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Based on three years of study in the Serengeti National Park, George B. Schaller’s The Serengeti Lion describes the vast impact of the lion and other predators on the vast herds of wildebeest, zebra, and gazelle for which the area is famous. The most comprehensive book available on the lion, this classic work includes the author’s findings on all aspects of lion behavior, including its social system, population dynamics, hunting behavior, and predation patterns.

“If you have only enough time to read one book about field biology, this is the one I recommend.”—Edward O. Wilson, Science

“This book conveys not only the fascination of its particular study of lion behavior but the drama and wonder and beauty of the intimate interdependence of all living things.”—Saturday Review

“This is an important book, not just for its valuable information on lions, but for its broad, open, and intelligent approach to problems that cut across the fields of behavior, populations, ecology, wildlife management, evolution, anthropology, and comparative biology.”—Richard G. Van Gelder, Bioscience

• Sales Rank: #893591 in Books
• Published on: 1976-03-15
• Released on: 1976-03-15
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.10" w x 6.75" l, 1.83 pounds
• Binding: Paperback
• 504 pages

Review
"This book conveys not only the fascination of its particular study of lion behavior but the drama and wonder and beauty of the intimate interdependence of all living things." - Saturday Review "If you have only enough time to read one book about field biology, this is the one I recommend." - Edward O. Wilson, Science "This is an important book, not just for its valuable information on lions, but for its broad, open, and intelligent approach to problems that cut across the fields of behavior, populations, ecology, wildlife management, evolution, anthropology, and comparative biology." - Richard G. Van Gelder, Bioscience "By the time the reader has finished this book, the Serengeti, its landscapes, seasons, and wildlife, takes shape in the mind as a complex and epic poem, each part a function of every other part and each part a function of the whole." - George Stade, New York Times Book Review"

From the Back Cover
'Predators are the best wildlife managers, ' writes George Schaller. They weed out the sick and old and keep herds healthy and alert. Yet the large predators of the world have been and are still being exterminated because they are thought to harm wildlife. Schaller's award-winning work, based on three years of study in the Serengeti National Park, describes the impact of the lion and other predators on the vast herds of wildebeest, zebra, and gazelle for which the area is famous.

About the Author

George B. Schaller is a senior conservationist at the Wildlife Conservation Society and Vice President of Panthera, a foundation devoted to the conservation of wild cats. He is the author of many books, including The Mountain Gorilla and The Last Panda, both published by the University of Chicago Press.

 

 

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27 of 28 people found the following review helpful.
The Best of All Lion Books
By Timbalionguy
Many books have been written about lions, but 'The Serengeti Lion' is by far the best. Even though it was published nearly 30 years ago, it's information is still considered authorative by many researchers. The fact that it has remained in print all these years-- longer than any other lion book-- attests to it's continuing popularity. Unlike most popular wildlife books, 'The Serengeti Lion' is a scientific paper. It has not been 'watered down' for the masses. Instead, Schaller writes with a an open, very readable style while still presenting the hard information. In fact, it is hard to put this book down. The book is profusely illustrated with drawings and maps. There is also a photos section. Appendices contain numerous detailed tables and charts of lion data, as well as an extensive bibliography. Several short appendices also deal with the lion's co-predators and favorite prey. If you can own but one book about lions, this should be it!

11 of 13 people found the following review helpful.
Serengeti Lion a Study of Predator-Prey Relations.
By K Susan
"Predators are the best wildlife managers," writes George Schaller. His book from the "Wildlife Behavior and Ecology Series" is a result of a three year study in the Serengeti National Park. Supplemented by charts and action-depicting photos and drawings, the book describes almost every aspect of lion life, from social structure and behavior within the group to food habits, hunts and the impact of predation on prey population. Although it briefly mentions other predators (mainly the cheetah, leopard, wild dog and some others), the book concentrates mainly on the lion and is highly recommended to any lion fancier or serious conservationist.

6 of 8 people found the following review helpful.
A Detailed Study of the Life of Lions
By Justin Chandlr-Aston (garfield1@bigfoot.com)
Excellent work by George Schaller. He Takes an intimate look at almost every aspect of lion behavior and social dynamics. From hunting behavior to a lionesses motherly love of her cubs, he takes you into their realm. Schaller gives you a detailed scientific look into what is happening in the life of lions and their world. He backs up his judgements with his own research and the research of others. A must read for any lion enthusiast.

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~ Fee Download Art & Money, by Marc Shell

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In our age of art as investment and of skyrocketing prices at the gallery and the auction house, the study of art and money has become urgent--at least for investors and cultural critics. At the same time, crises in finance have disrupted economic and credit institutions and in turn assumptions about the value of art. Art & Money is a frank, provocative, and entirely unconventional look at two worlds in tandem, focusing on what binds together and drives apart the realms of art and money. Profusely illustrated, it investigates how money becomes (or is) artwork and how artwork comes to assume some of the characteristics of money.

