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Who during the Renaissance could have dissented from the values of reason and restraint, patience and humility, rejection of the worldly and the physical? These widely articulated values were part of the inherited Christian tradition and were reinforced by key elements in the Renaissance, especially the revival of Stoicism and Platonism. This book is devoted to those who did dissent from them. Richard Strier reveals that many long-recognized major texts did question the most traditional values and uncovers a Renaissance far more bumptious and affirmative than much recent scholarship has allowed.The Unrepentant Renaissance counters the prevalent view of the period as dominated by the regulation of bodies and passions, aiming to reclaim the Renaissance as an era happily churning with surprising, worldly, and self-assertive energies. Reviving the perspective of Jacob Burckhardt and Nietzsche, Strier provides fresh and uninhibited readings of texts by Petrarch, More, Shakespeare, Ignatius Loyola, Montaigne, Descartes, and Milton. Strier’s lively argument will stir debate throughout the field of Renaissance studies.

• Sales Rank: #2173028 in Books
• Published on: 2011-12-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.10 pounds
• Binding: Hardcover
• 328 pages

Review
“Well articulated, intelligent, and written with the ease and confidence of a mature scholar, there is nothing in this book that isn’t freshly thought through in an energetic and open way. Strier’s close readings of the Renaissance literary texts are done with diligence and vigor. The Unrepentant Renaissance offers a refreshing dissent from a dominant tendency in the field.”

(Gordon Braden, University of Virginia)

“Richard Strier does a spirited and articulate job of bringing back the enthusiastic energies that Jacob Burckhardt taught us, very wisely, to observe in the Renaissance. While deftly responding to the potentially dour agendas associated with everything that Burckhardt left out—the Reformation, England, the New Historicism—Strier offers us a newly humane counter-Renaissance.”

(Leonard Barkan, Princeton University Leonard Barkin, Princeton University)

“Refuting ‘the standard moral perspective’ reinforced by recent scholarship, Strier’s The Unrepentant Renaissance recaptures for its readers the more humane values of the period between Petrarch and Milton that time and again trump the rigors of righteousness and rationality. Its readings of an impressive range of iconic works, including epic, dramatic, and lyric poetry as well as prose, are unfailingly rewarding, often totally reorienting, and always refreshingly unrepentant.”

(Katherine Eden, Columbia University)

“In this busy, bright book, Strier is bringing sexy back, by showing that from More to Milton Renaissance writers were less concerned with control mechanisms than with passionate engagement.” (Times Higher Education)

“Good criticism is well-nigh undoable, which makes books like Richard Strier’s superb new study, The Unrepentant Renaissance—one of the best accounts of early modern literature in a long while—all the more welcome. . . . Strier is a sophisticated critic who yet does not stray from the highway of sound common sense and so avoids the pitfall of over-refinement. Readers will want to accompany him on this surprising and exciting journey to a strangely modern—freewheeling, worldly, pleasure-loving, and essentially happy—Renaissance.” (Times Literary Supplement)

“This book serves as a reminder of the complicated and often contradictory impulses available to early-modern thinkers.” (Choice)

 “This is a big, generous book. It’s big because it casts a sharp analytic eye on several Renaissance genres . . . in representative European languages across four centuries. It’s generous because it engages in spirited dialogue with recent critical approaches to these texts . . . always appreciating their sound contributions, but forcefully dissenting when they go astray. . . . My summary of this rich, complex book does little justice to its subtlety and nuance. Its thesis and its chapter-by-chapter analyses will provoke readers to argue, limit, and extend its conclusions, with an expanded awareness of the historical meaning at stake in specific texts. In the clear steady light of its critical argument, we can only welcome this reminder that Renaissance values were not so gloomy as some approaches over the past thirty years have made them appear.”  (Renaissance Quarterly)

 “This is an appealing book, and Strier’s prose is witty, erudite, and on point. Even Strier’s notes are worth reading. More than simply references, they trace the origins of his arguments, cite the full range of scholarship, and also give admirably generous and scrupulous credit to sources not often cited—anonymous press readers, panels at conferences long ago, even his own former students. . . . Unrepentantly thoughtful and incisive himself, Strier has made another worthy contribution to Renaissance studies with this fine book.” (Sixteenth-Century Journal)

 “The Unrepentant Renaissance is both a master class in close reading and a wholesale critique of the New Historicism of Stephen Greenblatt. . . . [It] achieves what any good book should do in offering a sustained re-thinknig not only of a critical terrain but of the very questions we ask as we set out to navigate that terrain. . . . Strier’s is an argument that demands, and rewards, serious engagement.”  (Milton Journal)

 “In order to pursue this alternate (or unrepentant) history Strier employs a form of rigorous literary historicism that is similar to Revert and Matt in its emphasis on extensive primary reading but different in its close, sustained, and analytical reading of its central texts, offering detailed and enlightening discussion of the representative strategies they use as they construct and deconstruct emotional experiences in both their narratives and their readers.” (Cultural History)

About the Author
Richard Strier is the Frank L. Sulzberger Distinguished Service Professor in the Department of English and in the College at the University of Chicago. He has coedited several interdisciplinary essay collections and is the author of many articles and two books, Resistant Structures: Particularity, Radicalism, and Renaissance Texts, and Love Known: Theology and Experience in George Herbert’s Poetry, the latter published by the University of Chicago Press.

