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Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
In The Handle, Parker is enlisted by the mob to knock off an island casino guarded by speedboats and heavies, forty miles from the Texas coast.
"Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”—William Grimes, New York Times
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”—Elmore Leonard
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
- Sales Rank: #458636 in Books
- Brand: Stark, Richard/ Sante, Luc (FRW)
- Published on: 2009-08-15
- Released on: 2009-08-15
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.25" l, .40 pounds
- Binding: Paperback
- 176 pages
Review
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
(Stephen King Entertainment Weekly)
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
(William Grimes New York Times)
“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”
(Elmore Leonard)
“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”
(John Banville Bookforum)
“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”
(Marilyn Stasio New York Times Book Review)
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible."
(Washington Post)
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”
(Los Angeles Times)
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”
(Lawrence Block)
“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.”
(Anthony Boucher New York Times Book Review)
"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."
(Luc Sante New York Review of Books)
"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written."
(Terry Teachout Commentary)
"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."
(John McNally Virginia Quarterly Review)
"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."
(Josef Braun Vue Weekly)
"Whether early or late, the Parker novels are all superlative literary entertainments."
(Terry Teachout Weekly Standard)
From the Publisher
4 1.5-hour cassettes
About the Author
Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933-2008), a prolific author of noir crime fiction. In 1993 the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Best yet
By Steve
Book number 8 in the Parker series (which I'm working my way through). Read somewhere that this the "desert island" series of crime fiction and have no reason to disagree. On to #9.
16 of 17 people found the following review helpful.
Another Great Parker Novel
By Chris Ward
I gotta disagree with the reviewer below-- this is one of the best Parkers. "The Handle" (otherwise known as "Run Lethal") is from the era of the real "classics" in the series, and it's terse and nasty and unpredictable. Yes, it features Grofield, an actor who moonlights as a heistman with Parker-- he's kind of the un-Parker, and some don't like him. He starred in four novels written by Stark/Westlake, and I agree that they're not quite up to the brutal standards of the early Parkers in the amorality stakes (but I still like them a lot).
Here, Grofield doesn't dominate the book, just takes a role as a part of the string Parker's assembling. He's a pro, and Parker can count on him. The book works well as a prelude to "Butcher's Moon," where Parker and Grofield find themselves in a similar situation.
Never read a Parker novel? Try this or any of the books from the Sixties: they're stripped-down, no-frills action novels, and Stark/Westlake does it better than almost anybody else.
3 of 3 people found the following review helpful.
Parker Helps the Mob
By Opa Wayne
I enjoy Richard Stark's (a.k.a. Donald Westlake) Parker novels for several reasons. The Parker character is a strong "anti-hero" who the reader wants to succeed. Parker's plans for his capers are normally brilliant if executed well. Some unexpected interference always causes Parker to improvise during the operation. Parker tends to survive despite the serious complications, but never gets rich enough to retire.
In "The Handle", Parker gets an unusual new challenge. The mob wants to hire him to rob a competitor. This guy, who calls himself Baron, bought an island in the Gulf of Mexico more that forty miles off the coast of Texas. The Baron built a fancy casino and pleasure resort and, since he is out of all legal jurisdictions, he sets his own rules. The Baron rakes in the money and the mob is left out. If Parker can steal all the Baron's money and destroy the casino, it may put the Baron out of business.
The island is like a fortress with very little access. Boats can approach in two small areas, both easy to protect. There is no suitable place to land an aircraft. The Baron and several highly trained, experienced security personnel live on the island and keep it under constant surveillance. Security has the latest equipment and weapons.
How can Parker manage this tough job? Considering Parker's habit of having brilliant plans go awry, what will happen this time? "The Handle" is a suspenseful novel with multiple actions scenes, interpersonal conflicts, and intrigue. I recommend this novel to those who love action thrillers.
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