Unlike traditional approaches to the topic, Art & Money is not a study of money and exchange as an artistic "theme." It is also not a study of economics as a context for the history of art. Rather, it is a path-breaking exploration of the internal logic--the set of meanings and values--common to both money and art.

Art & Money provides striking insight into current matters of art collection, counterfeiting, and problems of attribution, into the general relation between word and image, and into controversies over taxation and crises or scandals in the financial world. Shell's historical range is immense, and he fills this study with amusing anecdotes and insights ranging from the relic of the Holy Foreskin to the state's arrest of J. S. G. Boggs, a conceptual artist who draws money. Illustrated with over one hundred halftones and eight color plates, this stunning volume will force a rethinking of our old presumptions about where money ends and art begins.

• Sales Rank: #1161708 in Books
• Published on: 1995-06-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .84" h x 8.76" w x 9.53" l, 1.80 pounds
• Binding: Hardcover
• 230 pages

From Publishers Weekly
Harvard comparative literature professor Shell maintains that art and commerce are inseparably linked. This erudite, anecdotal study begins by investigating early Christianity's ambivalent attitude toward wealth and the material realm, as reflected in the Eucharist wafer (manufactured and understood as "the coin that is Christ"), the Holy Grail, Roman coins, the art of scribes who wrote inscriptions in golden ink on parchment and the medieval cult of the "Holy Foreskin" removed from Jesus's body eight days after his birth, according to Luke. Shell then examines the 19th-century debate between advocates of U.S. paper money and backers of gold specie. He inspects the aesthetics of counterfeiting, the clever art of trompe l'oeil paper money and the "dematerialization of the artwork" in minimalist and conceptualist painting and assemblage. More than 100 halftones and nine color plates included here feature works by Andy Warhol, Thomas Nast, Gustav Klimt, Uccello, Joseph Beuys.
Copyright 1995 Reed Business Information, Inc.

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? Fee Download Bookwork: Medium to Object to Concept to Art, by Garrett Stewart

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“There they rest, inert, impertinent, in gallery space—those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled.” So begins Bookwork, which follows our passion for books to its logical extreme in artists who employ found or simulated books as a sculptural medium. Investigating the conceptual labor behind this proliferating international art practice, Garrett Stewart looks at hundreds of book-like objects, alone or as part of gallery installations, in this original account of works that force attention upon a book’s material identity and cultural resonance.

Less an inquiry into the artist’s book than an exploration of the book form’s contemporary objecthood, Stewart’s interdisciplinary approach traces the lineage of these aggressive artifacts from the 1919 Unhappy Readymade of Marcel Duchamp down to the current crisis of paper-based media in the digital era. Bookwork surveys and illustrates a stunning variety of appropriated and fabricated books alike, ranging from hacksawed discards to the giant lead folios of Anselm Kiefer. The unreadable books Stewart engages with in this timely study are found, again and again, to generate graphic metaphors for the textual experience they preclude, becoming in this sense legible after all.

• Sales Rank: #1977392 in Books
• Published on: 2011-06-01
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.00" w x 8.50" l, 2.60 pounds
• Binding: Hardcover
• 272 pages

Review
“When we read a book, it is always the physical volume in our hands—or in some substitute for hands—that is being read. That reading is a hands-on experience, we well understand, but what is to be said about artists taking hands to the book as object, transmogrifying it and separating it from readability? Garrett Stewart thinks deeply about the experience of reading, and how memories of reading hover over the altered book, or as Stewart calls it, bibliobjet, once it has been made into an object of art. Bookwork is an eloquent survey of the conceptual parameters of the bibliobjet and the multitudinous ways by which artists of the book object bring forth other orders of its reading.”

(Buzz Spector, Washington University)

“Bookwork is a bold, imaginative, and passionate study of the works of sculpture and installation art that are either made out of books or that reference books as cultural icons. No one has taken the study of book objects into as detailed a discussion as Garrett Stewart, who uncovers these objects’ important relation to conceptual art and the tradition of the readymade. Bookwork bridges art history and the sculptural tradition at the edge of the field of artists’ book production—creating a vivid link between these two communities. It will find a ready audience among those who study and practice the art Stewart explores.”

(Johanna Drucker, University of California, Los Angeles)

“Garrett Stewart focuses on the kind of book art that renders the book a physical object rather than a medium for reading with a thoroughness and theoretical sophistication that are unmatched in the literature on the subject. In its scope, erudition, and felicitous blend of museum stroll and sophisticated analysis, this book will engage and delight a much wider range of readers than most scholarly monographs. Sustained, original, intellectually stimulating, and often brilliant, Bookwork will become the source to consult on this topic for years to come.”

