Selasa, 25 Februari 2014

? Fee Download Race, Culture, and Evolution: Essays in the History of Anthropology (Phoenix Series), by George W. Stocking Jr

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"We have, at long last, a real historian with real historical skills and no intra-professional ax to grind. . . . All these pieces show the virtues one finds missing in . . . nearly all of anthropological history work but [Stocking's]: extensive and critical use of archival sources, tracing of real rather than merely plausible intellectual connections, and contextualization of ideas and movements in terms of broader social and cultural currents. Stocking writes very clearly; attacks important topics—race and evolution, the influence of scientism, the interaction between anthropology and other disciplines; and is methodologically very sophisticated. Though his main theme is the development of racialism and of opposition to it, his book bears on a range of issues very much alive in anthropology. . . . I would think no apprentice anthropologist ought to be pronounced a journeyman until he or she has absorbed what Stocking has to say."—Clifford Geertz, The Institute for Advanced Study, Princeton

  • Sales Rank: #1109611 in Books
  • Published on: 1982-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.30" w x 5.50" l, .97 pounds
  • Binding: Paperback
  • 408 pages

About the Author
George W. Stocking, Jr., is Stein-Freiler Distinguished Service Professor in the Department of Anthropology and the Committee on Conceptual Foundations of Science at the University of Chicago.

Most helpful customer reviews

0 of 6 people found the following review helpful.
... class and I have to say this is the worst textbook I've ever encountered
By jon
Required text for class and I have to say this is the worst textbook I've ever encountered. The language (vocabulary) in which its written makes it inaccessible to truly obtain knowledge. If my professor, or for that matter author, was intending for one to obtain insight from this text- they totally missed the mark. if I could rate it with less than a star, I would.

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Senin, 24 Februari 2014

! Free PDF Chicago's Famous BuildingsFrom University Of Chicago Press

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Chicago's Famous BuildingsFrom University Of Chicago Press

Here is the thoroughly revised and updated edition of the leading
pocket guide to the greatest urban architecture in the United States.
Since its first appearance in 1965, this book has been the standard
guide to Chicago's best buildings. This new edition covers more than
a decade of extraordinary new architecture—and takes a fresh look
back at the city's classical legacy of Adler, Sullivan, Burnham, Root,
Wright, and Mies van der Rohe.

  • Sales Rank: #4461499 in Books
  • Published on: 1993-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .79" h x 4.50" w x 7.94" l,
  • Binding: Paperback
  • 348 pages

About the Author
Franz Schulze is the Hollender Professor of Art Emeritus at Lake Forest College. His many books include Philip Johnson: Life and Work and, as coauthor, Chicago’s Famous Buildings, the latter also published by the University of Chicago Press.

Most helpful customer reviews

5 of 6 people found the following review helpful.
Great Book
By Dan
I love this book. It is fairly recent overview of the famous buildings in the Chicago area. It covers downtown, the city, and the suburbs. It also has some good buildings featured from the Sears Tower to the Amritech Building at Hoffmann Estates. Though the photos are in black and white, and the entries are a little short, this is a definate buy if you are interested in Urban Architecture or Chicago.

1 of 1 people found the following review helpful.
Must-have pocket guidebook for the Chicago architecture enthusiast
By Muzzlehatch
This is essentially a small pocket-sized tourist's guide to those buildings generally recognized as important in this architecturally magnificent city. There probably aren't any other American cities outside of New England with an architectural history so rich and important, which have been home to so many top figures in the field -- Sullivan, Wright, Mies and Jahn all lived and worked in the city by the lake at some point in their lives, and there is much to show for their efforts.

The book is organized in geographical sections and includes some buildings in the suburbs as well -- it would have been criminal not to point out the B'hai Temple in Wilmette. I wish the overview at the beginning of the book were a bit deeper, and color photos would be nice in some cases - particularly when it comes to interiors or the grounds of some of the less-urban structures - but really this is an excellent on-the-street guide. My copy is from '93; I believe there have been updated editions, but I'm not sure how important it would be to have something completely current in this case, dealing as it does with mostly the "great" architecture of the past.

4 of 4 people found the following review helpful.
Good book, but get the new edition
By A Customer
This is the best general architectural guide to Chicago and the suburbs, but get the new Fifth Edition ISBN: 0226740668. It's much more up-to-date and the maps are easier to use.

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Minggu, 23 Februari 2014

# Fee Download The Rare Coin Score: A Parker Novel (Parker Novels), by Richard Stark

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The Rare Coin Score: A Parker Novel (Parker Novels), by Richard Stark

Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.

TheRare Coin Score features the first appearance of Claire, who will steal Parker’s heister’s heart—while together they steal two million dollars of rare coins.

