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Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
TheRare Coin Score features the first appearance of Claire, who will steal Parker’s heister’s heart—while together they steal two million dollars of rare coins.
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”—William Grimes, New York Times
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”—Elmore Leonard
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
- Sales Rank: #499929 in Books
- Published on: 2009-08-15
- Released on: 2009-08-15
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .50" w x 5.25" l, .40 pounds
- Binding: Paperback
- 160 pages
- Richard Stark
- Mystery
- Hard boiled
Review
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
(Stephen King Entertainment Weekly)
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
(William Grimes New York Times)
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
(Elmore Leonard)
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
(John Banville Bookforum)
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
(Marilyn Stasio New York Times Book Review)
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”
(Washington Post)
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
(Los Angeles Times)
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
(Lawrence Block)
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.”
(Anthony Boucher New York Times Book Review)
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
(Luc Sante New York Review of Books)
"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written."
(Terry Teachout Commentary)
"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."
(John McNally Virginia Quarterly Review)
"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."
(Josef Braun Vue Weekly)
"Whether early or late, the Parker novels are all superlative literary entertainments."—Terry Teachout, Weekly Standard
(Terry Teachout Weekly Standard)
“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.”
(H. J. Kirchoff Globe and Mail)
About the Author
Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933-2008), a prolific author of noir crime fiction. In 1993 the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.
Most helpful customer reviews
2 of 2 people found the following review helpful.
3 ½ stars. Engaging. Some slightly different characters this time.
By Jane
THE RARE COIN SCORE by Richard Stark.
Needy childlike Billy loves Claire the widow who sees Billy with contempt. This book was slightly above average but still worth reading because the series is great. I don't want to stop reading them.
The Forward by Luc Sante was insightful. A few of his comments follow, edited for brevity. "When I read my first Parker novel, I was stunned. I imagined that I had stumbled upon a particularly brilliant specimen of a thriving genre. But I was wrong. There is no such genre... Stark said that he meant the books to be about a workman at work. Process and mechanics and troubleshooting dominate the books. Stark portrays a world of total amorality. It is never suggested in the novels that robbing payrolls or shooting people who present liabilities are anything more than business practices... As brilliant as Parker is as a strategist, he is nothing short of phenomenal at instantly grasping character. This means that he sometimes sounds more like a fictional detective than a crook. In order to decide which path the double crosser he is pursuing is most likely to have taken, or which member of the string is most likely to double cross, or the odds on a reasonable sounding job that has just been proposed to him by someone with shaky credentials, he has to get all the way under the skin of the party in question."
The narrator John Chancer was good. I liked his voice for Parker.
THE SERIES:
This is book 9 in the 24 book series. These stories are about bad guys. They rob. They kill. They're smart. Most don't go to jail. Parker is the main bad guy, a brilliant strategist. He partners with different guys for different jobs in each book.
If you are new to the series, I suggest reading the first three and then choose among the rest. A few should be read in order since characters continue in a sequel fashion. Those are listed below (with my star ratings). The rest can be read as stand alones.
The first three books in order:
4 stars. The Hunter (Point Blank movie with Lee Marvin 1967) (Payback movie with Mel Gibson)
3 ½ stars. The Man with the Getaway Face (The Steel Hit)
4 stars. The Outfit.
Read these two in order:
5 stars. Slayground (Bk #14)
5 stars. Butcher's Moon (Bk #16)
Read these four in order:
4 ½ stars. The Sour Lemon Score (Bk #12)
2 ½ stars. Firebreak (Bk #20)
(not read) Nobody Runs Forever (Bk #22)
2 ½ stars. Dirty Money (Bk #24)
Others that I gave 4 or more stars to:
The Jugger (Bk #6), The Seventh (Bk#7), The Handle (Bk #8), Deadly Edge (Bk#13), Flashfire (Bk#19)
DATA:
Narrative mode: 3rd person. Unabridged audiobook length: 4 hrs and 33 mins. Swearing language: none. Sexual content: 5 sex scenes vaguely referred to, no details. Setting: around 1967 mostly Indianapolis, Indiana with some Baltimore, Maryland. Book copyright: 1967. Genre: noir crime fiction.
6 of 8 people found the following review helpful.
A Rare Book & A Rare Treat
By A Customer
... It even has an excellent Robert E. McGinnis cover painting. The story inside the book, of course, is just as excellent. Just what I've come to expect from Donald E. Westlake, regardless of whatever pen name he chooses to write under. Parker is a lean, mean, hardboiled machine as always, taking no prisoners and no 'crud'. Readers of the newer "Stark" novels might also be interested to know that this is the book where Parker meets his lady friend Clair, who in this 1967 version, is more of a femm fatale than she is in the present day. Bottom line: If you can find THE RARE COIN SCORE, grab it and read it!
1 of 1 people found the following review helpful.
Sometimes The Caper Depends On The Crew You Choose
By Dave Wilde
“The Rare Coin Score” is the ninth Parker novel by Richard Stark (aka Westlake). I am probably going to sound like a broken record in saying that, like all the books in the Parker series, it is a terrific, fast-moving crime thriller. Here, the caper is the robbery of a coin dealers convention from a hotel ballroom. There could be as much as $2 million worth of rare coins there, although it is not like cold hard cash (or is it?) and it has to go through a fence who knows how to handle such material (or perhaps one of the coin dealers at the convention). The coins have to be handled gently because, if you throw them all in a bag, they will get scratched and marred and lose quite a bit of their value. The coins are also quite heavy, unlike paper money. Of course, being a Parker novel, there are double-crosses and problems to contend with such that even the Pinkertons guarding the coins at night are the least of the crew’s headaches.
What stands out about this caper is the crew that is organized to do it, a crew that needs a well-organized, professional leader – Parker. One member of this crew becomes a recurring character through many of the succeeding Parker novels (Claire). If you have read any of the later Parker books, you know Claire and you know that Parker has a long-term relationship with her, but the Claire you meet in this book (before everything that happens here) is unlike the Claire you meet in succeeding books. This is a tough-nosed, hard-edged bombshell who manipulates the soft captive coin dealer (Billy) involved in the caper like any good femme fatale would. It was Claire who masterminded the whole scheme because she “needs” $70,000 and keeps Parker in the loop even when the thinks that the whole thing is just a harebrained scheme dreamed up by a bunch of amateurs. In the end, Claire is not as tough as she makes out to be and tells Parker that she wants to stay with him, but doesn’t want to know anything about the capers he is involved in.
Billy the coin dealer is an oddball that few can even tolerate. He talks too much. He’s unsure of himself and he can’t get the hint from Claire that, no matter what, she has nothing but disdain for him. Given this relationship between the characters and Billy’s jealousy of Parker’s interest in Claire, it is not the kind of job that Parker normally would stay involved in. Others involved include Lempke, an old man who doesn’t seem to have the stomach anymore for such a caper, a driver who dreams about how to drive the fastest car, but gets stuck with the task of driving a getaway truck that can’t outrun anyone, let alone the police, and a muscle-bound creep who resents Parker bossing him around and has it in for the driver because he doesn’t trust the driver’s name and ethnicity.
This story is smoothly written and just flows off the pages. It is filled with action and intrigue. Novels such as this one thoroughly cemented Westlake’s place as a top-notch crime fiction writer even though he published it under his alter ego, Richard Stark.
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