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Echo Objects: The Cognitive Work of Images, by Barbara Maria Stafford
Download PDF Echo Objects: The Cognitive Work of Images, by Barbara Maria Stafford
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Barbara Maria Stafford is at the forefront of a growing movement that calls for the humanities to confront the brain’s material realities. In Echo Objects, she argues that humanists should seize upon the exciting neuroscientific discoveries that are illuminating the underpinnings of cultural objects. In turn, she contends, brain scientists could enrich their investigations of mental activity by incorporating phenomenological considerations—particularly the intricate ways that images focus intentional behavior and allow us to feel thought.
As a result, Echo Objects is a stunningly broad exploration of how complex images—or patterns that compress space and time—make visible the invisible ordering of human consciousness. Stafford demonstrates, for example, how the compound formats of emblems, symbols, collage, and electronic media reveal the brain’s grappling to construct mental objects that are redoubled by prior associations. In contrast, she shows that findings in evolutionary biology and the neurosciences are providing profound opportunities for understanding aesthetic conundrums such as the human urge to imitate and the role of narrative and nonnarrative representation.
Ultimately, she makes an impassioned plea for a common purpose—for the acknowledgement that, at the most basic level, these separate projects belong to a single investigation. “Heroic. . . . The larger message of Stafford’s intense, propulsive prose is unassailable. If we are to get much further in the great puzzle of ‘binding’—how the perception of an image, the will to act on intention, or the forging of consciousness is assembled from the tens of thousands of neurons firing at any one moment in time—then there needs to be action on all fronts.”—Science
- Sales Rank: #642013 in Books
- Published on: 2009-08-15
- Original language: English
- Number of items: 1
- Dimensions: 9.88" h x .70" w x 8.50" l, 1.95 pounds
- Binding: Paperback
- 302 pages
Review
"Heroic.... The larger message of Stafford's intense, propulsive prose is unassailable. If we are to get much further in the great puzzle of 'binding' - how the perception of an image, the will to act on intention, or the forging of consciousness is assembled from the tens of thousands of neurons firing at any one moment in time - then there needs to be action on all fronts." - Science"
About the Author
Barbara Stafford is the William B. Ogden Distinguished Service Professor at the University of Chicago. She is the author of seven books, including, most recently, Visual Analogy, and a coauthor of Devices of Wonder.
Most helpful customer reviews
28 of 35 people found the following review helpful.
Echo Objects exceeds my expectations.
By Audio Listener
Echo Objects exceeds my expectations. I first learned of the impact of Barbara Maria Stafford's work through a 1984 NYTimes review of her Voyage Into Substance: "This is a book that has a permanent effect on one's way of looking at things." Every 5 years or so, Stafford has been picking an interface between philosophy, imaging, broadly taken, and visual studies (which she is given credit for creating) and such disciplines as cultural geography, history of science or medicine, architectural history, and body studies, and has written a book opening new areas. Each of her past seven books, and often each chapter, has dozens of ideas for dissertations or for re-examining how one thinks about one's own work.
Echo Objects moves well beyond Stafford's past work by engaging modern neuroscience and cognitive research. Arguably, only she could have written this book. It identifies key issues for the brain sciences as well as pointing out how research -especially image-based research--in the humanities could enrich scientific inquiry. Echo Objects maps out how biology and culture could come together around shared issues that require both disciplinary sides to resolve.
Just as Echo Objects offers a sort of topographic map to enable the enterprising reader to venture from one discipline into the terrain of another, it poses the challenge of learning the terrain, vocabulary, and essentials of a new discipline. Those who accept this challenge will find the effort to be transformative.
12 of 14 people found the following review helpful.
Cognition and Art
By J. Sanzaronishimura
In "Echo Objects" Barbara Stafford, has at last published what many artists, arts researchers and art teachers have long believed - The phenomenon that the brain can decipher images, symbols and emblems long before it can decipher language and written text. This complex and comprehensive study looks at new discoveries by neuroscience on how the brain reacts to imagery and symbols and and gives a much needed update on the workings of the brain. Stafford relates the findings throught the book to a variety of art images, emblems and symbols and questions some of the outdated current ideology of art history and art theorists, it's about time the art establishment had a bit of a shake up!
Congratulations to the author on a much needed update into the importance of the Visual arts in the development of the brain and human identity! This book inspired me so much I bought her previous book "Visual Analogy: Consciousness as the Art of Connecting", in my opinion both of these books are 'must haves' for any serious artist, arts researcher, lecurer or teacher of art and arts institution. I cant wait for Stafford's next book. Highly recommended
18 of 24 people found the following review helpful.
Disappointing
By John A. Korchok
I'm quite interested in the synthesis of knowledge between various fields of research into the mind and consciousness, but you won't find much useful information here. Mostly written in "critic-speak", it's a loose connection of factoids with little evidence of real understanding by the author. Open the book at random and get paragraphs like:
"Because conceptual binding is innately 'checkered', artworks that systematically couple heterogeneous elements also open a 'conduit allowing [us to see how] environmental magnitudes exert constant influences on behavior'. Further, compound patterns, I believe, reveal how neuronal oscillations facilitate synaptic plasticity. That is, they make manifest something of the labor of spatial coherence: how transient rhythms function in the coordination of cross-domain mapping."
The author is just trying to say that art that is complex and contradictory is harder work to understand and that she thinks this is related to work the brain must do to reconfigure itself to make sense of what is being perceived. Bafflegab and conjecture are not useful or enlightening.
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