“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”—William Grimes, New York Times

“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”—Elmore Leonard

“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World

“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block

  • Sales Rank: #499929 in Books
  • Published on: 2009-08-15
  • Released on: 2009-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.25" l, .40 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Richard Stark
  • Mystery
  • Hard boiled

Review
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
(Stephen King Entertainment Weekly)

“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
(William Grimes New York Times)

“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
(Elmore Leonard)

“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
(John Banville Bookforum)

“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
(Marilyn Stasio New York Times Book Review)

“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”
(Washington Post)

“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
(Los Angeles Times)

“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
(Lawrence Block)

“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.”
(Anthony Boucher New York Times Book Review)

"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
(Luc Sante New York Review of Books)

"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written."
(Terry Teachout Commentary)

"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."
(John McNally Virginia Quarterly Review)

"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."
(Josef Braun Vue Weekly)

"Whether early or late, the Parker novels are all superlative literary entertainments."—Terry Teachout, Weekly Standard
(Terry Teachout Weekly Standard)

“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.”
(H. J. Kirchoff Globe and Mail)

About the Author
Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933-2008), a prolific author of noir crime fiction. In 1993 the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.

Most helpful customer reviews

2 of 2 people found the following review helpful.
3 ½ stars. Engaging. Some slightly different characters this time.
By Jane
THE RARE COIN SCORE by Richard Stark.

Needy childlike Billy loves Claire the widow who sees Billy with contempt. This book was slightly above average but still worth reading because the series is great. I don't want to stop reading them.

The Forward by Luc Sante was insightful. A few of his comments follow, edited for brevity. "When I read my first Parker novel, I was stunned. I imagined that I had stumbled upon a particularly brilliant specimen of a thriving genre. But I was wrong. There is no such genre... Stark said that he meant the books to be about a workman at work. Process and mechanics and troubleshooting dominate the books. Stark portrays a world of total amorality. It is never suggested in the novels that robbing payrolls or shooting people who present liabilities are anything more than business practices... As brilliant as Parker is as a strategist, he is nothing short of phenomenal at instantly grasping character. This means that he sometimes sounds more like a fictional detective than a crook. In order to decide which path the double crosser he is pursuing is most likely to have taken, or which member of the string is most likely to double cross, or the odds on a reasonable sounding job that has just been proposed to him by someone with shaky credentials, he has to get all the way under the skin of the party in question."

The narrator John Chancer was good. I liked his voice for Parker.

THE SERIES:
This is book 9 in the 24 book series. These stories are about bad guys. They rob. They kill. They're smart. Most don't go to jail. Parker is the main bad guy, a brilliant strategist. He partners with different guys for different jobs in each book.

If you are new to the series, I suggest reading the first three and then choose among the rest. A few should be read in order since characters continue in a sequel fashion. Those are listed below (with my star ratings). The rest can be read as stand alones.

The first three books in order:
4 stars. The Hunter (Point Blank movie with Lee Marvin 1967) (Payback movie with Mel Gibson)
3 ½ stars. The Man with the Getaway Face (The Steel Hit)
4 stars. The Outfit.

Read these two in order:
5 stars. Slayground (Bk #14)
5 stars. Butcher's Moon (Bk #16)

Read these four in order:
4 ½ stars. The Sour Lemon Score (Bk #12)
2 ½ stars. Firebreak (Bk #20)
(not read) Nobody Runs Forever (Bk #22)
2 ½ stars. Dirty Money (Bk #24)

Others that I gave 4 or more stars to:
The Jugger (Bk #6), The Seventh (Bk#7), The Handle (Bk #8), Deadly Edge (Bk#13), Flashfire (Bk#19)

DATA:
Narrative mode: 3rd person. Unabridged audiobook length: 4 hrs and 33 mins. Swearing language: none. Sexual content: 5 sex scenes vaguely referred to, no details. Setting: around 1967 mostly Indianapolis, Indiana with some Baltimore, Maryland. Book copyright: 1967. Genre: noir crime fiction.

6 of 8 people found the following review helpful.
A Rare Book & A Rare Treat
By A Customer
... It even has an excellent Robert E. McGinnis cover painting. The story inside the book, of course, is just as excellent. Just what I've come to expect from Donald E. Westlake, regardless of whatever pen name he chooses to write under. Parker is a lean, mean, hardboiled machine as always, taking no prisoners and no 'crud'. Readers of the newer "Stark" novels might also be interested to know that this is the book where Parker meets his lady friend Clair, who in this 1967 version, is more of a femm fatale than she is in the present day. Bottom line: If you can find THE RARE COIN SCORE, grab it and read it!

1 of 1 people found the following review helpful.
Sometimes The Caper Depends On The Crew You Choose
By Dave Wilde
“The Rare Coin Score” is the ninth Parker novel by Richard Stark (aka Westlake). I am probably going to sound like a broken record in saying that, like all the books in the Parker series, it is a terrific, fast-moving crime thriller. Here, the caper is the robbery of a coin dealers convention from a hotel ballroom. There could be as much as $2 million worth of rare coins there, although it is not like cold hard cash (or is it?) and it has to go through a fence who knows how to handle such material (or perhaps one of the coin dealers at the convention). The coins have to be handled gently because, if you throw them all in a bag, they will get scratched and marred and lose quite a bit of their value. The coins are also quite heavy, unlike paper money. Of course, being a Parker novel, there are double-crosses and problems to contend with such that even the Pinkertons guarding the coins at night are the least of the crew’s headaches.

