first chapter. I didn't even know there had been a controversy in Jefferson's day over the origins of the Church, in which the Protestants were accusing the Catholic Church of having coopted pagan ritual, thereby diverting the Church from Christianity in its primal, simple form (conveniently resembling Protestantism). My only reference for the debate over paganism in early Christianity has been the claims of neo-pagans that Christianity is mostly based on pagan religion. But Smith's discussion is very valuable for that debate as well because it goes to the issue of basic principles of religious archeological analysis, giving a the reader a lodestar for guidance no matter what the particular debate at hand.

He ultimately concludes that neither Christianity nor pagan religions evolved from each other but they developed in a setting in which a number of religions were simultaneously evolving toward a belief in resurrection. Interesting reading.

49 of 53 people found the following review helpful.
Expose of early Christian v. Pagan as Protestant v. Catholic
By Michael Hoffman
In the book Drudgery Divine, J. Z. Smith portrays Christianity and mystery religions in their late-antique phase as similar simultaneous parallel developments. He emphasizes diversity in all the religions, against the monolithic assumption that underlies the usual project of comparing "the" Jewish religion, "the" Christian religion, and "the" Pagan type of religion.
Drudgery Divine is an expose of the biased and flawed nature of the Protestant, anti-Catholic project of portraying early Christianity as completely non-Catholic, non-ritualist, and non-initiatory. This Protestant scholarly project was based on illegitimate approaches to comparison of early, pre-Catholic Christianity to the pagan/Hellenistic religions.
The Protestant project sought to portray Christianity as far from ritual and initiation and mystery-religion as possible, and implicitly equated Catholic practices with Hellenistic ritual, initiation, and mystery, arguing that because pure, original Christianity was not at all like Hellenistic religion, original Christianity was not at all like Catholic Christianity.
According to the Protestant scholars, original Christianity was completely unlike Catholic Christianity, being strictly a matter of revealed, not secret religion; being strictly a matter of straightforward rational ethics, not initiation and ritual; being strictly a matter of sermon study-lectures, not magic-like ritual practices; being strictly a matter of doctrinal principles of pure faith, not ritual activity.
Insofar as the older Jewish religion could be portrayed as unlike Hellenistic secret ritual initiation, the Protestant scholars emphasized that real, original Christianity derived purely and strictly from the Jewish religion, as opposed to having anything to do with pagan/Hellenistic (read 'Catholic') secret ritual initiation.
According to those Protestant scholars, the word 'mysterion' in Jewish writings has only one meaning to consider, and this meaning is purely secular, and simply connotes 'secret', and does not connote secret ritual initiation -- therefore, the use of the word 'mysterion' in original (which is to say, non-Catholic) Christianity had nothing to do with Hellenistic-type (read 'Catholic-type') secret ritual initiation.
Smith's book does not serve the purpose of putting forth an elaborated correct positive model of the nature of earliest Christianities. Its focused purpose is to sweep away the bunk, biased, covert project driven by anti-Catholic concerns, to enable the next generation of scholars to completely re-approach the question of the relationship of early Christianity to Hellenistic religion, including an adequate treatment of multiplicity within Christianity and within the other religions, and development over time.
He points out that some kinds of Christianity were similar to some kinds of Hellenistic religion.
One of many tenets of the Protestant project of comparing original Christianity/Jewish religion against Hellenistic/Catholic religion, Smith briefly points out, is the idea that the Jewish religion was completely unlike secret ritual initiation.

4 of 7 people found the following review helpful.
Famous book that asks: did early Christianity derive its beliefs from ancient pagan mystery cults?
By Jeri
Smith argues, in this short, fierce book, that "The origins of the question of Christian origins takes us back, persistently, to the same point: Protestant anti-Catholic apologetics...the characteristics attributed to 'Popery' by the Reformation and post Reformation controversialists, have been transferred, wholesale, to the religions of Late Antiquity ...ritual as ex opere operato" (p 34).

Protestants have clung to the idea of a pristine early Christianity, 'which suffered later 'corruptions' (p 43). They argue that early Christianity was Protestant, but by the third century and after, mystery cults attached like barnacles onto the church.

One example would be Hatch, who proclaimed the Sermon on the Mount belonged to the Judaic world, and the Nicene Creed to the world of Greek philosophers. "The former is concerned with 'ethics'. the ;latter with 'doctrine'" ( 60).

Much of the research and debate focused around 'mysterion', a word found rarely in the Old Testament, and also rarely in the New. Smith quotes Brown: "Parallels in thought and vocabulary in the OT...demonstrate that the NT writers, particularly Paul, had all the raw material they needed for the use of 'mystery' in this background, without venturing into the pagan religions" (p 80).