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1 of 7 people found the following review helpful.
Repentence is So Yesterday!
By Thomas Thornton
As Fitzgerald says, "Repentence Oft Have I Sworn, but was I sober when I swore?" Oscar Wilde, on the other hand, sentimentally wrote, "If not from a broken heart, how could Lord Jesus enter in?" This very scholarly book's heart is probably Milton, who was famously heretical and advised to let a thousand flowers bloom in the theological arena: Arianism, Arminianism and so forth. Of course Milton was very conservative in his belief in God, that deus absconditus that writes best-sellers.

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# Ebook Download When Law Goes Pop: The Vanishing Line between Law and Popular Culture, by Richard K. Sherwin

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The past few decades have seen the legal system entering American popular culture like never before, from the media blitzes surrounding high-profile trials to the countless television programs in which judges rule on everyday disputes. What, if anything, does this mean for the legal system itself? According to Richard K. Sherwin, it is a dangerous development—one that threatens to turn law into spectacle, undermining public confidence as legal style and logic begin to resemble advertising and public relations.

• Sales Rank: #1413653 in Books
• Published on: 2002-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .99 pounds
• Binding: Paperback
• 332 pages

Amazon.com Review
Remember the national fascination with the televised Menendez brothers' trial? What about the episode of Law & Order in which the aristocratic Upper East Sider may or may not have pushed his wife into a coma? Oh, wait, that was the Claus von Bülow story--which was also made into a movie. This type of reciprocity of law and popular culture is of concern to NYU law professor Richard Sherwin. To Sherwin, the mingling of law and entertainment flattens discourse, occludes real understanding of the law and legal practices, and threatens democracy insofar as the public loses faith in "real law" when it does not conform to the law as seen at home, in popular culture, and on TV.

Sherwin analyzes the cultural and cognitive models at play in the telling and hearing of legal narratives and critiques the tools of meaning-making by looking closely at specific well-known cases and their outcomes. He also examines the use of public relations consultants to spin and provide a seductive coherence to their clients' cases (think of the "impromptu" press conferences on the courthouse steps). When Law Goes Pop is a rich and erudite critique of law as popular culture. It is a call to be alert to the deleterious effects of what another scholar, Doug Reed, has called "the juridico-entertainment complex," and a timely reminder of what is at stake. --J.R.

From Publishers Weekly
In a brilliant analysis of the jury system in our media-saturated age, Sherwin, a former New York City prosecutor and a professor at New York Law School, expertly examines the role of vivid storytelling in successful litigation, while cautioning against misusing that opportunity to seduce or "illicitly persuade" juries. Citing the media circus surrounding the notorious trials of the Menendez brothers and O.J. Simpson, he argues convincingly that an attorney has a professional obligation to function as a brake on popular passions and prejudices in court, not to feed into the tendency to inflame the audience with techniques that the media uses. Otherwise, lawyers risk undermining society's continued trust in the jury system. The seriousness of that risk impels Sherwin to address the complex interpenetration of media, law and culture in our time to such dazzling effect that this book stands not only as a guide for practicing and aspiring attorneys but also to those interested in current challenges to social stability. In a chapter dedicated to the role of Errol Morris's docudrama, The Thin Blue Line, in the release of Randall Dale Adams after he had served 12 years of a murder sentence in Texas, Sherwin illustrates the methods Morris used to question the case and bring new evidence forward. At the same time, he shows the potential for manipulation that Morris's techniques dangle in front of an unethical advocate. As Sherwin moves from a discussion of the storytelling nuances in such films as Lost Highway, Music of Chance and Martin Scorsese's remake of Cape Fear to a plea for attorneys to take responsibility for their court arguments, to make ethical choices in how they present material to juries and to maintain trust in the jury system, discerning readers will see a truly integrative intelligence at work, proposing possible solutions rather than simply bemoaning problems. (June)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
"What images do we share?" asks former New York prosecutor Sherwin (law, New York Law Sch.) in this thoughtful and thought-provoking interdisciplinary study. "What stories do we tell ourselves and others about truth and reason, about law and justice, and about the masked rage of retribution and the hidden flow of illicit desire, or about the contingencies of chance and the necessity of fate, or about the civilizing force of compassion and mercy?" With judges in TV courtrooms resolving real-life conflicts and nightly newscasts blurring into legal docudramas, Sherwin suggests that truth has become a relative concept; juries are swayed by the lawyers who tell the best stories and by the forms in which they are told. When the line between legal and popular culture can no longer be drawn, Sherwin warns, we will be forced "to consider anew the source and efficacy of doing justice through law." Will the present craving for quick and easy (i.e., responsibility-free) gratification continue to dominate our society? The answer, Sherwin concludes, "depends on the kind of culture we accept, or help to construct, or refuse to affirm." Recommended for public and academic libraries.DRobert C. Jones, Central Missouri State Univ., Warrensburg
Copyright 2000 Reed Business Information, Inc.