What stands out about this caper is the crew that is organized to do it, a crew that needs a well-organized, professional leader – Parker. One member of this crew becomes a recurring character through many of the succeeding Parker novels (Claire). If you have read any of the later Parker books, you know Claire and you know that Parker has a long-term relationship with her, but the Claire you meet in this book (before everything that happens here) is unlike the Claire you meet in succeeding books. This is a tough-nosed, hard-edged bombshell who manipulates the soft captive coin dealer (Billy) involved in the caper like any good femme fatale would. It was Claire who masterminded the whole scheme because she “needs” $70,000 and keeps Parker in the loop even when the thinks that the whole thing is just a harebrained scheme dreamed up by a bunch of amateurs. In the end, Claire is not as tough as she makes out to be and tells Parker that she wants to stay with him, but doesn’t want to know anything about the capers he is involved in.

Billy the coin dealer is an oddball that few can even tolerate. He talks too much. He’s unsure of himself and he can’t get the hint from Claire that, no matter what, she has nothing but disdain for him. Given this relationship between the characters and Billy’s jealousy of Parker’s interest in Claire, it is not the kind of job that Parker normally would stay involved in. Others involved include Lempke, an old man who doesn’t seem to have the stomach anymore for such a caper, a driver who dreams about how to drive the fastest car, but gets stuck with the task of driving a getaway truck that can’t outrun anyone, let alone the police, and a muscle-bound creep who resents Parker bossing him around and has it in for the driver because he doesn’t trust the driver’s name and ethnicity.

This story is smoothly written and just flows off the pages. It is filled with action and intrigue. Novels such as this one thoroughly cemented Westlake’s place as a top-notch crime fiction writer even though he published it under his alter ego, Richard Stark.

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Sabtu, 22 Februari 2014

# Free Ebook The Libertine's Friend: Homosexuality and Masculinity in Late Imperial China, by Giovanni Vitiello

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The Libertine's Friend: Homosexuality and Masculinity in Late Imperial China, by Giovanni Vitiello

Delving into three hundred years of Chinese literature, from the mid-sixteenth century to the mid-nineteenth, The Libertine’s Friend uncovers the complex and fascinating history of male homosexual and homosocial relations in the late imperial era. Drawing particularly on overlooked works of pornographic fiction, Giovanni Vitiello offers a frank exploration of the importance of same-sex love and eroticism to the evolution of masculinity in China.

Vitiello’s story unfolds chronologically, beginning with the earliest sources on homoeroticism in pre-imperial China and concluding with a look at developments in the twentieth century. Along the way, he identifies a number of recurring characters—for example, the libertine scholar, the chivalric hero, and the lustful monk—and sheds light on a set of key issues, including the social and legal boundaries that regulated sex between men, the rise of male prostitution, and the aesthetics of male beauty. Drawing on this trove of material, Vitiello presents a historical outline of changing notions of male homosexuality in China, revealing the integral part that same-sex desire has played in its culture.

  • Sales Rank: #3046869 in Books
  • Published on: 2011-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.25 pounds
  • Binding: Hardcover
  • 312 pages

Review
“This is an ambitious study that analyzes a long list of erotic and romantic fiction from the late Ming to the late Qing to argue that male homosexuality provides a somewhat unlikely arena in which the notions and institutions of gender, love, ethics, law, and politics are brought into play. Against the common wisdom that regards premodern Chinese homosexuality either as an infamous sexual custom or as an illicit underground culture, Vitiello suggests that same-sex love has always played a key part in the Chinese practice and imagination of human relationships. Through mapping out the fictional cartography of Chinese male desire, Vitiello questions the boundaries of masculinity, an issue that arguably continues to occupy the minds of both Chinese men and women.”

(David Der-wei Wang, Harvard University)

“The Libertine’s Friend is a lively study of same-sex love and desire in late imperial China in both pornographic and nonpornographic fiction, concluding with an excellent epilogue on the suppression of that rich tradition in the early twentieth century. Besides supplying a fine description of a broad range of fiction about homoerotic love, Giovanni Vitiello traces for the first time the chronology of the sublimation of same-sex desire that begins in the mid to late Qing period as the libertine loses his sexual side and devotes himself to a sublime love that transcends carnal relations. There is nothing like Chinese pornography in any other tradition. Its suppression means there is still much to be said about it—Vitiello fills that gap in a vivid, witty style and with a commanding knowledge of the topic.”

(Keith McMahon, University of Kansas)

"In this rich and original study of male homoeroticism in late imperial Chinese fiction, Giovanni Vitiello focuses on how interlinking and shifting discourses of masculinity and sexuality manifest in the depictions of male protagonists, including the chivalric hero, the romantic scholar, and the sexy libertine in late Ming to late Qing pornographic and non-pornographic works. . . . In doing so, his work is an example of the growing theoretical commitment of scholars of historical Chinese (and other Asian) homosexualities to take into account historical ideas and practices of masculinity." (Derek Hird H-Histsex)

About the Author

Giovanni Vitiello is associate professor of Chinese at the University of Hawai’i at Manoa.