The old History of Religions school had died a long, protracted death by about 1950. But that has not stopped authors - none of them scholars and seemingly none of them very well read - about dying-and-rising gods. Gunter Wagner, Yamouchi, etc. published books showing exactly where these authors went wrong. But alas. Few people read books by actual scholars.

However, quickly: "the majority of the gods so denoted appear to have died but not returned; there is death but no rebirth or resurrection....There has never been a claim for the rising of Mithras...Adonis...no hint of rebirth....In the case of Attis...reconstructed Cybele-ritual which can be shown to be mistaken...the Day of Joy is a late addition...." (pp 101-2).

Very little in early Christianity appears to have focused on death; the catacombs are full of art depicting "the lamb, the anchor, the vase, the dove, the boat, the olive branch, the Orante, the palm, bread, the Good Shepherd, fish vine and grapes" (p 130).

In almost all cases, therefore, the claim that dying and rising gods were the most primitive, the earliest, layer, turned out to be, time after time, completely wrong. All the myths were "exceedingly late third or fourth century development in the myths and rituals of these deities" (p 103).

Bitter pill for the current crop of Jesus-is-just-another-dying-and-rising god these pagan cults "borrowed from Christianity" (p 104), not the other way around.

And, of course, none of these gods could claim that have arrived in historical time.

Jesus was not a vegetative myth. "Early Christianity appears as a relentlessly locative" (p 130) belief, set in historical time in a place well known, and verifiable by witnesses.

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Rabu, 17 September 2014

>> Download Venus in Exile: The Rejection of Beauty in Twentieth-Century Art, by Wendy Steiner

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Venus in Exile: The Rejection of Beauty in Twentieth-Century Art, by Wendy Steiner

Venus in Exile: The Rejection of Beauty in Twentieth-Century Art, by Wendy Steiner



Venus in Exile: The Rejection of Beauty in Twentieth-Century Art, by Wendy Steiner

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Venus in Exile: The Rejection of Beauty in Twentieth-Century Art, by Wendy Steiner

In Venus in Exile renowned cultural critic Wendy Steiner explores the twentieth century's troubled relationship with beauty. Disdained by avant-garde artists, feminists, and activists, beauty and its major symbols of art—the female subject and ornament—became modernist taboos. To this day it is hard to champion beauty in art without sounding aesthetically or politically retrograde. Steiner argues instead that the experience of beauty is a form of communication, a subject-object interchange in which finding someone or something beautiful is at the same time recognizing beauty in oneself. This idea has led artists and writers such as Marlene Dumas, Christopher Bram, and Cindy Sherman to focus on the long-ignored figure of the model, who function in art as both a subject and an object. Steiner concludes Venus in Exile on a decidedly optimistic note, demonstrating that beauty has created a new and intensely pleasurable direction for contemporary artistic practice.

  • Sales Rank: #531871 in Books
  • Published on: 2002-11-15
  • Released on: 2002-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.20" w x 6.13" l, 1.07 pounds
  • Binding: Paperback
  • 354 pages

From Publishers Weekly
With The Scandal of Pleasure: Art in an Age of Fundamentalism, University of Pennsylvania English professor Steiner weighed in on the NEA funding controversies and Rushdie fatwa, finding our age literal-minded about how artistic images function in society. Scandal was named a New York Times Best Book for 1996. In this follow-up, Steiner posits that, unlike in previous eras, female beauty is no longer "the central aim of art." Whizzing through literature, visual arts, architecture, etc., Steiner muses on this theme in eight sections with titles like "The Infamous Promiscuity of Things and of Women" and "The Bride of Frankenstein: At Home with the Outsider." (She skirts topics like film and dance since beautiful women are still at the center of things there.) One obvious problem with such an all-embracing study is any author's human limits of expertise, but Steiner's judgments throughout seem to have been made in haste and ignorance. She lumps together painters (Gustave Moreau, Alphonse Mucha, Pierre Bonnard, Norman Rockwell) and writers (Penelope Fitzgerald, Andrei Makine, Philip Roth ) who have little in common apart from having once been thought "too pretty" and now acceptable, or else those who are "pointing us back toward beauty." Steiner thinks art should create a "win-win situation," where through "communication" and "mutuality" one begins to understand the "value" of "feminine" "beauty," but her engagement with the juggernaut of these terms, and of gender and representation in general, can be murky and baffling. ("[A] true prostitute's effects are indifferent to class, like the diseases she spreads," Steiner writes, unreflectively.) For Steiner, the art of the 20th century, "an art of garbage, babble, obscenity," is emblematized by Mapplethorpe's "classicistic renderings of gay sadomasochism." In trying to deal with all the arts, Steiner is illuminating on none of them.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Steiner (humanities, Univ. of Pennsylvania) examined the role of beauty in art in The Scandal of Pleasure: Art in the Age of Fundamentalism. Here she shows how traditional forms of beauty disappeared from art in the 20th century, when artists rejected this ideal as placing undue importance on ornament while often objectifying the female body. She shows how representations of beauty disappeared from art, citing examples from literature, popular culture, visual arts, and even pornography in this heavily illustrated book. These artists, she argues, provided considerable food for thought but left a hunger for the pleasure of visual beauty. In the early days of the 21st century, Steiner sees a resurgence of female beauty in art but with the continuing struggle to see women as fully human. By examining what happened to art and popular culture when beauty became suspect, Steiner hopes to lead us to a better understanding of beauty as a kind of communication in human culture. Steiner is both a respected scholar and a talented and accessible writer, and her book is strongly recommended for all academic art and feminist studies collections. Drew Harrington, Pacific Univ., Forest Grove, OR
Copyright 2001 Reed Business Information, Inc.