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5 of 5 people found the following review helpful.
Much Better as a Reference than as a Read
By wildbill
Professor Richard Sherwin concludes his book with an explicit statement of his thesis, the usual format for mysteries but not for academic studies. If you are a reader who prefers to know where the case studies are headed before reading the case studies, you might do well to read the last chapter first. I hesitate to advise readers to do so, however. Many of Professor Sherwin's analyses of one or a few movies are rich with insight and will inform, enlighten, and even entertain. In contrast, his theoretical contribution (affirmative postmodern theory) is too skimpy to justify a place in my library. Thus, I recommend that readers locate this book in a local library and consult it regarding legal matters in popular culture.
I recommend Mr. Sherwin's analysis of Errol Morris's "The Thin Blue Line." I shall never watch or show that classic without thinking about Professor Sherwin?s gloss thereon. I disagree with his comparison of the older and younger versions of "Cape Fear." I suspected that each of his characterizations of one film might just as easily be asserted about the other, but he held my interest and impelled me to watch both versions again. Mr. Sherwin appears to believe that films of David Lynch and Quentin Tarantino tell us much about theories or institutions of law and law enforcement. I was not convinced but found the argument interesting.
I recommend highly Sherwin's comparison of the "jigsaw puzzle" closing of Marcia Clark and Christopher Darden in the first Simpson trial to the heroic saga narratives favored by Johnnie Cochran and Gerry Spence. Sherwin is especially good at exposing Mr. Spence's skill. Mr. Spence appears to be the shrewd country lawyer whom he plays on television.
I also recommend Sherwin's account of myth making in famous cases of the 19th and 20th centuries, although consideration of landmarks of sensationalism calls into question just when the law began to go "pop."
I recommend that readers skip the numerous lists of questions with which Mr. Sherwin mars his manuscript. I could never be certain where the questions were headed and where I was supposed to the find the answers, if any. Readers should be underwhelmed as well by Mr. Sherwin's generalization from aberrations, including the aforementioned Simpson trial. In these matters, Mr. Sherwin seems to succumb to pop law and to see the world in a sound bite of the erstwhile "Rivera Live."
Most of all, I urge readers to overlook his every attempt to generalize about law and legal institutions from movies. As I have said, Mr. Sherwin's analyses of movies are intriguing. However, getting from the movies analyzed to legal institutions is no minor trick. When Mr. Sherwin would generalize to the legal culture from this or that trend that he claims to see in this or that movie, the reader should indulge his impulse to attend to the movie critique and to ignore the alleged social criticism that, it appears, the author believes his cinematic analyses justify. Mr. Sherwin's methodological justification for this twist on cinematic verity is almost self-satire: "My working assumption is that film, like notorious cases, provides a reasonably reliable indicator of shared, conflicted, and newly emerging beliefs, values, and expectations"(p. 171). With working assumptions such as that, what hypothesis wouldn't work out?
Mr. Sherwin separates postmodern sheep from postmodern goats, but the author's renditions of postmodernism seemed to create multiple Potemkin Villages. The specter of skeptical postmodernism may haunt some in the Western world, but Mr. Sherwin's manifesto will strike most readers as disjointed and overwrought.

9 of 11 people found the following review helpful.
TOUGH SLEDDING
By Kevin Coffee
Law professor Richard Sherwin argues that the law has fallen prey to the representational form of the mass media, television particularly. The law, in its most noted form, the criminal trial, finds that it must present itself like a television drama in order to conduct its business.
This wouldn't be so bad, argues Sherwin, if the law's ability to curb popular passions, objectively search for "truth," maintain the public's faith in the system, and win the battle between legal truth and the public desire for closure all weren't hamstrung in the process.
In these days when most Americans frame their view of the world based on what they see on television, Sherwin's subject is extremely important. The question is whether this book is worth the effort it will require of many readers. And early on, it's hard to know if it is worth all the trouble.
Mainly, Sherwin couches his central argument in the opaque language of literary criticism and legalese. Perhaps this is done for the sake of greater precision. Nevertheless, as a consequence, all but legal and literary scholars will find themselves back on their heels when reading this dense work. Sherwin does, thankfully, buttress the core of his assertions with illustrations from popular trials, movies and television, which allows many readers to better follow his line of reasoning while getting their feet back under them. Still, the case Sherwin's arguing has been argued at least as well elsewhere and with less technical language.
Tough sledding aside, if you enjoy popular culture and hold the law in high regard, then ready a thick dictionary, find a firm chair, get in good light and read Sherwin's book. Only your stamina will determine whether the outcome was really worth the work.

0 of 0 people found the following review helpful.
This book is alright but didn't explain how to analysis a pop culture artifact like it talks about
By Holly
I had to take a Law and Pop Culture class this summer. This book is alright but didn't explain how to analysis a pop culture artifact like it talks about. He just talks about different cases and that is it.

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Ethics described Judith Shklar as "a towering presence" at Harvard for decades, an "influential teacher and mentor to many of the best known political theorists working today in the United States." One of this century's most important liberal scholars, she is remembered for her "sharp intellect, forceful personality, and passionate intellectual honesty and curiosity." Political Thought and Political Thinkers makes startlingly clear her role in the reinvigoration of liberal theory that has been taking place over the last two decades.