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* Ebook Download Jaguar: A Story of Africans in America, by Paul Stoller

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Jaguar: A Story of Africans in America, by Paul Stoller

Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His goal is to become a "Jaguar"—a West African term for a keen entrepreneur able to spot trends and turn a profit in any marketplace. This dynamic world, largely invisible to mainstream culture, is the backdrop of this timely novel.

Faced with economic hardship in Africa, Issa has left his home in Niger and his new wife, Khadija, to seek his fortune in America. Devout Muslims, the couple has entered into a "modern" marriage: Khadija is permitted to run her own business, and Issa has agreed not to take additional wives. Issa quickly adapts to his new surroundings, however, and soon attracts several girlfriends. Aided by a network of immigrants, he easily slips through gaps in the "system" and extends his stay in America indefinitely. Following a circuit of African-American cultural festivals across America, he marvels at African-Americans' attitudes toward Africa, and wonders if he'll ever return to Niger. Meanwhile, Khadija also struggles to make it—to become a "Jaguar"—as she combats loneliness, hostile in-laws, and a traditional, male-dominated society. The eventual success of her dry goods shop and her growing affection for a helpful Arab merchant make her wonder if she'll ever join Issa in America.

Drawing on his own decades of experience among Africans both in Niger and in New York, Paul Stoller offers enormous insight into the complexities of contemporary Africa. Alive with detail, Jaguar is a story of triumph and disappointment, of dislocation and longing, and of life lived in a world that no longer recognizes boundaries.

  • Sales Rank: #1424720 in Books
  • Published on: 1999-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .70" w x 5.50" l, .60 pounds
  • Binding: Paperback
  • 213 pages

From Publishers Weekly
Drawing from decades of African experiences, Stoller, an anthropologist, delivers a complex novel that follows a pair of Nigerian newlyweds in the vicissitudes of life in Africa and in America. Issa Boureima leaves his new wife, Khadija, to travel to America in hopes of becoming a "jaguar,"AWest African slang for a savvy entrepreneur who can ride trends to turn a profit. Hawking Malcolm X caps and kente cloth bags, Issa moves between African-American street fairs and expos in Harlem and New Jersey. Along with culture shock, a newfound community of African expat "jaguars" and a fascination with multicultural Americans, Issa has a recurring problem. He and his wife, both Muslims, are committed to their "modern" marriage, that is, a union that allows Khadija to work in the marketplace in Africa and forbids Issa from taking on any more wives. While Khadija struggles and thrives with her dry goods shop, Issa acquires a stable of American lovers, feeling guilty and dishonest. Since Issa sends sizable sums of money back to his family, Khadija faces the growing resentment of his family over her business and independence. Stoller adds subtle power and depth to the story as he shows her increasing loneliness and despair when she learns that her husband plans to apply for political asylum in America. Her life changes when she meets a kind and sensitive Arab shopkeeper called Yusef. Stoller's uncomplicated prose scores by choosing poignancy and realism over sentimentality and melodrama. The book's resolution does not follow the predictable route, satisfying in its wise revelations about the difficulties of the expatriate life and the human need for love. (Dec.)
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews
An unusual premisethe life of a West African immigrant in Harlemis the best thing about this unfortunately slack first novel by Stoller, an American professor of anthropology whos written scholarly studies of Niger and its environs (In Sorcerys Shadow: A Memoir of Apprenticeship Among the Songhay of Niger, 1987, etc.). Issa Boureima, an enterprising Nigerien, has left his young wife Khadija at home with his own sprawling familygreedy layabouts inordinately proud that theyre direct descendants of Songhay kings. While Issa prospers as a jaguar (a West African term for an independent entrepreneur who moves into new territory and rapidly establishes himself), sending money and well- meant promises back to Niger, we observe (in juxtaposed parallel chapters) Khadijas growth from deferential helpmeet to strong, confident woman who breaks free from her in-laws haughty importunings (Before, a woman might sacrifice herself for her husbands family. But no longer) and likewise succeeds as a merchant. Thats about all that happens, in a story overloaded with simplistic contrasts between (brash) American and (politely passive) African manners and morals. Stoller concentrates on both Issas and Khadijas relations with sympathetic countrymen (and does, incidentally, offer an intriguing fragmentary portrayal of African street merchants in urban America), and varies his novels essentially repetitive actions only with such undeveloped (if promising) scenes as Khadijas unhappy confrontation with Issas posturing mother Hampsa (a character who wed like to have known better), Issas problems with INS regulations, and his trip to the Midwest (part of the American bush) for Chicagos Black Expo sales convention. Along the way, Stoller frequently interrupts the storys progress to lever in background exposition, not always keeping verb tenses quite exact enough to avoid creating some reader confusion. Which is too bad, because Issa and Khadija are, in their differing ways, potentially engaging characters, and their tale ought to have gripped the reader much more than it does. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

About the Author
Paul Stoller is a professor of anthropology at West Chester University of Pennsylvania. He is the author of many books, including ethnographies, biographies, and memoirs. In 1994 he was awarded a prestigious Guggenheim Fellowship. In 2002, the American Anthropological Association named him the recipient of the Robert B. Textor Award for Excellence in Anthropology. He lectures frequently both in the United States and Europe and has appeared on various NPR programs as well as on the National Geographic Television Network.