(Sabine Gross, University of Wisconsin–Madison)

“This fascinating work will change the way readers think about books and their purpose.”

(Choice)

About the Author

Garrett Stewart is the James O. Freedman Professor of Letters in the Department of English at the University of Iowa. He is the author of numerous previous books, many published by the University of Chicago Press, including The Look of Reading: Book, Painting, Text. He was elected to the American Academy of Arts and Sciences in 2010.

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0 of 0 people found the following review helpful.
Exploring Representations of Book
By Timothy Gould
Stewart continues his explorations of film, poetry, the novel and the book as works in themselves and works capable of self-reflection.

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> Ebook The Social Theory of Practices: Tradition, Tacit Knowledge, and Presuppositions, by Stephen Turner

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The concept of "practices"—whether of representation, of political or scientific traditions, or of organizational culture—is central to social theory. In this book, Stephen Turner presents the first analysis and critique of the idea of practice as it has developed in the various theoretical traditions of the social sciences and the humanities.

Understood broadly as a tacit understanding "shared" by a group, the concept of a practice has a fatal difficulty, Turner argues: there is no plausible mechanism by which a "practice" is transmitted or reproduced. The historical uses of the concept, from Durkheim to Kripke's version of Wittgenstein, provide examples of the contortions that thinkers have been forced into by this problem, and show the ultimate implausibility of the idea.

Turner's conclusion sketches a picture of what happens when we do without the notion of a shared practice, and how this bears on social theory and philosophy. It explains why social theory cannot get beyond the stage of constructing fuzzy analogies, and why the standard constructions of the contemporary philosophical problem of relativism depend upon this defective notion. This first book-length critique of practice theory is sure to stir discussion and controversy in a wide range of fields, from philosophy and science studies to sociology, anthropology, literary studies, and political and legal theory.

• Sales Rank: #2253525 in Books
• Published on: 1994-05-16
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.00" l, .54 pounds
• Binding: Paperback
• 156 pages

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7 of 13 people found the following review helpful.
An excellent book on practices, culture, habit, and so on.
By A Customer
This is an excellent book addressing an area that I feel has been addressed quite poorly within much of academia. He takes up the threads of a number of divergent thinkers and considers how practices, traditions and so on come into being.
the book is written for an academic audience but is very readable.

0 of 1 people found the following review helpful.
Nice
By Marcelo de Souza Bispo
It's a classical reading about practice theories.

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@ Download PDF The Outfit: A Parker Novel (Parker Novels), by Richard Stark

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You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir.  Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
In The Outfit, Parker goes toe-to-toe with the mob—hitting them with heist after heist after heist—and the entire underworld learns an unforgettable lesson: whatever Parker does, he does deadly.
 
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
 
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times
 
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block 

• Sales Rank: #186086 in Books
• Brand: Stark, Richard
• Published on: 2008-09-01
• Released on: 2008-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .70" w x 5.25" l, .54 pounds
• Binding: Paperback
• 224 pages

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0 of 0 people found the following review helpful.
The problem of bigness, in a nutshell.
By Christopher (o.d.c.)
... Parker turned to Handy. “I'll keep an eye on this bird while you go through the house.”
“Right.” Handy pocketed his gun and left the room.
“Have you been masterminding these robberies?” Quill asked.
“No. My friends have been doing them on their own.”
“They've been very professional robberies.”
“My friends are very professional."

Parts one, two, and four of THE OUTFIT are from Parker's point-of-view. The mob is after Parker, and he has to convince them to lay off. He does this by writing everyone in his 'profession' to hit the mob at once:

"... You organized people are so wide open. We walk into a syndicate place and we look around, and just automatically we think it over, we think about it like a job. We don't do anything about it, because you people are on the same side as us, but we think about it. I've walked around for years with three syndicate grabs all mapped out in my head, but I've never done anything about it."

This is a brilliant concept, and brilliantly executed. After the one-heist MAN WITH THE GETAWAY FACE, Westlake/Stark writes a sequel with four or more heists in it, just to prove his versatility. And how absolutely detailed and true his accounts of the numbers racket, the two men and the four brown suits (38 S), the souped up getaway VW bug... and the guy who sits in a gas station by the track, with a safe full of layoff money.- and this is all just half of part three.

Then there is the satirical, and yet true to life debriefing that Quill (the accountant) gives to Bronson, the mob boss hiding out in Buffalo:

Quill held up four fingers. “So there are four things which set the club up,” he said. “They didn't think they'd be robbed, they hadn't thought about what to do if they were robbed, none of them would risk being shot to protect the organization's money, and they didn't think of themselves as crooks. In a nutshell.”
“Hold on.” Bronson held up his own hand, fingers splayed like a traffic cop's. “What do you mean, they don't think they're crooks?"