This second volume of Shklar's work—which follows the 1997 publication of Redeeming American Political Thought—brings together heretofore uncollected (and several unpublished) essays on a number of themes, including the place of the intellect in the modern political world and the dangers of identity politics. While many of these essays have been previously published, they remain far from accessible. In collecting the work scattered over the past forty years in journals and other publications, noted political theorist Stanley Hoffmann provides an essential guide to Shklar's thought, complemented by George Kateb's comprehensive introduction to her work. Hoffmann's selection, which includes Shklar's classic essay "The Liberalism of Fear," showcases her distinctive defense of liberalism and follows her explorations in this history of moral and political thought as she engages with Bergson, Arendt, and Rousseau.

Political Thought and Political Thinkers displays one of the century's most compelling and flexible intellects in action and is the definitive collection of her work on European history and thinkers.

"Shklar's legacy is an inspiring example of liberal thought at its arresting best, unflinchingly courageous and unmoved by the dreary and unmeaning harmonies conjured up by theories of justice and rights."—John Gray, Times Literary Supplement

Judith N. Shklar (1928-1992) was Cowles Professor of Government at Harvard University and the author of nine books in political theory.

• Sales Rank: #642750 in Books
• Published on: 1998-03-28
• Released on: 1998-03-28
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.28 pounds
• Binding: Paperback
• 422 pages

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Popular conceptions hold that capitalism is driven almost entirely by the pursuit of profit and self-interest. Challenging that assumption, this major new study of American business associations shows how market and non-market relations are actually profoundly entwined at the heart of capitalism.

In Solidarity in Strategy, Lyn Spillman draws on rich documentary archives and a comprehensive data set of more than four thousand trade associations from diverse and obscure corners of commercial life to reveal a busy and often surprising arena of American economic activity. From the Intelligent Transportation Society to the American Gem Trade Association, Spillman explains how business associations are more collegial than cutthroat, and how they make capitalist action meaningful not only by developing shared ideas about collective interests but also by articulating a disinterested solidarity that transcends those interests.

Deeply grounded in both economic and cultural sociology, Solidarity in Strategy provides rich, lively, and often surprising insights into the world of business, and leads us to question some of our most fundamental assumptions about economic life and how cultural context influences economic.

• Sales Rank: #2032586 in Books
• Brand: Brand: University Of Chicago Press
• Published on: 2012-08-30
• Released on: 2012-08-30
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.90" w x 6.00" l, 1.55 pounds
• Binding: Paperback
• 536 pages

Features

• Used Book in Good Condition

Review
"Lyn Spillman does for trade associations what Alexis de Tocqueville did for civic ones, carefully investigating a wide range of associations in the United States - with surprising results. In describing how these associations band members together and give rise to group identities, Solidarity in Strategy breaks new ground in the discussion of the cultures of capitalism." (Frederick Wherry, University of Michigan)"

About the Author

Lyn Spillman is associate professor of sociology at the University of Notre Dame. A 2001 Guggenheim Fellowship recipient, she is also the author of Nation and Commemoration: Creating National Identities in the United States and Australia and the editor of Cultural Sociology.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent Book!
By Richard Swedberg
This book is important because it brings attention to a phenomenon in U.S. life that so far has been largely ignored, namely business associations. It also does this in a theoretically innovative way that suggests a new - and more sociological - way of looking at the way capitalism operates. The research is based on a Guggenheim.
Spillman's data on the approximately four thousand business associations that stand at the center of her study allows her to explore what turns out to be a very complex phenomenon. She excels in interpreting and making sense of this complexity in a number of ingenious ways, drawing not only on ideas about solidarity (sociology) but also on interest (economics). The decision to take interests seriously, but to do so from a deeply sociological/cultural view, is very impressive.
The end result suggests that not only business associations but also capitalism operates in a far more non-stereotypical way than the usual analysis suggests. Yes, profit and interest are involved; but so are meaning and culture and solidarity.

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! Free PDF Political Monopolies in American Cities: The Rise and Fall of Bosses and Reformers, by Jessica Trounstine

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Around the same time that Richard J. Daley governed Chicago, greasing the wheels of his notorious political machine during a tenure that lasted from 1955 to his death in 1976, Anthony “Dutch” Hamann’s “reform” government centralized authority to similar effect in San Jose. In light of their equally exclusive governing arrangements—a similarity that seems to defy their reputations—Jessica Trounstine asks whether so-called bosses and reformers are more alike than we might have realized.

Situating her in-depth studies of Chicago and San Jose in the broad context of data drawn from more than 240 cities over the course of a century, she finds that the answer—a resounding yes—illuminates the nature of political power. Both political machines and reform governments, she reveals, bias the system in favor of incumbents, effectively establishing monopolies that free governing coalitions from dependence on the support of their broader communities. Ironically, Trounstine goes on to show, the resulting loss of democratic responsiveness eventually mobilizes residents to vote monopolistic regimes out of office. Envisioning an alternative future for American cities, Trounstine concludes by suggesting solutions designed to free urban politics from this damaging cycle.