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0 of 0 people found the following review helpful.
Jaguar: A Story of Africans in America
By Mazin Alsulaili
Paul Stoller, author of Jaguar, is professor of anthropology at West Chester University. Stoller produced a novel about a newlywed African couple and their struggles, both economic and relationship wise, that takes advantage of his long anthropological study of African culture. The book is at times engaging, though it seems to follow a linear pattern that is sometimes self repeating. Jaguar also seemed sporadically infected with grammar mistakes, duplicate words and other writing mistakes.

Issa and Khadija are newlywed Africans, Issa a Songhay of noble birth, Khadija a commoner from a merchant family. Issa moves away to become a merchant and he finds Khadija in his travels and marries her, both to the great distaste of his snobbish family. Their marriage and life seem perfect while they are living in Abidjan. Issa makes an ample living and Khadija sells food at a stall outside their compound, but the fates conspire to change the economic conditions in Abidjan and this forces Issa to send Khadija away to his family while he travels to America for fortune and wealth. Economic hardships forced the couple to live great distances from each other, but the distance starts to take its toll on their marriage. Both start to wonder whether things will work out.

The book is split into sections, each containing a number of chapters. Each section details the actions and experiences of Issa or Khadija. The sections alternate in an attempt to seamlessly integrate the two separate lives, but sometimes the effect achieved was less seamless and clunkier than the author intended. The genre Jaguar falls under is called ethnographic fiction, which is defined as an ethnographic description written as a story, Jaguar certainly fits this description however the quality of ethnographic description comes as only shards of insightful looks into African culture.

Stoller uses unsophisticated prose and describes events simply, and in doing so keeps a sense of the urgency for the way both characters feels as they flesh out their lives and decide what decisions they will make. Some might feel Stoller's novel to be one dimensional, because at any time one feels like one could easily predict the direction of the book and the outcome.

The audience for this book is that of all the English speaking world, but more specifically for people wishing to learn more about African culture, or the struggles that transnational Africans face in America. Overall Jaguar was an enjoyable book that I had a hard time putting down. Though the story was very linear, it was enjoyable. The small pile of grammar mistakes did take a toll, often interrupting a compelling piece of writing, but in the end the book overcame its shortcomings. This book is recommend to anyone looking for a quick read that wants to learn more about African culture and how it interacts with American brashness.

0 of 0 people found the following review helpful.
Imperfect, but Good
By Stephanie Mckean
The writing style of Jaguar is very natural and reads easily. Stoller successfully incorporates the jargon of transnational vendors attempting to find a common language and common customs within their community, as well as that of Jaguars seeking to become a New York City "homeboy." Stoller uses frequent repetition from chapter to chapter; this in and of itself could serve to reinforce themes and keep the reader focused by reminding them of the bigger picture that the story represent. However, many times the repeated sentiments became redundant. It was important to the story to have Khadija continue to assert her love for Issa, because that is something that may have changed. It seems, however, as though every time that Khadija ponders Yusef she must point out that he is an Arab, exclaim upon how nicely he treats women, and state that she thinks he might like her. All of this is quite unnecessary, since the writing in between each of these thoughts clearly shows his customs are different, he respects Khadija, and that both of their actions indicate attraction.
This book also has an unimaginable number of editing errors. Excluding the "homeboy" jargon, which is of course intended to be in the colloquial, there are places throughout the book, mostly in the narration which is not intended to be colloquial, where articles or conjunctions are completely left out. It is easy to fill in the blank in these sentences, but the initial notice of these errors seriously detracts from the story. Less noticeable errors are also present, such as "an" instead of "and." Quite a few of these typos pop up, but are much less distracting.
Despite some cosmetic problems, this book is thoroughly successful in portraying the lives of West African vendors in New York City, as well as other metropolitan areas; the demonstration of the experiences of those back in West Africa is similarly successful. The main characters offer common experiences of the group, while supporting characters give the potential variations in experience. This work also reveals volumes-worth of information about the cultural, religious, and ethnic contexts of these lives. It manages to compound a type of experience into a medium-length novel that would take many more pages to pick apart and portray accurately in a non-fiction, purely scholarly piece. A good read even for highschoolers, this book is a must for any liberal arts student.

0 of 0 people found the following review helpful.
Jaguar
By IWS Lankford
Jaguar tells the story of Issa and Khadija, a young Nigerien Muslim couple. Upon Issa's move to New York City in pursuit of wealth as the first son and breadwinner of his extended family in Niger, the two are separated as Khadija remains in Niger with her husband's kin. As such, the book alternates sections between Khadija's life in Niger and Issa's in Harlem, focusing on the respective challenges they face. Issa's struggle stems from his life as a jaguar, while Khadija struggles to become a jaguar. Both Issa and Khadija prove to be authentic modern jaguars. Stoller explains the origins of the term,

"In search of adventure and fortune, Jaguars were sleek young men who in the 1950s appeared in the market towns of Ghana's colonial Gold Coast.... Capitalizing on their adaptability and their market smarts, the Jaguars rapidly integrated themselves into the local economic scene, making themselves aware of fashion trends. In this way, they quickly transformed their knowledge into profits (14).