THE OUTFIT is not quite 200 pp. long, but it is so exuberant, so brimful, that it proves the virtues of littleness. It is itself a souped up VW.

0 of 0 people found the following review helpful.
Don't cross Parker
By DFW Amazonian
Intense, completely politically incorrect but never ceases to be engaging, bringing the audience to a time gone by (land lines and pay phones!). Novel is short and a page turner, violent and lacks redeeming value - a good escape with a day's read.

16 of 17 people found the following review helpful.
Crime Fights Organised Crime
By Untouchable
The name is Parker and he's not one for making idle threats. When he talks, he follows through with brutal efficiency. And so, when he warned the organised crime boss not to cross him or he would hurt the organisation, it would have been a good idea to listen. What would not have been a good idea was to attempt to put a hit on Parker.
When the hit fails, as of course it must, Parker sets in place a devious plan to hurt the Outfit just as he promised. What follows is a highly entertaining string of crimes around the country, striking blow after blow on behalf of our anti-hero, Parker.
If you're simply after a flat out entertaining book of action sequences that aren't cluttered up with pesky character development, then this is the book for you. As a matter of fact, the entire Parker series is for you. Parker remains the true dispassionate enigma. Sure he's heartless, cruel and vindictive but you've just gotta love the rascal.

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Is culture simply a more or less set text we can learn to read? Since the early 1970s, the notion of culture-as-text has animated anthropologists and other analysts of culture. Michael Silverstein and Greg Urban present this stunning collection of cutting-edge ethnographies arguing that the divide between fleeting discursive practice and formed text is a constructed one, and that the constructional process reveals "culture" to those who can interpret it.

Eleven original essays of "natural history" range in focus from nuptial poetry of insult among Wolof griots to case-based teaching methods in first-year law-school classrooms. Stage by stage, they give an idea of the cultural processes of "entextualization" and "contextualization" of discourse that they so richly illustrate. The contributors' varied backgrounds include anthropology, psychiatry, education, literary criticism, and law, making this collection invaluable not only to anthropologists and linguists, but to all analysts of culture.

• Sales Rank: #1094488 in Books
• Published on: 1996-07-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.10 pounds
• Binding: Paperback
• 362 pages

About the Author
Michael Silverstein is the Samuel N. Harper Professor in the Departments of Anthropology, Linguistics, and Psychology at the University of Chicago. Greg Urban is professor of anthropology at the University of Pennsylvania.

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# PDF Ebook My Cocaine Museum, by Michael Taussig

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In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years.

Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine.

This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.

• Sales Rank: #451090 in Books
• Published on: 2004-05-11
• Released on: 2004-05-11
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.33 pounds
• Binding: Paperback
• 336 pages

From Publishers Weekly
If Hunter S. Thompson had been trained by Boaz in anthropology, Engels in economics and Arendt in philosophy, he might write something like Taussig, whose ninth book follows on the heels of Law in a Lawless Land, and is a further study of the ways and means of south Colombia’s poor communities. Taussig literally imagines his book to be a "cocaine museum"; it’s a conceit that brings Taussig’s first-person outsider’s perspective together with Colombia’s major cash crop, and with the things that people make and use around it. Short chapters riff on a particular person, place or thing—town officials who clap out death warrant-like denuncias on manual typewriters; citizens who distill the lighter fluid-like drink biché as their only income-generating activity; children who mine gold by hand and can go years without finding any—and then spiral out into the entwined histories of slavery, drugs and colonialism, as well as into philosophical speculations. "Transgressive substances," Taussig writes, "make you want to reach out for a new language of nature, lost to memories of prehistorical time that the present state of emergency recalls." A book of "spells, hundreds and thousands of spells, intended to break the catastrophic spell of things," Taussig’s virtual museum feels as real as the hot, damp rainforest where it’s set.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"What's an anthropologist to do in a country where life is magic? This question shapes Columbia professor Michael Taussig's My Cocaine Museum. Taussig has spent much of the last three decades in Colombia, where he has been everywhere and, it seems, met everyone, from the descendants of African slaves who pan for gold on the coast to the ministers in Bogota, digging in their cabinets for missing files. My Cocaine Museum is a report from the field, but it is hardly traditional fieldwork. Taussig begins with a description of the Gold Museum in Bogota, a collection of golden artifacts plundered from the inhabitants of pre-Columbian Colombia. What follows is a kind of anti-museum, made of meditations on the uncollectible phenomena he has encountered on the country's remote Pacific coast: rain, stone, lightning, boredom, moonshine. My Cocaine Museum tells the story that the Gold Museum hides, about the difficulty of life in the place gold (and now cocaine) comes from, a swamp where it rains three feet a month and the heat never goes away. This story remained untold, Taussig suggests, because gold and cocaine have tricked human beings into putting it out of their minds. . . . Gold and cocaine lead people to forget time and place, cause and effect, maybe even to make basic geographical mistakes. You might think that a dose of the good old cause and effect would be the best antidote to this befuddlement, but Taussig disagrees. He constructs his Museum in accordance with the spellbound logic of gold and coke; each chapter mixes natural and human history, fiction and reportage, with the manic associativeness of, well, a coke fiend. . . . My Cocaine Museum is intended as a counter-enchantment, to free the reader, if not all Colombia, from the magic of two commodities that have had a profound and malign effect on the nation's history. It's an ambitious task, but Taussig invokes some powerful spirits to help him, notably Walter Benjamin, who believed (or maybe believed: Benjamin is tricky) that words have a magical connection to the world, even if this connection is also historically and politically determined, i.e., not magic at all (tricky, tricky). . . . My Cocaine Museum. . . . is a daring immersion in a Colombian mode of thought."