• Sales Rank: #775221 in Books
• Published on: 2008-09-15
• Released on: 2008-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .97 pounds
• Binding: Paperback
• 296 pages

Review
"Ambitious, creative, and convincing, this book combines an impressive sweep of historical data with two fine case studies, significantly contributing to our understanding of how political power is forged in cities. Comparing political tactics in Chicago and San Jose - a machine city and a reform city - to discover underlying similarities in the apparently different means of attaining electoral dominance is counterintuitive yet compelling." - John Mollenkopf, Graduate Center, City University of New York"

About the Author
Jessica Trounstine is assistant professor of politics and public affairs at Princeton University.
 

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Harlem's nightclubs in the 1920s and '30s were a crucible for testing society's racial and sexual limits. Normally tacit divisions were there made spectacularly public in the vibrant, but often fraught, relationship between performer and audience. The cabaret scene, Shane Vogel contends, also played a key role in the Harlem Renaissance by offering an alternative to the politics of sexual respectability and racial uplift that sought to dictate the proper subject matter for black arts and letters. Individually and collectively, luminaries such as Duke Ellington, Lena Horne, Langston Hughes, Claude McKay, Wallace Thurman, and Ethel Waters expanded the possibilities of blackness and sexuality in America, resulting in a queer nightlife that flourished in music, in print, and on stage.

Deftly combining performance theory, literary criticism, historical research, and biographical study, The Scene of Harlem Cabaret brings this rich moment in history to life, while exploring the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early twentieth century.

• Sales Rank: #848786 in Books
• Published on: 2009-04-01
• Released on: 2009-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .90" w x 6.00" l, .85 pounds
• Binding: Paperback
• 272 pages

Review
"Evocative, elegant, and engrossing are words that characterize this lively study that resurrects the lush, smoke-filled atmosphere of Harlem cabarets. Reading the contested space of the cabaret as material to compose and perform alternative narratives of race and sex, this study makes visceral the queer intimacies of cabaret's everynight life and analyzes the lives of performers from Lena Horne, Bricktop, and Ethel Waters, poetic works by Claude McKay and Langston Hughes, and embodied movements of audiences. Scholars in performance studies, history, literary modernism, and queer theory have much to learn from this excellent book." --Jennifer DeVere Brody, Duke University

"In The Scene of Harlem Cabaret, Shane Vogel combines performance studies and literary studies with deftness, acuity, and prescience, looking boldly to the future of the field. His illuminating thesis about the generative experiences produced by these jook-joint, honky-tonk, sin-cellar, concert-saloon night spots--small enough for 'public intimacy,' large enough for social 'breathing space' and 'wiggle room'--reimagines the works of the 'Cabaret School' in a new light, proving not that life is a cabaret, but that cabaret was a life for some the greatest American artists of the twentieth century--vital, risky, and transformative." --Joseph Roach, Yale University

"At the turn of the last century, W. E. B. Du Bois took up what he called 'the problem of amusement' with prescience as well as reticence. That problem is now taken up again by Shane Vogel with the kind of rigorous critical imagination that would disturb and, finally, gratify Du Bois, forcing him literally and figuratively to attend (to) scenes he might otherwise strenuously have avoided. Vogel illuminates and amplifies in too many ways to count the singular cultural politics of the scene of Harlem cabaret. Happily, he gives us occasion once again to consider how the terrible ruses and potential reconstruction of democracy in America are marked, on the one hand, and initialized, on the other, in our ludic underground." --Fred Moten, Duke University

About the Author

Shane Vogel is assistant professor of English at Indiana University.

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3 of 9 people found the following review helpful.
Is This A Dissertation?
By Sunlyonis
The information found here is unmatched. I appreciated having an opportunity to read queer history. I only gave it three stars because the way the information is organized and explicated is challenging. It read more like a social studies PHD level text book, rather than a nonfiction account of an exciting time.

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In the decades following World War II, cities across the United States saw an influx of African American families into otherwise homogeneously white areas. This racial transformation of urban neighborhoods led many whites to migrate to the suburbs, producing the phenomenon commonly known as white flight. In Block by Block, Amanda I. Seligman draws on the surprisingly understudied West Side communities of Chicago to shed new light on this story of postwar urban America.

Seligman's study reveals that the responses of white West Siders to racial changes occurring in their neighborhoods were both multifaceted and extensive. She shows that, despite rehabilitation efforts, deterioration in these areas began long before the color of their inhabitants changed from white to black. And ultimately, the riots that erupted on Chicago's West Side and across the country in the mid-1960s stemmed not only from the tribulations specific to blacks in urban centers but also from the legacy of accumulated neglect after decades of white occupancy. Seligman's careful and evenhanded account will be essential to understanding that the "flight" of whites to the suburbs was the eventual result of a series of responses to transformations in Chicago's physical and social landscape, occurring one block at a time.