It is the entrepreneurial and independent modus operandi that both Issa and Khadija so inherently possessed as market traders that qualifies them as modern Jaguars. Issa's struggle as a jaguar in America stems from a host of contradictions between his two lives. As a husband in a "modern marriage," he had agreed to remain faithful to his wife, yet years of separation left his sexual appetite unquenched. As a Muslim allowed four wives, Issa is torn between tradition and modernity, genuine love for Khadija and desire. Financial obligations as first son of the family and expected remittances result in an indefinite return date based upon his earnings. Amidst such difficulties Issa along is determined to succeed through patience, faith and the Jaguar mentality. His ultimate attraction to the freedom and excitement of life as a Jaguar, and obligations to his family required sacrifices that remained a constant source of struggle for Issa.

Khadija's struggle to identify as such a Jaguar highlights the inequalities she faced based on class and gender. Her humble business aspirations and desire for family were constantly hindered by outdated traditions. As a peasant married to a noble Khadija never gained the acceptance of her in-laws. She also faced difficulties as a businesswoman in a largely patriarchal society. But more often than not her resourcefulness, good business sense and kindness resulted in her success, providing an exquisite example of how such qualities can defeat an unjust status quo. Stoller is effective in allowing the audience to identify with such a powerful woman. Her ultimate self-identification as a Jaguar is a powerful statement for feminism in the face of patriarchal domination. Khadija is the undisputed protagonist of Jaguar, an entrepreneur and an empowering figure for women everywhere.

The Jaguar story is particularly important as globalization tightens its grip on the world. As the interaction of cultures, traditions and people previously unknown to one increases and intensifies, individual citizens and government policies on both sides of the cultural divide must seek and promote understanding and tolerance. It will be particularly important in places like America where economic incentives attract Jaguars from every corner of the globe. As such, Jaguar is strongly recommended by this review.

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Kamis, 20 Februari 2014

> PDF Ebook Women Strike for Peace: Traditional Motherhood and Radical Politics in the 1960s (Women in Culture and Society), by Amy Swerdlow

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Women Strike for Peace: Traditional Motherhood and Radical Politics in the 1960s (Women in Culture and Society), by Amy Swerdlow

Women Strike for Peace is the only historical account of this ground-breaking women's movement. Amy Swerdlow, a founding member of WSP, restores to the historical record a significant chapter on American politics and women's studies. Weaving together narrative and analysis, she traces WSP's triumphs, problems, and legacy for the women's movement and American society.

Women Strike for Peace began on November 1, 1961, when thousands of white, middle-class women walked out of their kitchens and off their jobs in a one-day protest against Soviet and American nuclear policies. The protest led to a national organization of women who fought against nuclear arms and U.S. intervention in Vietnam. While maintaining traditional maternal and feminine roles, members of WSP effectively challenged national policies—defeating a proposal for a NATO nuclear fleet, withstanding an investigation by the House Committee on Un-American Activities, and sending one of its leaders to Congress as a peace candidate.

As a study of a dissident group grounded in prescribed female culture, and the struggle of its members to avoid being trapped within that culture, this book adds a crucial new dimension to women's studies. In addition, this account of WSP's success as a grass roots, nonhierarchical movement will be of great interest to historians, political scientists, and anyone interested in peace studies or conflict resolution.

"Swerdlow has re-created a unique piece of American political history, a chapter of the international peace movement, and an origin of the modern feminist movement. No historian, activist, or self-respecting woman should be without Women Strike for Peace. It shows not only how one group of women created change, but also how they inevitably changed themselves."—Gloria Steinem

  • Sales Rank: #1023152 in Books
  • Brand: Brand: University Of Chicago Press
  • Published on: 1993-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, 1.09 pounds
  • Binding: Paperback
  • 326 pages
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From Publishers Weekly
This history of a women's antiwar group suffers from the looseness of structure that characterized the group itself. Women Strike for Peace evolved after a protest held in November 1961. But while she describes its founders, its relations with other peace groups and its investigation by HUAC, Swerdlow, a history and women's studies professor at Sarah Lawrence and a founding member, has problems defining the group's activities and accomplishments. The book works best when it gives an overview of women's involvement in antiwar protests in general and against the Vietnam War in particular. Stories like that of Evelyn Whitehorn, who attempted to obtain a restraining order through legal channels in order to keep her 18-year-old son from being drafted, testify to the women's collective political power, although Whitehorn drew WSP's attention through her actions rather than the other way around. Unfortunately, the question of why these women--such as Dagmar Wilson, a children's book illustrator, and Eleanor Garst, a longtime peace activist--insisted on presenting themselves as mothers and housewives is never answered satisfactorily.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Swerdlow (history & director of Women's Studies, Sarah Lawrence) was a founding member of Women Strike for Peace (WSP). In this engrossing, thoughtful account of middle-class housewives' strike for peace on November 1, 1961, she describes the Cold War tensions that spurred women to use motherhood as a rationale for a well-covered media event. Although the strike was rooted in conventional sex roles, second-wave feminists such as Bella Abzug emerged from WSP. Problems inherent in WSP's lack of structure and its racial and class divisions were keenly felt. Sidetracked by the Vietnam War and confronted by Congressional red-baiters, WSPers nevertheless dignified homemakers while proving that women were not trapped in traditionalism. Swerdlow contributes a valuable, well-researched insider's study of an overlooked chapter in our history. Strongly recommended for academic and larger public libraries.
- Donna L. Cole, Leeds P. L. , Ala.
Copyright 1993 Reed Business Information, Inc.

