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The Invention of Art: A Cultural History, by Larry Shiner
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With The Invention of Art, Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of fine art is a modern invention—that the lines drawn between art and craft resulted from key social transformations in Europe during the long eighteenth century.
"Shiner spent over a decade honing what he calls 'a brief history of the idea of art.' This carefully prepared and—given the extent and complexity of what he's discussing—admirably concise, well-organized book is the result. . . . Shiner's text is scholarly but accessible, and should appeal to readers with even a dabbler's interest in art theory."—Publishers Weekly
"The Invention of Art is enjoyable to read and provides a welcome addition to the history and philosophy of art."—Terrie L. Wilson, Art Documentation
"A lucid book . . . it should be a must-read for anyone active in the arts."—Marc Spiegler, Chicago Tribune Books
- Sales Rank: #160602 in Books
- Published on: 2003-04-15
- Released on: 2001-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.12 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
University of Illinois philosophy professor Shiner (The Secret Mirror, etc.) spent over a decade honing what he calls a "brief history of the idea of art." This carefully prepared and given the extent and complexity of what he is discussing admirably concise, well-organized book is the result. Looking forward as much as backward, Shiner finds that "the category of fine art is a recent historical construction that could disappear in its turn." He plausibly traces the 18th-century division between "so-called polite and vulgar arts" from a time when music, for example, was played at home or for "religious and civic occasions" to when it started to be played in concerts with no other goal than artistic enjoyment in and of itself: "On this high cultural ground, noble and bourgeois could meet as a fine art public, rejecting both the frivolous diversions of the rich and highborn as well as the vulgar amusements of the populace." It was the beginning of art as we experience it today. Shiner cites examples from a wide range of forms, including Shakespeare's plays, Greek drama, Cellini's sculptures and Michelangelo's paintings. He also discusses Asian art, pointing out how "the Japanese language had no collective noun for `art' in our sense until the nineteenth century" and establishes that the phrase "Chinese art" is also a relatively recent invention, since before the 19th century no one in China "grouped painting, sculpture, ceramics, and calligraphy together as objects" with something determinate in common. Essentially optimistic in tone, this book argues that people who complain about the "death of art" are really just failing to measure "the staying power of the established art system." A must for larger art collections, Shiner's text is scholarly but accessible, and should appeal to readers with even a dabbler's interest in art theory.
Copyright 2001 Cahners Business Information, Inc.
From the Inside Flap
"A lucid book . . . it should be a must-read for anyone active in the arts."-Marc Spiegler, Chicago Tribune Books
With The Invention of Art, Larry Shiner challenges our conventional understandings of art and asks us to reconsider its history entirely, arguing that the category of fine art is a modern invention--that the lines drawn between art and craft resulted from key social transformations in Europe during the long eighteenth century.
About the Author
Larry Shiner is a professor of philosophy at the University of Illinois at Springfield. He is the author of The Secularization of History and The Secret Mirror.
Most helpful customer reviews
9 of 11 people found the following review helpful.
Invaluable for understanding the Art world
By Frank D. Benedict
This book is tough going at times but the result is a major contribution to understanding the world of the "fine arts" today. Written in a dispassionate tone throughout, it helps to put the Art world into a rational context and shows how the fine art institutions condition us to raise fine art to a near religious level of significance.
1 of 1 people found the following review helpful.
Powerful text and interesting argument
By Luzia G. Rodrigues
Shiner presents a rich analysis of a very important period of the history of art. The theory the author brings forward is extremely important to the understanding of 19th-century art and to draw a broader portrayal of the artists on that scene
2 of 3 people found the following review helpful.
Essential Reading
By PA
For a scientific, rational and well researched understanding of art today and art of the past- i would recommend this book.
This book is essential for anyone trying to understand the fundamentals of fine art either from a philosophical perspective or a sociological one.
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