• Sales Rank: #396908 in Books
• Published on: 2005-05-10
• Released on: 2005-05-10
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .90" w x 6.00" l, .94 pounds
• Binding: Paperback
• 320 pages

Review
"A creative reinterpretation of the postwar urban crisis, Seligman's book challenges the one-dimensional portrait of Chicago's West Side. Her multiplicity of stories and experiences makes this a very rich urban history. Original and useful, Block by Block is an important contribution to postwar urban historiography." (Becky Nicolaides, author of My Blue Heaven)

"A fascinating account of Chicago's West Side in the postwar era. Based on a wide range of sources, Block by Block tells the story of a city in flux and residents trying to cope with changes occurring all around them. The emergence of a West Side ghetto is seen within the very real national and local political limits of the Daley era." (Dominic A. Pacyga, author of Polish Immigrants and Industrial Chicago: Workers on the South Side)

"Seligman's deeply researched and well-focused study of race and residence in postwar Chicago usefully stretches the discussion in three directions. Geographically, she provides a real service by concentrating on the city's understudied West Side. Second, she carries the story down to the mid-1970s, significantly extending our field of vision. Finally, she removes the housing issue from its traditional policy vacuum. These are all welcome developments that will generate questions to engage scholars for years to come." (Arnold R. Hirsch, author of Making the Second Ghetto: Race and Housing in Chicago, 1940-1960)

“In the mid-20th century, increasing numbers of African Americans moved north for economic opportunities, creating demands for housing. They moved into formerly all-white neighborhoods and terms like ‘blockbusting’ and ‘white flight’ became common.  Seligman disputes the conventional wisdom that as blacks moved in, whites moved out. She uses neighborhoods in Chicago’s West Side to develop her thesis that such thinking is one-dimensional and unable to capture the multitude of issues and responses. First, the neighborhood infrastructure began to break down before the arrival of African Americans. Second, not all whites chose to leave; some remained to create genuinely integrated neighborhoods. Still others remained to protect the homogeneity of their enclaves; some went so far as to use physical threats against the African American in-migrants. Ultimately, of course, the color of the West Side changed, and an economic change followed as the more affluent blacks move to better areas. This is an important study for those interested in 20th-century affairs.”

(Choice)

"An impressively researched, highly persuasive survey of 1950s/1960s-era neighbourhood change." (Larry Bennett Urban History)

"This is a good urban history that takes a new approach to the lives of lower and middle class whites living in urban America after World War II." (Richard Chused Law and History Review)

"An important study that advances our understanding not only of housing desegregation on Chicago's West Side, but also of the complexities of race, suburbanization, community activism, and big-city politics in urban America. Block by Block is a vital work that should be on the bookshelf of anyone with a serious interest in post-World War II urban history." (Konrad M. Hamilton Journal of Illinois History)

"This book affords a fresh and unique perspective on a troubled era in the history of America'[s streetcar suburbs. (John F. Bauman H-Urban Net Book Review)

From the Inside Flap

In Block by Block, Amanda I. Seligman examines the responses of whites in the West Side communities of Chicago to the racial transformation occurring in their neighborhoods in the decades following World War II. Seligman's account illuminates that deterioration in these areas in fact began long before the color of their inhabitants changed from white to black. This book is essential to understanding how the "flight" of whites to the suburbs, and even the 1960s riots, were responses to developments in Chicago's physical and social landscape, occurring one block at a time.

"Seligman's deeply researched and well-focused study of race and residence in postwar Chicago usefully stretches the discussion in three directions. Geographically, she provides a real service by concentrating on the city's understudied West Side. Second, she carries the story down to the mid-1970s, significantly extending our field of vision. Finally, she removes the housing issue from its traditional policy vacuum. These are all welcome developments that will generate questions to engage scholars for years to come."—Arnold R. Hirsch, author of Making the Second Ghetto: Race and Housing in Chicago, 1940-1960

"A fascinating account of Chicago's West Side in the postwar era. Based on a wide range of sources Block by Block tells the story of a city in flux and residents trying to cope with changes occurring all around them. The emergence of a West Side ghetto is seen within the very real national and local political limits of the Daley era."

"A creative reinterpretation of the postwar urban crisis, Seligman's book challenges the one-dimensional portrait of Chicago's West Side. Her multiplicity of stories and experiences makes this a very rich urban history. Original and useful, Block by Block is an important contribution to postwar urban historiography."

About the Author
Amanda I. Seligman is assistant professor of history and urban studies at the University of Wisconsin-Milwaukee.

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4 of 4 people found the following review helpful.
This is not just for urban planning mavens... outstanding research about the creation of the Chicago West Side
By NKMcGlinn
Everyone who lives in Chicago should read this. Anyone who lives in a big city should read this. And, in particular, anyone who lives AROUND any city that is undergoing transformations should study this book. It is a real eye-opener about the processes that can be so destructive to a city. We tend to be convinced that we understand the processes that occurred that turned the West Side and the South Side of Chicago into what they are today. But this book showed me that a lot of the assumption are really not true. There are many things that communities can do to prevent those processes, as well as to do the work of stopping them and turning them around. This book deserves to be in wide circulation.

1 of 1 people found the following review helpful.
Good resource
By Paula Stewart
Glad I bought this book. It's hard to find a book that discusses this subject from as many points of view as Ms. Seligman has. Good resource.