From the Back Cover
In this, the only historical account of the ground-breaking Women Strike for Peace movement, the author restores to the historical record a significant chapter in American politics and women's studies.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Thorougly researched, provocative women's peace history.
By A Customer
This history of Women Strike for Peace, a creative bold, and effective women-led grass-roots political movement for an end to nuclear testing and against the Vietnam War is particularly relevant today as women seek to register their opposition to U.S military policies. Gloria Steinem advised: "No historian, activist, or self-respecting women should be without this book." Anne Davidon in the Philadelphia Enquirer stated:"Amy'Swerdlow's throughly researched book is a crucial piece of too-easily forgotten recent history. Swerdlow, a history professor and former director of the graduate program in women history at Sarah Lawrence College was a founder of WSP. While her personal involvement provided motivation for this literary labor or love, her clear eyed sense of history enabled her not to be blind to the movements limitations." Particularly fascinating are the chapters on the peace women's rout of the House Un-American Activities Committe and on Bella Abzug's role as legislative director of the movement and how it led to her decision to run for Congress.

2 of 2 people found the following review helpful.
A compelling view of the 1960s and how protest was born
By A Customer
When I started this book while researching the peace movement in the 1960s, I already had an admiration for these great women. After I read Swerdlow's book, I felt even more inspired and moved. This book is entertaining, factual and intellectual. Swerdlow writes a fantastic narrative of how these women turned the tide of the McCarthy Era and broke out of an era of domestic containment (read the chapter "Ladies Day at the Capital" to see what I mean). Using motherhood as a method of protest, these women truly were pioneers of their time. When we think of the 60s and protest we often think of the youth in SDS or SNCC, but Swerdlow shows that protest in the 60s was more complex and more ordinary than we think. As a future teacher, parts of this book would also work well in a lesson about why stereotypes of the 60s don't always reflect reality.

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Rabu, 19 Februari 2014

~ Free Ebook Brooklyn Bridge: Fact and Symbol (Phoenix Book; P828), by Alan Trachtenberg

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Brooklyn Bridge: Fact and Symbol (Phoenix Book; P828), by Alan Trachtenberg

Fourteen of Walker Evans's evocative photographs of Brooklyn Bridge, most of which have never been published, appear in this edition of Alan Trachenberg's Brooklyn Bridge: Fact and Symbol. In the new afterword Trachenberg explores the history of Hart Crane's The Bridge, especially the poem's integral relationship with the powerful photography of Evans.

"[Brooklyn Bridge] is familiar in so many movies, in so many stage sets and, as Mr. Trachtenberg shows in this brilliant . . . book, it is at least as much a symbol as a reality. . . . Mr. Trachtenberg is always exciting and illuminating."—Times Literary Supplement 

"The book is a skillful and insightful synthesis of materials about Brooklyn Bridge from such diverse fields as history, engineering, literature and art. Essentially it asks the question of why Brooklyn Bridge achieved such great impact on the nineteenth century American imagination and why it has continued to have a significant impact on twentieth century art and literature. In addition to its exploration of the bridge's symbolic significance, which includes perceptive analyses of such particular works as Hart Crane's great poem cycle and the paintings of artists like Joseph Stella, the book also includes a solidly researched account of the conception, planning and construction of the bridge. Trachtenberg's account of the intellectual and cultural sources of the bridge is particularly fascinating in its demonstration of the convergence of many different philosophical and ideological currents of the time around this great engineering enterprise, illustrating as effectively as any discussion I know the complex interplay of ideas and material culture."—John G. Cawelti, University of Chicago

"Alan Trachtenberg's Brooklyn Bridge is a fascinating story, the philosophic genesis of the idea in Europe, John Roebling's heroic effort to translate it into masonry and steel, and the meanings that Americans attached to the physical object as an emblem of their aspirations."—Leo Marx, Amherst College, author of The Machine in the Garden

  • Sales Rank: #1229178 in Books
  • Published on: 1979-07-15
  • Released on: 1979-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .57" w x 6.00" l, .70 pounds
  • Binding: Paperback
  • 216 pages

From the Back Cover
'This book is a skillful and insightful synthesis of Materials about Brooklyn Bridge fro such diverse fields as history, engineering, literature and art. Essentially it asks the question of why Brooklyn Bridge achieved such great impact on the nineteenth century American imagination and why it has continued to have a sighificant impact on twentieth century art and literature.

