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The Hunter: A Parker Novel (Parker Novels), by Richard Stark
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You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
In The Hunter, the first volume in the series, Parker roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption.
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
- Sales Rank: #104680 in Books
- Brand: Stark, Richard
- Published on: 2008-09-01
- Released on: 2008-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.00" w x 5.25" l, .50 pounds
- Binding: Paperback
- 198 pages
From Booklist
*Starred Review* It’s been 50 years since the first, furious appearance of Parker as he walked across the George Washington Bridge into Manhattan—after trudging all the way across the country, hell-bent on revenge. Written pseudonymously by Donald E. Westlake, a pro’s pro well known for his later, lighter fare, this series about a tough, pent-up professional thief, a “bastard” who slaps women and makes them like it, is, on the one hand, unreconstructed, unrepentant, hard-boiled tough-guy pulp. On the other hand, it’s terrific. It may be a period piece to some, but it’s also been hugely influential, impressing writers from Elmore Leonard to John Banville, and Max Allan Collins to Dan Simmons. Hollywood has taken note, too: filmed versions include Point Blank (1967) and Payback (1999). And Darwyn Cooke’s magnificent graphic-novel adaptations (beginning with Richard Stark’s Parker: The Hunter, 2009) have brought the series to a whole new audience. But whether you find Parker’s approach to relationships infuriating or amusing, the author’s way with words is always powerful. As Parker relentlessly slaps, punches, glowers, and kills his way to the mobster who betrayed him and stole his woman, the prose hits as hard as two huge, bare-knuckled fists. And the structure throws a left hook, too. Halfway through the book, with Parker closing the room on his prey, Stark detours back to the beginning of the story. Still, when revenge has finally been served, it’s not enough. Not satisfied with killing one mobster, Parker declares war on the entire Mob, setting the stage for two dozen novels over the next four decades. (Westlake died in 2008, at the age of 75.) University of Chicago Press, an unlikely publisher, has done crime-fiction fans a great service by returning the first 20 Parker novels to print. The covers should be better, but it’s the pages inside that count. --Keir Graff
Review
“Parker represents the antihero with dubious morals. Stark’s clever plot structure, moving back and forth in time, is totally engrossing.”--Library Journal (Library Journal 2008-10-05)
“Writing a couple of years ago . . . John Banville reckoned the Parker novels to be 'among the most poised and polished fictions of their time and, in fact, any time.' That's high praise from an impeccable source, and Banville is right to single out the technical excellence of these books. The Parkers read with the speed of pulp while unfolding with an almost Nabokovian wit and flair. . . . Original editions of these books, and even later reprints, change hands for scores or hundreds of dollars on the Net, and it’s excellent to have them readily available again—not so much masterpieces of the genre, just masterpieces, period. . . . . The Hunter glitters with seemingly effortless intricacy, being aimed at one episode—a stunner, the kind of moment in fiction that really does have you leaping from your chair and exclaiming in surprise and glee.”
(Richard Rayner Los Angeles Times 2008-09-14)
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
(Stephen King Entertainment Weekly 2008-09-12)
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
(William Grimes New York Times 2008-08-28)
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.” (Elmore Leonard)
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.” (John Banville Bookforum)
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.” (Marilyn Stasio New York Times Book Review)
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.” (Washington Post Book World)
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.” (Los Angeles Times)
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.” (Lawrence Block)
“If you’re looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter, The Outfit, The Mourner, and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s."
(Christian Science Monitor)
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call romans noirs.” (Anthony Boucher New York Times Book Review)
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past." (Luc Sante New York Review of Books)
"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written." (Terry Teachout Commentary)
"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for." (John McNally Virginia Quarterly Review)
"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it." (Josef Braun Vue Weekly)
"Whether early or late, the Parker novels are all superlative literary entertainments." (Terry Teachout Weekly Standard)
“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.”
(H. J. Kirchoff Globe and Mail)
About the Author
Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933-2008), a prolific author of noir crime fiction. In 1993 the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.
Most helpful customer reviews
84 of 90 people found the following review helpful.
Parker - The Anti-Hero
By David N. Cook
The Hunter (also known by it's movie names of Point Blank or Payback) is the beginning of the "Parker" series written by Donald E. Westlake under the penname of Richard Stark. These were paperback originals in a noir crime vein with Parker as the master thief and organizer of major robberies. Written from the early 60's through the mid-70's, the first 12 or so novels became cult classics especially popular with prisoners! DEW resumed the series due to popular demand in the 90's and has completed about 4 more with 1 more just being released. The writing style is stripped-down for fast action and none of the characters seems to have any conscience, least of all Parker. About half of the jobs Parker is involved in go bad due to unforseen problems like greed and betrayal, so murder (but only out of necessity) and revenge are common themes. This series has been reprinted over and over as new readers discover Parker and his single-minded focus on robbery to maintain his quietly luxurious but anonymous lifestyle. Serious literature? NO! Great fun for the crime novel fan? YES!