(Paul LaFarge Voice Literary Supplement 2004-05-19)

"[Taussig] has taken his cue for this new book from the Gold Museum in Colombia's capital, Bogota, where the treasures of the indigenous Indians before the Spanish conquest have been installed in the depths of the National Bank. Many stories and much history have been washed away to display the country's proud heritage. Taussig has undertaken to tell a contrapuntal tale of slavery and intoxication, of power and cartography, perverted culture, lost peoples, tyranny and material survival at the bottom. . . . More psycho geography than ethnography, a travel journal striving to the condition of prose poetry, an indulgent and enraptured trip to the ends of the earth by a writer aspiring to join the lineage of other voyagers to the extremes somewhere close to hell (Rimbaud, Celine, B. Traven)." (Marina Warner The Times (UK) 2004-06-05)

From the Inside Flap
In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years.

Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine.

This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.

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18 of 20 people found the following review helpful.
a postmodern delight
By T. Duncan
this book is fantastic. i found the previous reviewer's commentary to be disingenuous and bad-humured. taussig's self-consciousness is refreshing coming from a writing tradition that is dominated by academic-omniscient narration.

this work is politically and personally engaged and engaging. it is also, hopefully, evidence of contemporary anthropology's dedication to talking to people instead of simply about them.

if you would like a visceral imagining of the history and reality of colombia's cocaine production, you should read this book. if you are interested in ethnography that transgresses the traditional, then again, you should read this book.

3 of 4 people found the following review helpful.
My Taussig Museum
By R. Borneman
, which is a technique he coyly conceals. The reader, whether of books or nature, passes into that which is being read. (29) [We travel to ¶2: the Drug Room] Is this travel? It seems more like a physiological test. (191) Benjamin has his hashish, I have Malbec, but Taussig admits no cocaine. He does not inhale, yet his pages are sprinkled with the rambling stream-of-conscious and free-association rush of this fetishized powder and, reflexively, with himself. Perhaps, like abstemious Nietzsche, his only drugs are those of internal passion: observation and outrage. His method, like his prose, reflects a paradoxical geography: were I a fish, I could swim up the coast from Mulattos a hundred miles to Buenaventura, a few thousand more miles, hugging the coast and I'd be home in San Buenaventura; were I a bird I could fly towards Polaris, like a missile until I descend mid-way between Baltimore and Philadelphia. How you travel determines where you wind up. Taussig, in undocumented fashion, crosses the map-imposed border of academic verification and asserts that "the United States [is] the most incarcerated society in the world" (273). With what authority does he assert this? Whether citing B. Traven or Kilgore Trout, Taussig lets his references and citations roam freely. Like a stone skipping across water, his documentation leaves ripples at seemingly sporadic intervals. Taussig does not provide (does not have faith in) maps; he prefers we swim or fly via the landscape of his words, instinctively, without thinking destination. But there is a destination; we will be guided to discover the placeness of place which JZ Smith denies. "This is a story about a prison island" (273).