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^^ Get Free Ebook The Smoking Book, by Lesley Stern

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The Smoking Book, by Lesley Stern

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The Smoking Book is a dreamlike structure built on the solid foundation of two questions: how does it feel to smoke, and what does smoking mean? Lesley Stern, in an innovative, hybrid form of writing, muses on these questions through intersecting stories and essays that connect, expand, and contract like smoke rings floating through the air.

Stern writes of addictions and passionate attachments, of the body and bodily pleasure, of autobiography and cultural history. Smoking is Stern's seductive pretext, her way of entering unknown and mysterious regions. The Smoking Book begins with intimate and vivid accounts of growing up on a tobacco farm in colonial Rhodesia, reminiscences that permeate subsequent excursions into precolonial tobacco production and postcolonial life in Zimbabwe, as well as dramatic vignettes set in Australia, the United States, Scotland, Italy, Japan, and South America. Stern has written a book, at once intensely personal and kaleidoscopically international, that weaves the intimate act of a solitary person smoking a cigarette into a broad cultural picture of desire, exchange, fulfillment, and the acts that bind people together, either in lasting ways or through ephemeral encounters.

The Smoking Book is for anyone who has ever smoked or loved a smoker (against their better judgment); it is for those who have never smoked or for those who mourn the loss of cigarettes as they would grieve for a lost friend. But mostly, The Smoking Book is for all those who are smoldering still.

• Sales Rank: #1614546 in Books
• Published on: 1999-12-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.00" w x 5.00" l, .82 pounds
• Binding: Hardcover
• 248 pages

From Publishers Weekly
In her enticing second book (after The Scorsese Connection), South African-born Australian writer Stern explores the rituals, economics and cultural role of smoking, and the exquisite hold tobacco takes over those who enjoy it. If Stern had limited herself to the cultural deconstruction at which she is adept, she might have written a work of cultural criticism But instead she links more than 50 often stunning and always intriguing pieces in a m?lange of genres, including fiction, memoir, history and criticism. Examining smoking from so many vantages, Stern touches on a number of themes. She offers glimpses of the tobacco trade in the former Rhodesia, where among tobacco farmers smoking was obligatory, almost patriotic, and she describes the tobacco sales rooms in Harare, Zimbabwe, where billions of dollars' worth of tobacco are sold annually. To understand tobacco's role in colonialism, she tells of early explorers' and invaders' forays in Africa, and to analyze smoking's cultural role she dips into Barthes and Derrida as well as opera, art and films. But it is desire that concerns the writer mostAfrom the opening paragraph, where smoke both wakens and dampens the appetites of two lovers, to her vivid description of two girls sneaking the ravishing pleasures of contraband Fanta, condensed milk, dried beef and cigarettes. Desire for a smoke and desire for a lost lover intermingle throughout the book, fading into each other until they are almost indistinguishable, and while Stern's writing is never slack, it is most compelling in these passages. Other writersAnotably Richard Klein, in Cigarettes Are SublimeAexplore similar territory, but Stern's mix of fiction and memoir puts a new twist on the discussion of the delicious passion, and equally delicious irony, of smoking in a nonsmoking world. (Dec.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
A literary companion to k.d. lang's compact disc Drag, this sexy and provocative collection of short stories and vignettes revolve around one woman's desire. Stern, a film professor and author of The Scorsese Connection, was born in colonial Zimbabwe but now lives in Australia; she was chosen as a 1999 Village Voice "Writer on the Verge." Smoking is, for her, a metaphor for bodily pleasures; a friend advises her to "carry a package with only one cigarette left" as a way to meet men, and although she gave up smoking for health reasons, she mourns the smell of tobacco and the feel of early morning nicotine hits. Likewise, when she was a smoker, she found that cigarettes bound her to humanityAboth in brief encounters and long-lasting relationships. This book is like a guilty pleasure, an homage to sensual addiction. Recommended for larger public and academic libraries.APam Kingsbury, Florence, AL
Copyright 1999 Reed Business Information, Inc.

From Booklist
After death and taxes now comes a third certainty: that this book will be placed on someone's politically-incorrect-book-of-the-year list. Stern's engrossing panegyric to nicotine is a complicated web of memoir and cultural criticism in 54 pieces (plus notes and glossary) that touches on nearly every aspect of the addiction--including the pleasure. The vignettes cover an extremely wide range of experiences and interests and span six continents (no smoking on Antarctica), though most are set in Africa, where the author was raised, and Australia, where she lives and works. But no matter the place or whether the encounter (or lack of) is physical or intellectual, smoking is the fulcrum around which revolve her desires. Often, a cigarette, the thought of a cigarette, the smell of her own or someone else's burning cigarette, or even the image on a pack of cigarettes sends her (and the reader) down sometimes funny, sometimes painful, sometimes poignant Proustian tangents of recollection or thoughtful examination. Stern's writing is witty and peppered with interesting references, and the best pieces are her recollections of her youth and family in what was then Rhodesia, where she grew up on a tobacco farm and where the pleasures of addiction and cultural inquiry took root. Frank Caso

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9 of 10 people found the following review helpful.
Stern writes a little puff of pleasure
By A Customer
Lesley Stern has written a smart, witty literary book about a million things important to us, using hybrid forms: short story, essay, meditation--all of which spin like smoke from the cultural conceit of the cigarette. This is a book about Africa, tobacco, orality, movies, sex, culture, desire and loss. The globe-trotting narrator takes us through the streets of Manhattan, o'er the freeways of LA, into hotel rooms in Tokyo, dinner parties in Scotland, as well as the tobacco farms and factories in Zimbabwe. Great fun--a winner.