78 of 88 people found the following review helpful.
Parker Rules
By the gunner
The Hunter
This is the book where Donald Westlake writing as Richard Stark introduces us to Parker in 1962. After re-reading the book after thitysomething years I realize that Lee Marvin was probably cast as a truer version of Parker. Danny DeVito would have been a good messenger and James Gandolfini would have made a better Mal Resnick. The ending was changed for the movie, but what the hey, that's Hollywood. I think I'll reread them all as my next project. They're that good.
I think Sam Elliott would make a great Parker. He could make a whole career out of this series.
As far as I can tell the other Parker books are:
1) The Hunter (1962; AKA Point Blank, Payback; Parker, by Richard Stark).
2) The Man With the Getaway Face (1963; AKA The Steel Hit; Parker,
3) The Outfit (1963; Parker, by Richard Stark)
4) The Mourner (1963; Parker, by Richard Stark)
5) The Score (1964; AKA Killtown; Parker, by Richard Stark)
6) The Jugger (1965; Parker, by Richard Stark)
7) The Seventh (1966; AKA The Split; Parker, by Richard Stark)
8) The Handle (1966; AKA Run Lethal; Parker, by Richard Stark)
9) The Rare Coin Score (1967; Parker, by Richard Stark)
10) The Green Eagle Score (1967; Parker, by Richard Stark)
11) The Black Ice Score (1968; Parker, by Richard Stark)
12) The Sour Lemon Score (1969; Parker, by Richard Stark)
13) Slayground (1971; Parker, by Richard Stark)
14) Deadly Edge (1971; Parker, by Richard Stark)
15) Plunder Squad (1972; Parker, by Richard Stark)
16) Butcher's Moon (1974; Parker, by Richard Stark)
17) Comeback (1997;
18) Backflash (1998; Parker)..
19) Flashfire (2000; Parker, by Richard Stark)..
20) Firebreak (2001; Parker, by Richard Stark) ..
21) Nobody Runs Forever (2004) Parker, by Richard Stark
Highly recommended for Parker fans and fans of action adventure stories.
Gunner December, 2007
20 of 23 people found the following review helpful.
Hardest of the Hard
By Mel Odom
I've made a promise to reread all the early Parker novels by Richard Stark (Donald Westlake) this year. The books are short and compact, and the reading will be a pleasure. I can burn through them in a sitting or two. The books are dated, of course, because most of them were written in the 1960s and early 1970s, and cell phones and the internet weren't prevalent. The targets of the professional criminals in these books would be a lot more difficult in present day.
But I can slip back into the time period effortlessly. Some of the younger generation of readers might struggle with that lack of technology unless they're well-versed in period piece stuff - back in the old days when they had to try to trace phone numbers.
Parker is one of those iconic characters in fiction that will forever stand out. He's been played by Lee Marvin (Point Blank), Chow Yun Fat (Full Contact) and by Mel Gibson (Payback). That's some rarified air there, folks. He's a big, gnarly brute of a man in the novels, a cold-heated professional when on the job, able to cut losses and throats with a single flick of a knife. As the series progresses, Parker softens a little, but not much. He maintains a bleak outlook on life and I love him for it. Comic writers like Ed Brubaker and Greg Rucka probably read Stark, or at least works by other writers who were inspired by the Parker books.
In this first volume, Parker is on a mission of vengeance. He barely survived the last heist after being betrayed by one of his partners and his wife. Now he wants his cut of the profits. The double-cross is more complicated than Parker realizes. When the ex-partner took the money, it wasn't just about the money. The man needed the stake to buy his way back into the Outfit (Mafia) and get back into their good graces after blowing another operation that nearly got him killed.
Watching Parker coolly work his way up the chain of people involved to reach the offices of the Mafia, where he brazenly demands his money, is an absolute treat. In some ways, Parker reminds me of Joe Pike, Robert Crais's hero. Neither one of them will give an inch, no matter what it costs them personally. Giving in to someone one, in their view, is much worse than dying. I like that about those kinds of characters.
This book was an absolute delight to read even though I'd seen both movies and read the book years ago (at least twice). I finished it in a couple nights and am looking forward to the rest of the series.
Comics enthusiasts (and readers that enjoyed this story and might want to follow it into other incarnations) will be happy to know that Darwyn Cooke has written and drawn two of the Parker novels. The Hunter and The Outfit are out as graphic novels as well.
If you haven't read the Parker novels, you don't have to read them in order, but I'd recommend it. The University of Chicago is reprinting them (almost all of them are out now), and there are Kindle versions as well.
If you have never read a thief novel, especially if you loved Steve McQueen and Ali McGraw in The Getaway, you gotta read the Parker books.
You'll thank me for the recommendation.
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