[We enter ¶1: the Prison Island Room] Is this the central room of the museum? Why presuppose a museum such as this has a central room? Let us, instead experience the question raised by the room we are in: What is a prison island? Is it an abstract, academic, intellectual location built for those guilty of having read Heidegger and Freud? Is it an island in which a man will pay a merchant for a keychain made by a prisoner, but not pay a prisoner for a story about making keychains? Is it the authorial voice, calling for rescue, hoping to turn the surrounding waters to ice (water made of stone) thereby annihilating the alienation of the prison island? Such a rescue would require great magic. Thus Taussig, Adorno, Benjamin transform themselves into three magi attempting to turn the apotropaic Gorgon's head on modernity; but why? The crisis of modernity is a conceit of the aged and the dead. Do they seek to colonize the savage coasts of our minds with a leftist-humanist-post-modern rhetoric? Does the catastrophic spell of things alienate? At times, Taussig is acutely aware of his alienation in this malarial miasma of Colombia: "although he depends on being there, and although the grit of the place is what seeps into every particle of his writerly being, [the locations] are as foreign to him as a rank outsider and hence quite fabulous, like a stage set, allowing him to work out even more precisely what he needs to say..." (273).

This is as good a room as any in which to begin our tour of my Taussig Museum. Welcome to the Mimesis Room. [We enter ¶3: the Mimesis Room] All around pools of water and sheets of gold, reflecting images like fun-house mirrors: trickery to make people aware of what they already know but don't know. (xiii) Reflections which force us to be grappling with ... how nonfiction and fiction refuse to stay neatly separated. (65) My Cocaine Museum does not ... try to tease apart nature from culture, real stuff from the made-up stuff, but instead accepts the life-and death play of nature with second nature as an irreducible reality so as to let that curious play express itself all the more eloquently. (xviii) Taussig's writing on the wall of this room is a confession: "When you write, you feel you're short-changing reality. It's not even half the truth. And the more you write, the more it slips away." (306) Taussig's writing is faked. While recognizable as faked ... it is nevertheless effective, yet in saying as much, is he not faking even more, playing the ultimate trick, merely pretending to expose the trick of "voice" while leaving us hanging on the uncertainty of the contradiction by which its fakery makes for truth? (63) As I see it, there are two steps and one trick involved here, the trick that determines the fate of humanity. The first step is to observe and then imitate nature. The second is to go beyond imitation and become one with what you are imitating, ... . Here imitation undergoes a radical development. It passes from being outside to being inside, in fact, becoming Other. Imitation becomes immanence. (80) Is this, then what we, as scholars, and humans are to do? Is mimesis, of JZ Smith, of Tillich, of Eliade, the method we are to adopt, the technique we are to embody? While Taussig may seem to be radically separating himself from convention, he is obsessed with imitation and mimesis

0 of 2 people found the following review helpful.
Strange Apotropaic Text
By Dean R. Peterson
I was looking for a book to learn something about Colombia. As the author self describes the book it is a "strange apotropaic text." It is as if he made a trip to Afro Colombia and he wants to relate it to every mystic theory he has. Too often as I read I can feel the author careening off the rails and me wondering how long until we get back to writing about Colombia.
I feel a bit duped buying a book to learn something and having to spend most of my time listening to a "strange apotropaic" story.

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Leo Strauss on Maimonides: The Complete Writings, by Leo Strauss

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Leo Strauss is widely recognized as one of the foremost interpreters of Maimonides. His studies of the medieval Jewish philosopher led to his rediscovery of esotericism and deepened his sense that the tension between reason and revelation was central to modern political thought. His writings throughout the twentieth century were chiefly responsible for restoring Maimonides as a philosophical thinker of the first rank. Yet, to appreciate the extent of Strauss’s contribution to the scholarship on Maimonides, one has traditionally had to seek out essays he published separately spanning almost fifty years.           
With Leo Strauss on Maimonides, Kenneth Hart Green presents for the first time a comprehensive, annotated collection of Strauss’s writings on Maimonides, comprising sixteen essays, three of which appear in English for the first time. Green has also provided careful translations of materials that had originally been quoted in Hebrew, Arabic, Latin, German, and French; written an informative introduction highlighting the original contributions found in each essay; and brought references to out-of-print editions fully up to date. The result will become the standard edition of Strauss’s writings on Maimonides.

• Sales Rank: #542710 in Books
• Published on: 2013-04-23
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 2.00" w x 6.00" l, 2.30 pounds
• Binding: Hardcover
• 696 pages

Review
“It is to the enduring credit of Leo Strauss that he effected a radical reconsideration of Maimonides. To be sure, philosophers have engaged Maimonides over the centuries, but none reached down so deep into his modus operandi. Strauss made clear the strategies pursued by Maimonides in his effort to convey discrete messages to different audiences, and that newly regained awareness of how Maimonides wrote—and hence needed to be read—gave rise to renewed vigorous debate.” (Ralph Lerner, University of Chicago)

“Since the appearance of Strauss’s writings, the small handful of academics familiar with Maimonides has expanded to a sizable group, including academics in medieval studies, religious studies, philosophy, and political science. For the debate about Strauss and his legacy, for coming to terms with Maimonides, and for broaching the dispute between reason and revelation, this collection is indispensable."
(Joshua Parens, University of Dallas)

