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The Man with the Getaway Face: A Parker Novel (Parker Novels), by Richard Stark
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You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to. Parker goes under the knife in The Man with the Getaway Face, changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet: an armored car in New Jersey, stuffed with cash.
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
- Sales Rank: #548243 in Books
- Published on: 2008-09-01
- Released on: 2008-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.25" l, .53 pounds
- Binding: Paperback
- 224 pages
Review
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
(Elmore Leonard)
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
(John Banville Bookforum)
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call romans noirs.”
(Anthony Boucher New York Times Book Review)
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
(Marilyn Stasio New York Times Book Review)
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”
(Washington Post Book World)
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
(Los Angeles Times)
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
(Lawrence Block)
“If you’re looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter, The Outfit, The Mourner, and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s."
(Christian Science Monitor)
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
(Stephen King Entertainment Weekly)
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
(William Grimes New York Times)
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
(Luc Sante New York Review of Books)
"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written."
(Terry Teachout Commentary)
"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."
(John McNally Virginia Quarterly Review)
"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."
(Josef Braun Vue Weekly)
"Whether early or late, the Parker novels are all superlative literary entertainments."
(Terry Teachout Weekly Standard)
“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.”
(H. J. Kirchoff Globe and Mail)
"So damn fun." (Patton Oswalt New York Times Sunday Book Review)
About the Author
Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933-2008), a prolific author of noir crime fiction. In 1993 the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By armando lorenzo
love all parker books!
5 of 7 people found the following review helpful.
Parker's at it again-- thank God!!
By A Customer
These jewels of 60's pulp writing richly deserve a revival. This is one of the best in the series-- but they're all models of propulsive, completely engaging narratives, full of violence and plot twists. Each takes about an hour and a half to read, but you'll be in another world the whole time: Parker's world, totally amoral and lots of fun for visitors.... May Rd. Stark live forever!
22 of 24 people found the following review helpful.
Quite Simply-A Classic!
By Larry Eischen
Richard Stark is the master of the criminal tale. THis is the followup novel to The Hunter (AKA Point Blank, AKA Payback). After his run-in with the Outfit, Parker undergoes plastic surgery in order to avoid further complications. Parker's next job is an armored car heist. The entire operation is covered in detail from beginning to end. While planning the job, Parker is tracked by an employee of the doctor who reveals the doctor has been killed. Unless the chauffeur can find the killer, the new faces of his recent customers will be revealed to the Outfit. Parker finds himself in a vise as he goes on with the heist and then has to track the chauffeur in an effort to keep him alive while also uncovering the doctor's killer. AS always for Parker, nothing goes as easily as planned, there is a double cross on the armored car job and the chauffeur gets away from him. This book is a must for those just discovering Parker through the new novels and Mel Gibson's movie. Part 3, featuring the mental meanderings of the punch drunk chauffeur, reveals the slow methodical thought processes while still carrying the story along. The plodding lackey becomes a sympathetic character, maybe the only one in the book, as we follow him on his quest for justice. This book is quite simply a classic of the genre-but then again, aren't all of Stark's novels classics?
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