From Booklist
Steiner, author of The Scandal of Pleasure (1995), looks into why modern artists rejected the voluptuous female form, an aesthetic revolt that she sees as an all-out rejection of beauty. With references to the Kantian sublime and Mary Shelley's humanistic protest against the impersonalization of beauty in Frankenstein, Manet's Olympia, and T. S. Eliot's The Waste Land, she interprets the abstraction of modernist art and its fascination with purity of form as a refutation of women, ornament, decoration, and all classic images of beauty. The avant-garde believed that beauty had to be stripped from art to free art from the bourgeois values embedded in romanticism, a tradition that seemed hopelessly inappropriate for the horrific twentieth century. Scholarly but eminently readable, Steiner moves on to assess contemporary revivals of traditional beauty in art, which follow society's cycles of worship and vilification of women, both in the flesh and as representative of idealized beauty. Regina Schroeder
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

7 of 8 people found the following review helpful.
Venus Come Forth!
By Wildeguy
I bought this book and was thoroughly pleased. Steiner is a great writer and has consistently written good work. I do agree that her agenda is a little heavy, but if you care to read her other work you will see that she is qualified in making the pronouncements she does. It is the privilege of anyone who has worked this long in the field. I would recommend reading her "Pictures of Romance" for a deeper treatment of aesthetics. It is a great book as well. This book however, is correct in the thesis it sets out to trace. Steiner locates the demise of the concept of beauty in Kantian aesthetics, specifically the "Critique of Judgment". I especially appreciate the way she makes Kant's arguments come alive by comparing them to Shelley's Frankenstein. In the end Kant trades places with Frankenstein...the doctor and the monster. Steiner works out her feminism by removing the locus of intellectual value from Kant, and placing it with Mary Shelley. That's good feminism, subtle and unmistakeable. Some people may not like Steiner because her feminism is not of the usual kind. I mean, she is not a "beauty myth" kind of feminist. Don't think she's not a feminist though, her message is loud and clear. I recommend this book strongly.

14 of 16 people found the following review helpful.
The Sublime Gone Wrong
By Dave C.
Steiner recasts the thread of 20th century art as the search for the sublime gone wrong. The Kantian definition of the sublime as that which inspires awe and disinterested interest has lead to a dehumanization of art. According to her,this has come about because in the search for the eternal values that are associated with the sublime, the merely lovely has come to be associated with transience. Beauty has also been implicated, certainly as it applies to female subjects in art, since human beauty fades and turns to its opposite, it cannot be a fit subject for the search for the sublime. The process has led to a sterility driven by the replacement of life perpetuating emotions with formal issues. The course of art in the past century has thus followed a path through ever greater alienation. Artists have felt compelled to tackle ever more emotion laden and controversial subjects, confronting and challenging the public to see beyond the shock value to the formal issues that the artist purports to be elevating to the level of sublime.
As an artist who has been wrestling with these issues for over a quarter century, I really enjoyed Steiner's lucid exposition of the Zeitgeist which forms the backdrop for most thinking artist's work. Artist and public both, I believe dance rather unconsciously around the issues she is writing about. We know on an instinctual level what is going on, but it is really enlightening to read someone's thoughtful analysis. I found her writing enjoyable to read and quite accessible.
Her focus is primarily on the depiction of women in art as subjects for the contemplation of beauty. She shows how the images of women in the last 100 years or so have reflected the rejection of life perpetuating human emotions as unfit for high art. She sees signs of change. We are no longer requiring a sacrifice of what makes us human in the name of art. She sees a time "when beauty, pleasure, and freedom again become the domain of aesthetic experience and art offers a worthy ideal for life."
I highly recommend this book to artist and art appreciator alike, anyone who has wondered why avant garde art always seems so ugly.

