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You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
In The Outfit, Parker goes toe-to-toe with the mob—hitting them with heist after heist after heist—and the entire underworld learns an unforgettable lesson: whatever Parker does, he does deadly.
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
- Sales Rank: #186086 in Books
- Brand: Stark, Richard
- Published on: 2008-09-01
- Released on: 2008-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.25" l, .54 pounds
- Binding: Paperback
- 224 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
The problem of bigness, in a nutshell.
By Christopher (o.d.c.)
... Parker turned to Handy. “I'll keep an eye on this bird while you go through the house.”
“Right.” Handy pocketed his gun and left the room.
“Have you been masterminding these robberies?” Quill asked.
“No. My friends have been doing them on their own.”
“They've been very professional robberies.”
“My friends are very professional."
Parts one, two, and four of THE OUTFIT are from Parker's point-of-view. The mob is after Parker, and he has to convince them to lay off. He does this by writing everyone in his 'profession' to hit the mob at once:
"... You organized people are so wide open. We walk into a syndicate place and we look around, and just automatically we think it over, we think about it like a job. We don't do anything about it, because you people are on the same side as us, but we think about it. I've walked around for years with three syndicate grabs all mapped out in my head, but I've never done anything about it."
This is a brilliant concept, and brilliantly executed. After the one-heist MAN WITH THE GETAWAY FACE, Westlake/Stark writes a sequel with four or more heists in it, just to prove his versatility. And how absolutely detailed and true his accounts of the numbers racket, the two men and the four brown suits (38 S), the souped up getaway VW bug... and the guy who sits in a gas station by the track, with a safe full of layoff money.- and this is all just half of part three.
Then there is the satirical, and yet true to life debriefing that Quill (the accountant) gives to Bronson, the mob boss hiding out in Buffalo:
Quill held up four fingers. “So there are four things which set the club up,” he said. “They didn't think they'd be robbed, they hadn't thought about what to do if they were robbed, none of them would risk being shot to protect the organization's money, and they didn't think of themselves as crooks. In a nutshell.”
“Hold on.” Bronson held up his own hand, fingers splayed like a traffic cop's. “What do you mean, they don't think they're crooks?"
THE OUTFIT is not quite 200 pp. long, but it is so exuberant, so brimful, that it proves the virtues of littleness. It is itself a souped up VW.
0 of 0 people found the following review helpful.
Don't cross Parker
By DFW Amazonian
Intense, completely politically incorrect but never ceases to be engaging, bringing the audience to a time gone by (land lines and pay phones!). Novel is short and a page turner, violent and lacks redeeming value - a good escape with a day's read.
16 of 17 people found the following review helpful.
Crime Fights Organised Crime
By Untouchable
The name is Parker and he's not one for making idle threats. When he talks, he follows through with brutal efficiency. And so, when he warned the organised crime boss not to cross him or he would hurt the organisation, it would have been a good idea to listen. What would not have been a good idea was to attempt to put a hit on Parker.
When the hit fails, as of course it must, Parker sets in place a devious plan to hurt the Outfit just as he promised. What follows is a highly entertaining string of crimes around the country, striking blow after blow on behalf of our anti-hero, Parker.
If you're simply after a flat out entertaining book of action sequences that aren't cluttered up with pesky character development, then this is the book for you. As a matter of fact, the entire Parker series is for you. Parker remains the true dispassionate enigma. Sure he's heartless, cruel and vindictive but you've just gotta love the rascal.
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