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Documentary Expression and Thirties America, by William Stott
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"A comprehensive inquiry into the attitudes and ambitions that characterized the documentary impulse of the thirties. The subject is a large one, for it embraces (among much else) radical journalism, academic sociology, the esthetics of photography, Government relief programs, radio broadcasting, the literature of social work, the rhetoric of political persuasion, and the effect of all these on the traditional arts of literature, painting, theater and dance. The great merit of Mr. Stott's study lies precisely in its wide-ranging view of this complex terrain."—Hilton Kramer, New York Times Book Review
"[Scott] might be called the Aristotle of documentary. No one before him has so comprehensively surveyed the achievement of the 1930s, suggesting what should be admired, what condemned, and why; no one else has so persuasively furnished an aesthetic for judging the form."—Times Literary Supplement
- Sales Rank: #1251492 in Books
- Published on: 1986-06-15
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.13" w x 5.25" l, 1.00 pounds
- Binding: Paperback
- 386 pages
From the Back Cover
A comprehensive inquiry into the attitudes and ambitions that characterized the documentary impulse of the thirties. The subject is a large one, for it embraces (among much else) radical journalism, academic sociology, the esthetics of photography, Government relief programs, radio broadcasting, the literature of social work, the rhetoric of political persuasion, and the effect of all these on the traditional arts of literature, painting, theater and dance. The great merit of Mr. Stott's study lies precisely in its wide-ranging view of this complex terrain.
Most helpful customer reviews
9 of 9 people found the following review helpful.
The most important analysis of '30s American culture
By A Customer
Even after more than 20 years, Stott's book remains the seminal and perhaps most provocative study of the cultural expressions of '30s America. Depression-era America created a crisis of authenticity and relevance for artists, intellectuals and those in the communications industries. The result, says Stott, was a new form of public art, focused on everyday people and based in fact. Readable and persuasive, Stott's book is as fresh and memorable today as it was when it first came out in the mid-'70s. For anyone interested in the '30s, in the Depression era, or in documentary photography, this is a must-read.
0 of 1 people found the following review helpful.
but it did point me toward valuable sources about the Great Depression, which I am writing a history thesis ...
By Roy
I found this a little dry, but it did point me toward valuable sources about the Great Depression, which I am writing a history thesis on.
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