"If Maimonides allows readers a new beginning with respect to an understanding of philosophy, and if Strauss allows readers a similarly new beginning concerning Maimonides’ thought, then surely Green’s two impressive new volumes allow readers an analogous beginning concerning the thought of Leo Strauss as it pertains to the question of revealed Law and reason—or, as Strauss put it, 'Jerusalem and Athens.' . . . From his early Jew and Philosopher to his two new volumes, Green has argued in sustained fashion for the central importance of Maimonides to the thought of Strauss. These two books establish [that] beyond any doubt." (International Journal for the Philosophy of Religion 2014-01-15)

“Do we need medieval wisdom, and to explore anew the foundations of modern rationalism? Green gives a resolutely positive answer to these questions in his comprehensive study on Leo Strauss’s lifelong exploration of Maimonides’s work. His study is written in a personal and pleasing style which makes it a fitting companion to his recent edition of Strauss’s complete writings on this twelfth-century Jewish leader, physician, and philosopher. . . . One more significant contribution by Green to our understanding of Strauss’s work and to the contemporary resources for thinking through the theologico-political problem.” (Review of Politics 2014-08-04)

“[Strauss’s] numerous publications and lectures are required reading for any serious academic study of Maimonides and his works. . . . Now, thanks to the work of Green, all of those studies will be accessible in one beautifully edited volume.” (Political Theory 2015-06-23)

About the Author
Leo Strauss (1899–1973) was one of the preeminent political philosophers of the twentieth century. He is the author of many books, among them The Political Philosophy of Hobbes, Natural Right and History, and Spinoza’s Critique of Religion, all published by the University of Chicago Press. Kenneth Hart Green is associate professor in the Department for the Study of Religion at the University of Toronto. He is the author of Jew and Philosopher: The Return to Maimonides in the Jewish Thought of Leo Strauss.

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15 of 15 people found the following review helpful.
Leo Strauss on Maimonides
By George Greene
Kenneth Hart Green's introductory essay and his editorship of Leo Strauss on Maimonides are works of love. They should be treated as such for one can see the care that Professor Green has taken to bring this work to fruition.

In this work,Professor Green has shown convincingly that Leo Strauss became who he is through his continuous engagement with Maimonides as a thinker par excellence.

By placing almost all of these writings in chronological order with his helpful notes, one may with patience see how Leo Strauss learned from Maimonides and rediscovered the art of esoteric writing in its multidimensions. We see a mind, slowly with painstaking effort, reinvigorate the tension between Athens and Jerusalem so that one may test what is the one thing needful: a life of pious devotion to God or the way of the philosopher in its classic form. Restated, what is the best way of life?

Leo Strauss sums up this work best in a lecture, "When engaging in the study of the philosophy of the past, he must know that he embarks on a journey whose end is completely hidden from him: he is not likely to return to the shore of his time as the same man who left it."

By editing this book, Ken Green has made this difficult task easier and I thank him for it. It is an enduring monument of a life of the mind.

0 of 0 people found the following review helpful.
Challenging
By Words are Journeys
very intense

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^ Free Ebook Valuing Life: Humanizing the Regulatory State, by Cass R. Sunstein

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The White House Office of Information and Regulatory Affairs (OIRA) is the United States’s regulatory overseer. In Valuing Life, Cass R. Sunstein draws on his firsthand experience as the Administrator of OIRA from 2009 to 2012 to argue that we can humanize regulation—and save lives in the process.

As OIRA Administrator, Sunstein helped oversee regulation in a broad variety of areas, including highway safety, health care, homeland security, immigration, energy, environmental protection, and education. This background allows him to describe OIRA and how it works—and how it can work better—from an on-the-ground perspective. Using real-world examples, many of them drawn from today’s headlines, Sunstein makes a compelling case for improving cost-benefit analysis, a longtime cornerstone of regulatory decision-making, and for taking account of variables that are hard to quantify, such as dignity and personal privacy. He also shows how regulatory decisions about health, safety, and life itself can benefit from taking into account behavioral and psychological research, including new findings about what scares us, and what does not. By better accounting for people’s fallibility, Sunstein argues, we can create regulation that is simultaneously more human and more likely to achieve its goals.

In this highly readable synthesis of insights from law, policy, economics, and psychology, Sunstein breaks down the intricacies of the regulatory system and offers a new way of thinking about regulation that incorporates human dignity– and an insistent focus on the consequences of our choices.