About the Author
Alan Trachtenberg is professor of American studies and English at Yale University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I read this book for a class as an example ...
By Ryan V.
I read this book for a class as an example of the myth and symbol approach. To me, it serves as a superb example of that school, but the account of the bridge itself underwhelmed me--perhaps because of the age of the text.

0 of 0 people found the following review helpful.
The poetry of the Great Bridge
By Grant Hildebrand
A valuable adjunct to other accounts of the bridge, in that Trachtenberg discusses the presence of the bridge in art and literature -- the poetry of Whitman and Hart Crane, the photography of Walker Evans, etc. Very useful for documenting that dimension of the story of the Brooklyn Bridge. Grant Hildebrand, professor emeritus, University of Washington

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Senin, 17 Februari 2014

~~ Ebook Free Foreign Investment in American Telecommunications, by J. Gregory Sidak

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Restrictions on foreign investment in U.S. telecommunications firms have harmed the interests of American consumers and investors, argues J. Gregory Sidak in this convincing study. Sidak shows why these restrictions, originally intended to protect America from the perils of wireless telegraphy by foreign agents, should be repealed.

Basing his analysis on legislative history, statutory and constitutional interpretation, and finance and trade theory, Sidak shows that these restrictions no longer serve their national security purpose (if they ever did). Instead they deny American consumers lower prices and more robust innovation, hamper access of American investors to foreign telecommunications markets, and unconstitutionally impinge on freedom of speech. Sidak's study encompasses the Telecommunications Act of 1996, recent global mergers such as British Telecom-MCI, and the 1997 World Trade Organization agreement to liberalize trade in telecommunications services.

  • Sales Rank: #6377424 in Books
  • Published on: 1997-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.80 pounds
  • Binding: Hardcover
  • 460 pages

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Minggu, 16 Februari 2014

!! Ebook The Chinese Maze Murders: A Judge Dee Mystery (Judge Dee Mysteries), by Robert van Gulik

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The Chinese Maze Murders: A Judge Dee Mystery (Judge Dee Mysteries), by Robert van Gulik

Poisoned plums, a cryptic scroll picture, passionate love letters, and a hidden murderer with a penchant for torturing and killing women lead Judge Dee to the heart of the Governor’s garden maze and the answers to three interwoven mysteries. The Chinese Maze Murders represents Robert van Gulik’s first venture into writing suspense novels after the success of Dee Gong An, his translation of an anonymous Chinese detective novel from the sixteenth century.

  • Sales Rank: #456251 in Books
  • Published on: 2012-08-23
  • Released on: 2012-08-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.25" l, 1.10 pounds
  • Binding: Paperback
  • 336 pages

Review
"Judge Dee belongs in that select group of fictional detectives headed by the renowned Sherlock Holmes. I assure you it is a compliment not given frivolously." - Robert Kirsch, Los Angeles Times"

About the Author

Robert van Gulik (1910–67) was a Dutch diplomat and an authority on Chinese history and culture. His many works include sixteen Judge Dee mysteries, a study of the gibbon in China, and two books on the Chinese lute.

 

Most helpful customer reviews

18 of 19 people found the following review helpful.
Compelling stories of deduction
By Andrew Limsk
Van Gulik's Judge Dee series are fairly unique for the unfamiliar settings and historical Chinese literature his plots are based on. Like the previous books, the good judge is again called to investigate several mysterious cases (all at once), the most interesting being the murder of a retired general in a room locked from the inside.
While the cleverly-woven plots and investigations are the high point of all the books in the series, the wonderful little details of people and life in ancient China are a learning experience as well. The accuracy of these details comes as no surprise as the author was once the Dutch ambassador to China. Highly recommended for fans of classic stories of deduction.

12 of 12 people found the following review helpful.
Everything about this book is just perfect
By A Customer
This is much more than a most exciting detective story with different complicated crimes being brilliantly solved. It is also a fascinating glance at the ancient China - a guided tour into the Oriental way of thinking. Written with amazing credibility and expertise, the Judge Dee stories (especially this novel and "The Chinese Bell Murders") are perfectly suited for people with little pre-knowledge who want to learn to understand the Chinese.
I can't find a single flaw about this book. It's plain brilliant.

15 of 16 people found the following review helpful.
Brilliant!
By wonderrat
For the uninitiated, Robert van Gulik's Judge Dee mysteries are absolutely brilliant. Van Gulik's Judge Dee (based on a historical character) finds himself involved in murders, barbarian plots, and a plan to overthrow the state in The Chinese Maze Murders. The settings are historically as accurate as can be, since van Gulik was one of the leading experts on China and an expert on Asian affairs, due to his service in the Dutch Foreign Service. All of the Judge Dee mysteries show a great deal of sophistication and detail which is often lacking in the genre.
For those readers who shy away from mysteries because they seem contrived, get this (and The Chinese Bell Murders) and be transported to another time and place. I don't care for mysteries myself, but the history and exotic locales penned by van Gulik made me a fan!

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