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No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.
Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.
Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
- Sales Rank: #2149374 in Books
- Published on: 2003-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .90" w x 6.00" l, 1.14 pounds
- Binding: Hardcover
- 240 pages
From the Inside Flap
No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.
Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.
Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
About the Author
James Tatum is the Aaron Lawrence Professor of Classics at Dartmouth College. He is the author of several books, most recently Xenophon's Imperial Fiction: On the Education of Cyrus, and the editor of The Search for the Ancient Novel.
Most helpful customer reviews
12 of 12 people found the following review helpful.
a new perspective on the Iliad -- a must read
By M. H. Bayliss
For anyone who loves the Iliad or aspires to immerse himself in great literature, this new book by classicist James Tatum is inspiring. This is the first of his books to leave classic Greece and Rome (and its corresponding literature) to explore classical themes right up through the present with an emphasis on Vietnam. His writing is crystal clear and his range and knowledge of modern and ancient poetry and literature shines through on every page. Therefore, the alert reader will learn much more than how relevant the Iliad is throughout the ages as a book of force, war and remembrance -- namely how a poem like the Iliad can illuminate all modern conflicts and how we memorialize these conflicts as well. I particularly enjoyed the introductory chapter that discussed the differences in various translations (Fagles, Lattimore and older versions like Alexander Pope's) explaining the subtleties of each. Rather than quoting from only one, he carefully alternates throughout the book to give each translator a chance to stand out in his own particular speciality. It was a pleasant surprise to be reminded of Pope's linguistically intricate translation that still stands as a modern masterpiece.
In short, any lover of the classics should savor this book since The Iliad has been Tatum's focus for many years as an Ivy league professor. You can't do any better unless you travel to Dartmouth and sit it on his ever popular and chronically oversubscribed classes.
5 of 5 people found the following review helpful.
Brilliant.
By A Customer
What a wonderful "reading" of the Vietnam war memorial in Washington, D.C. Tatum's book will make you see -- better, EXPERIENCE such memorials anew. Breathtaking in its scope and brilliance! A must read; indeed, in this age, a true necessity. Tatum should be thanked for his courage and generosity.
2 of 11 people found the following review helpful.
Well, maybe.
By A Customer
This is a solid book and worth reading if you are interested in the Iliad and/or the relationships between war and culture, but in all deference to Ms. Hernandez, Prof. Tatum's classes were hardly oversubscribed and he is much better known for his work on Plautus and Roman comedy. Which is not to detract from the quality of this particular volume at all.
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