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* PDF Ebook City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society), by Judith R. Walkowitz

PDF Ebook City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society), by Judith R. Walkowitz

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City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society), by Judith R. Walkowitz

City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society), by Judith R. Walkowitz



City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society), by Judith R. Walkowitz

PDF Ebook City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society), by Judith R. Walkowitz

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City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society), by Judith R. Walkowitz

From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction.

Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and
asserted their presence in the public domain.

An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press.

A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.

  • Sales Rank: #151698 in Books
  • Published on: 1992-10-15
  • Released on: 1992-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.35 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
This treatise on fluctuations with regard to class and gender in late 1800s London both informs about the past and reverberates today. Walkowitz's style is sometimes thick but never impenetrable. She does however have a habit of needlessly ending each chapter by stating what will follow in the next. The author (a historian and director of women's studies at Johns Hopkins) analyzes such social phenomena as The Maiden Tribute of Modern Babylon, a notorious four-part newspaper series published in 1885 that chronicled the lives of prostitutes, and the Men and Women's Club, a middleclass group organized that same year to discuss, among other topics, prostitution, the Darwinian evolution of women and what their proper roles might be. The most widely known sexual narrative of the time is the story of Jack the Ripper, and Walkowitz convincingly asserts that its circulation did not increase sexual violence but established a common vocabulary and iconography for the forms of male violence that permeated the whole society. The final chapter on the Yorkshire Ripper murders, committed between 1975 and 1981, ties Walkowitz's theories about backlash against women's freedom to the present day.

Copyright 1992 Cahners Business Information, Inc.

Review
This remarkably polished, lucidly argued work is innovative cultural history at its best. It is one of the most sophisticated and thorough historical treatments of issues that are of widespread interest, among them sexual conflict and violence against women Martha Vicinus

About the Author
Judith R. Walkowitz is professor of history at The Johns Hopkins University. Her research and writing have concentrated on 19th-century political culture and the cultural and social contests over sexuality.

Most helpful customer reviews

18 of 21 people found the following review helpful.
Sexual Danger
By J. Seth Witmer
This is primarily a history of gender. And armed with the theme of sexual danger, Walkowitz is able to explore not just late-Victorian women, but late-Victorian relationships between men and women.
Walkowitz begins with the urban strollers of the 1880's, the flaneurs. Prior to this period, the primary urban female found in London is the prostitute. Following commercial development in late-Victorian London there is an influx of "shopping ladies" and the "working women" who serve them in "the new feminized world of department stores." (p.24)
Next, Walkowitz discusses the findings of Charles Booth's study of London poverty. Significant is the area of London known as Whitechapel where gender roles were somewhat reversed.
In chapter 2, Walkowitz further explores the characters inhabiting the urban terrain of London. There are "gents" or "swells", women in music halls(both performing and in the audience), shopping ladies, charity workers, and the Glorified Spinsters. These "actors" were constantly exploring new boundaries while re-inventing their roles.
In the chapter "Science and Seance", Walkowitz gives us the tale of Mrs. Weldon who makes the great leap from being nearly committed(falsely) to a lunatic asylum, to becoming a fixure on Pears Soap advertisements. Certainly, Mrs. Weldon's role reversal was socially significant, and due to her "succesful negotiation of urban spaces and cultural styles" and "her willingnes to make a spectacle of herself and to allow her image to be refashioned, circulated, and ultimately discarded by a fickle marketplace." (p.189)
The significance of Jack the Ripper is the effect the murders had on men as well as women, including boys and girls. The Ripper's legacy is the crystallization of "sexual fears and hostilities" and the creation of a "common vocabulary of male violence against women." (pp.227-228)
These gender roles all represent the theme of sexual danger because they are changing. Roles are being reversed or re-invented. Barriers, whether physical or social, are being probed.

9 of 12 people found the following review helpful.
Unusual but excellent history of gender and violence
By Asgeir
Judith Walkowitz delivers a very engaging history of gender violence, prostitution, and good old Jack the Ripper. Her style is more reminiscent of a novel or short story collection than an academic history, and that works in the narrative's favor. One finds it very easy to go along with her argument, even though it does have some holes in it. The style she adopts makes it easy for her to squeeze events into her hypothesis, and it sometimes feels forced, especially in her repeated attempts to relate everything to "melodrama." The book is well researched, which is most obvious in her discussion of the men and women's club and Georgina Weldon's struggle against the male establishment. Overall, a feminist history that never becomes militant, and a piece of academic work that is accessible to a wider audience than merely women's studies faculty members across the U.S.

3 of 3 people found the following review helpful.
Fun! for Victorian culture discussion ...
By A. L. Scott
This source is a wonderful discussion on the dark side of Victorian culture. It is easy to read, stays on topic, and makes the stark differences and similarities between our cultures clearly apparent.

See all 12 customer reviews...

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