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? Ebook Speaking of Crime: The Language of Criminal Justice (Chicago Series in Law and Society), by Lawrence M. Solan, Peter M. Tiersma

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Why do so many people voluntarily consent to searches by have the police search their person or vehicle when they know that they are carrying contraband or evidence of illegal activity? Does everyone understand the Miranda warning? How well can people recognize a voice on tape? Can linguistic experts identify who wrote an anonymous threatening letter?

Speaking of Crime answers these questions and examines the complex role of language within our criminal justice system. Lawrence M. Solan and Peter M. Tiersma compile numerous cases, ranging from the Lindbergh kidnapping to the impeachment trial of Bill Clinton to the JonBenét Ramsey case, that provide real-life examples of how language functions in arrests, investigations, interrogations, confessions, and trials. In a clear and accessible style, Solan and Tiersma show how recent advances in the study of language can aid in understanding how legal problems arise and how they might be solved.

With compelling discussions current issues and controversies, this book is a provocative state-of-the-art survey that will be of enormous value to legal scholars and professionals throughout the criminal justice system.

• Sales Rank: #1068107 in Books
• Published on: 2005-02-01
• Released on: 2005-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .94 pounds
• Binding: Paperback
• 264 pages

Review
"Speaking of Crime introduces insights drawn from linguistics and psychology-of-language research that throw light on a number of issues in our criminal process. It does an excellent job of synthesizing and reviewing the relevant literature and sets out interesting 'true crime' case illustrations of the lessons to be learned from the science of language, many of which have yet to be properly taken into account by the legal process." (Michael Risinger, Seton Hall Law School)

"Solan and Tiersma bring a thorough knowledge of the law together with their expertise in the language sciences to a critical analysis of how language is used—and misused—in the criminal justice system. This book is a must for both scholars and practitioners." (Sam Glucksberg, Department of Psychology, Princeton University)

"Speaking of Crime deepens our understanding not only of how language and cognition work in the legal system, but also of the nature of erroneous judgments and wrongful convictions in the American criminal justice system. Solan and Tiersma's analysis advances our understanding of how to achieve the system's most fundamental goals--improving the fairness of legal procedures while better separating the innocent from the guilty. This book deserves therefore to be read not only by linguists and criminologists, but also by judges and policy makers." (Richard Leo, Department of Criminology, University of California, Irvine)

"An important book in the emergent field of language and the law, Speaking of Crime is essential reading for everyone whose interests intersect these areas: judges, attorneys, legal scholars, and sociolinguists. Solan and Tiersma look at a large number of important cases--from the Lindbergh kidnapping to the Clinton impeachment--to argue that a more sophisticated understanding of the workings of language by the professionals involved might have created very different, and more just, outcomes. Their discussion of the ways in which linguistic analysis affects our understanding of rights, crimes, and verdicts should be read by everyone." (Robin Lakoff, Department of Linguistics, University of California, Berkeley)

"Speaking of Crime is an engaging, insightful and gracefully written tour of how language and cognitive psychology influence criminal law doctrine and practice. It belongs in the library of anyone who teaches, studies, or practices criminal justice." (Jerome H. Skolnick, Center for Research on Crime and Justice, New York University School of Law)

"In this fascinating study, Lawrence Solan and Peter Tiersma lead readers on an intriguing journey into this unexplored terrain. . . . The text focuses on discrete legal issues and seeks to demonstrate for each how the study of language can shed light on the operation of the criminal justice system. . . . The authors' brisk analysis demonstates that incorrect preconceptions or conclusions regarding language often lead to results that are not supported by the evidence. For those convinced of the need to reform the criminal justice system, these observations will provide yet more ammunition, as well as engrossing anecdote.." (Harvard Law Review 2005-03-01)

"The basic argument is that scientific research in linguistics, and to a lesser extent in cognitive psychology, can assist law enforcement, attorneys, judges, and juries in arriving at more reliable determinations of guilt and innocence. . . . Reading this book is a good place for students and professionals to begin thinking about how a deeper understanding of the science of language can improve the performance of the criminal justice system." (Mary W. Atwell Law & Politics Review)

"An eminently readable overview of what the science of linguistics has to offer criminal law. . . . Any reader interested in the psychology of language--and all lawyers should fall into that class--would be well-served to read this book." (Kenworthey Bilz Journal of Criminal Law and Criminology)

About the Author
Lawrence M. Solan is the Don Forcelli Professor of Law and director of the Center for the Study of Law, Language and Cognition at Brooklyn Law School. Peter M. Tiersma is professor at Loyola University Law School. They are the authors, respectively, of The Language of Judges and Legal Language, both published by the University of Chicago Press.

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