• Sales Rank: #827429 in Books
• Published on: 2014-09-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 240 pages

Review
“There are many economists, philosophers, and legal scholars who write about the value of human life and how to incorporate it into policy, but few of them have actually put this into practice in a government position. The most prominent scholar to do so is Cass Sunstein, whose latest book, Valuing Life: Humanizing the Regulatory State, provides an invaluable perspective from someone who has experience in both the academic and policy realms. . . . In Valuing Life, Sunstein surveys a wide range of practical research and real-life policymaking in his characteristically lucid style, offering a candid and humble account of his administrative tenure in Washington. He performs an invaluable service in revealing how government regulators balance pragmatic concerns of resource scarcity with principled ideals of respect and dignity.” (London School of Economics Review of Books)

“Sunstein, who served as Administrator of the Office of Information and Regulatory Affairs (OIRA) from 2009 to 2012, argues that government must always consider the impact of proposed regulation on human life. Sunstein describes how the OIRA actually works, explains the role of break-even analyses in government regulation, and explores how the government might account for risk to nonquantifiable goods, such as privacy. . . . overall this is a lucid book that sheds light on how the government reasons, and how it ought to reason, about the regulations that shape our everyday lives.” (Publishers Weekly)

“As an accessible introduction to regulation, the book benefits from Sunstein’s recent and significant experience, and his vision for new directions in public policy.” (Library Journal)

“Written with clarity and elegance, this book explains how White House oversight of the federal regulatory state is conducted—both the procedures and the analytics.  It is a must read for academics and practitioners interested in improving the quality of federal regulation.” (John D. Graham, Indiana University and former Administrator of the Office of Information and Regulatory Affairs, OMB)

“An immensely insightful look at one of the least understood and most influential agencies in the government and the complex factors that it considers in helping to determine what is and isn't subject to government regulation. “ (Carol Browner, distinguished senior fellow, Center for American Progress)

“What happens when the world’s leading academic expert on regulation is plunked into the real world of government? Sunstein is that expert, and he was the regulatory boss of the US government from 2009 to 2012. Valuing Life describes both how Sunstein’s ideas about regulation influenced his tenure in government, and how his experiences in government have influenced his ideas about regulation. This immensely rewarding book, written in the humane, beautiful style that Sunstein is known for, should be read by everyone who cares about how our government works.” (Eric Posner, University of Chicago)

“Sunstein draws on his experience as administrator of the Office of Information and Regulatory Affairs (OIRA) to analyze the standards used for government regulations. . . . He provides both clear explanations and concrete examples of how the behavioral orientation in economics can contribute to the world of cost/benefit policy formulation. Recommended.” (Choice)

“It begins with an “insider” account of Sunstein’s time in the White House. Rather than a memoiristic tale about the personalities of the Obama administration, however, Sunstein focuses almost entirely on the OIRA’s day-to-day operations, laying out exactly how the office comes to approve regulations. He clearly invests government regulation with a great deal of importance, and while I wouldn’t necessarily call him passionate, he is certainly convinced that bureaucracy can do real good, specifically in the context of the regulatory state.”
  (Los Angeles Review of Books)

About the Author
Cass R. Sunstein is the Robert Walmsley University Professor at Harvard University. His many books include Nudge: Improving Decisions about Health, Wealth, and Happiness and Why Nudge?: The Politics of Libertarian Paternalism.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Very interesting but dry
By David
Valuing Life is a very interesting and insightful look into the Office of Information and Regulatory Affairs (OIRA) but it falls short on engagement. It explores many of the fundamental guidelines that regulations are built upon, the biases and issues that get in the way of effective regulation, and the difficulty associated with properly weighing and balancing things that are qualitatively different.

I'd imagine this would be a great book to give to anyone on their first day at OIRA but unless you have a very strong interest in the subject-matter, the book will be difficult to get through. If you've read any of the author's other works, you likely know what you're getting yourself in for - it is exhaustively researched (as evidenced by the extensive footnotes), has crisp and direct prose, and focuses on important issues but the book is likely to put most people to sleep due to the author's very academic writing style. It's more akin to a textbook than Gladwell-ian in style.

Overall, this is an area of interest of mine and I found the book very worth my time but I wouldn't recommend it to someone who didn't share my interest.

2 of 2 people found the following review helpful.
Sunstein is my favourite academic and has made a big influence on my ...
By daniel michael
Sunstein is my favourite academic and has made a big influence on my way of thinking. Unfortunately, I always get disappointed from his books; to clarify, its completely my fault. This book (and several others) are just compilations and slightly edited versions of his papers, which I have already read.

If anyone is interested in cost benefit analysis and regulatory policy and hasn't already read all of Sunstein's work, this book is worth reading.

0 of 0 people found the following review helpful.
Excellent for tentative evaluators
By Michael Adair
The book does an excellent job of offering a case study of effect process and outcome evaluation. An interesting aspect is the role cost benefit analysis as in the review and comment process.

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