13 of 38 people found the following review helpful.
The Good, the Bad, and the Whiner
By Stephen E. Arnold
In a sense, Wendy Steiner finds little to distinguish appearance from reality. In Venus in Exile, The rejection of Beauty in 20th-Century Art, for example, Steiner equates the 'beauty' of a woman as person with the 'beauty' of that woman's depiction. Ironically, Steiner borrows this universalizing view from the same philosopher that she identifies as anathema to beauty. Following Kant, Steiner links natural to artistic beauty, and, hence, holds an aesthetic view that overrides ontological categories. Thus, in the world according to Stiener Beauty equals Woman equals Art. The snake in the garden, however, is Kant's idea of the sublime. The sublime appeals, she claims, to the self-erasing thrill of a brush with death. In contrast, the allure of beauty promotes interest in life. In fact, Steiner recommends that viewers and artwork interact after the model of Cupid and Psyche. (Imagine, for example, a chummy interaction of diner and bed with Notre Dame or a piano concerto.) Moreover, the desire to experience the thrill of the sublime explains the denial of Beauty/Woman that characterizes the art of the 20th century. In addition to the distortions (i.e. pornographic imagery) or avoidance (i.e. non-representational shapes) of female figuration, 20t-century art also excludes or diminishes domestic subjects. Together the exclusions of beauty and woman and the 'good' or the non-aesthetic value of domesticity show, Steiner argues, the misogyny of the artists and, thereby, their hatred of life, love, and so on.

Given Steiner's credentials, the intellectual sloppiness that informs Venus in Exile is disappointing. In addition to her uncritical acceptance of art defined as aesthetic effect, her opinions betray Freud -images in art as in dream point to external causes-as the father of her psycho - utopian love child called Venus in Exile. Moreover, why the sudden, slap dash treatment of modern dance and the tiresome swipe at ballet in the last three pages of the book? That addition did little more than demean the art forms. Art forms, moreover, dominated by women. Finally, the hyperbole that demonized Kant and reduced the artwork of an entire century to the status of thrill distracted from rather than expanded on the topics of art, aesthetics, and woman as subject.

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Selasa, 16 September 2014

> Free PDF What Color Is the Sacred?, by Michael Taussig

Free PDF What Color Is the Sacred?, by Michael Taussig

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What Color Is the Sacred?, by Michael Taussig

What Color Is the Sacred?, by Michael Taussig



What Color Is the Sacred?, by Michael Taussig

Free PDF What Color Is the Sacred?, by Michael Taussig

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What Color Is the Sacred?, by Michael Taussig

Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path.

Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich.

Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.

  • Sales Rank: #533136 in Books
  • Published on: 2009-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .90 pounds
  • Binding: Paperback
  • 304 pages

Review
"If Hunter S. Thompson had been trained by Boas in anthropology, Engels in economics, and Arendt in philosophy, he might write something like Taussig." - Publishers Weekly "Blending fact and fiction, ethnographic observation, archival history, literary theory and memoir, his books read more like beatnik novels than somber analyses of other cultures." - New York Times"

About the Author

Michael Taussig is professor of anthropology at Columbia University and the author of several books, including Walter Benjamin’s Grave and My Cocaine Museum, both published by the University of Chicago Press.

Most helpful customer reviews

3 of 3 people found the following review helpful.
I liked them all and I really loved this book
By Abby S.
I've read a couple of this guy's books. I liked them all and I really loved this book. I'm a painter and have used raw pigments for most of my life….( a long one). Thinking about the history, sources and siginificance of pigments and of color is right up my alley, I learned in school that explorers traveled and explored the world beyond Europe in search of spices. I know realize that they were also in search of color. I like thinking about the fact that these great changes were induced by the search for the luxuries of flavor and color, rather than bare necessities.

2 of 2 people found the following review helpful.
interesting read
By om girl
there were passages in this book i thought were really brilliant. it can be a wee bit verbose, but i slogged thru those areas and generally found the book thought provoking.

1 of 2 people found the following review helpful.
great book
By Kathryn Simon
Taussig is a great writer. Really enjoy his range of knowledge and his references-- good reference book on color. w

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