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Frank Lloyd Wright: A Biography, by Meryle Secrest
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Meryle Secrest's Frank Lloyd Wright: A Biography focuses on Wright's family history, personal adventures, and colorful friends and family. Secrest had unprecedented access to an archive of over one hundred thousand of Wright's letters, photographs, drawings, and books. She also interviewed surviving devotees, students, and relatives. The result is an explicit portrait of both the genius architect and the provocative con-man.
"Secrest seizes the themes most evocative of certain of our cultural myths, forging them into a coherent and emotionally plausible narrative."—New Republic
"An engaging narrative."—New York Times Book Review
"The real triumph of this biography . . . is the link it makes between Frank Lloyd Wright's personal life and his architecture."—The Economist
"Secrest's achievement is to etch Wright's character in sharp relief. . . . [She] presents Wright in his every guise."-Blair Kamin, Chicago Tribune
"An extremely engaging profile."—The Philadelphia Inquirer
"A spellbinding portrait."—Library Journal
"The best [biography] so far, a huge and definitive accumulation of fact."—Time
- Sales Rank: #171618 in Books
- Brand: Secrest, Meryle
- Published on: 1998-05-08
- Released on: 1998-05-08
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.70" w x 5.31" l, 1.51 pounds
- Binding: Paperback
- 652 pages
From Publishers Weekly
In this superb, subtle, demythologizing biography of Wright (1869-1959), we meet a shrewd yet gullible architect who fostered a view of himself as a misunderstood, embattled genius, a narcissist who unconsciously courted catastrophe while blaming the vengeful hand of fate as he overcame accidents, bankruptcy, lawsuits and hounding by his morphine-addicted second wife. Drawing on a trove of letters, Secrest ( Salvador Dali ) traces Wright's "secret conviction of worthlessness" to the contradictory influences of his freethinking, erratic Welsh mother and his jealous, spendthrift father, a New England minister. She discusses the dynamics of the architect's three marriages, recounts his clashes with Louis Sullivan and Lewis Mumford, and digs beneath his "quasi-mystical Celtic beliefs" to pinpoint the multiple influences on his fervent quest for an organic architecture. A definitive portrait of a mercurial titan. Photos. BOMC and QPB alternates.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
Wright remains for many historians America's preeminent architect; although he died over 30 years ago, the force of his personality and the strength of his reputation endure untarnished. Several excellent biographies on Wright have appeared since his death, most notably Robert C. Twombly's Frank Lloyd Wright ( LJ 2/15/73) and Brendan Gill's Many Masks ( LJ 11/15/87). Secrest's book joins this select company and more than manages to hold its own: It is a spellbinding portrait of this complex, often contradictory architect. Drawing on the massive archives of the Wright Memorial Foundation, Secrest writes with authority and compassion about Wright's long and turbulent career. Her exhaustive scholarship provides fresh insights into Wright's personality, making this biography essential reading for anyone with an interest in American architecture. Previewed in Prepub Alert, LJ 5/1/92; see also the review of Frank Lloyd Wright's Collected Writings , Vol. 1, p. 175.--Ed.
- H. Ward Jandl, National Park Svce., Washington, D.C.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
Engrossing story of the Balzac-scaled life of the great architect. Wright (1867-1959) was born in Wisconsin to a Welsh family of radical thinkers and was nurtured to be an architect by his mother, who told him he was destined for greatness. He dropped out of the Univ. of Wisconsin after two semesters to take a draftsman's job at $8.00 a week, and soon was working for the master architect Louis Sullivan (inventor of the skyscraper). Within a year, Wright had become chief designer at Adler and Sullivan and also had married the first of his three wives. In the next 30 years, he was to abandon his wife and six children (and his phenomenally successful practice), calling marriage a ``barnyard institution. I am a wild bird''; marry a morphine- addicted heiress and follower of Mary Baker Eddy who was killed by an axe-stroke to the brain by an insane servant; marry a Serbian beauty 30 years his junior who was an instructor for G.I. Gurdjieff; build his beloved house Taliesen (East) three times-- it twice burned to the ground; time and again ingeniously raise prodigious sums of money and spend them in profligate excess; revive his career with the building of the Imperial Hotel in Tokyo--the only major structure to remain undamaged in the largest earthquake of the century in 1923 in Japan; and go on to greater triumphs, culminating with the Guggenheim Museum in 1956. Secrest (Salvador Dali, 1986, etc.), who had access to the newly opened archives at Wright's Memorial Foundation, does a superb job in telling the human side of Wright's story. And without allowing it to overmaster her narrative, she provides clear architectural background to explicate Wright's designs, stature, and influence. Definitive. (Photographs--121--some seen.) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
33 of 33 people found the following review helpful.
Wright the Man is Chronicled Here
By JAD
Wright the man is chronicled here, in one of the two best biographies of the architectural superstar. One would also want to read Brendan Gill's "Many Masks" as a companion to Ms Secrest's treatment of F Ll W - just to get the harmonizing flavors of opinion.
Ms Secrest does magnificent research and shares it in a narrative that flows easily and keeps one's attention. Her information about Wright's family tree, as well as the family background of his wives and Mrs. Cheney, is more thoroughly presented than I have seen elsewhere.
One must not expect a thorough critique of Wright's buildings here -- there are too many works to be considered and there are many other resources, old and new, for such explorations. "In the Nature of Materials" leaps to mind. However, this book does flesh out the man and in some ways dispels some of the outlandish tales and outright fabrications about his life, toward which Wright was oft inclined.
It should be noted that Secrest is one of the Wright biographers who mistakenly limit the contributions of Isabel Roberts, who was a draughtsman/architect in her own right. She defines Roberts' roll simply as: "Isabel Roberts, secretary ". She cannot be faulted too much, having swallowed the red herring presented by Frank Lloyd Wright himself when writing about the Oak Park "...studio adjoining my home, where the work I had then to do enabled me to take in several draughtsmen and a faithful secretary, Isabel Roberts..." In future, Wright biographers would be wise to consult research done by John A. Dalles presented in his article, "The Pathbreaking Legacy of Ryan and Roberts", in "Reflections", the journal of the Historical Society of Central Florida, Summer 2009; pages 8 and 9.
You may wish to read Wright's disingenuous "An Autobiography" (1943) as well as some of the family books - "The Valley of the God-Almighty Joneses: Reminiscences of Frank Lloyd Wright's Sister, by Maginel Wright Barney, 1986, and his son, John Lloyd Wright's "My Father Who Is On Earth", G P Putnam Sons, NY, 1946. But consider this a mostly reliable guide to Mr. Wright's long and theatrical life.
0 of 0 people found the following review helpful.
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By Hill Farm Shari
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24 of 30 people found the following review helpful.
Precious little discussion of Wright's work...
By A Customer
Secrest's "biography" focuses exclusively on the personal life of Wright, and to that end it seems fairly complete. Secrest attempts to explain Wright's inflated sense of self, his drive to succeed and his willingess to use others as means to his ends by reflecting on his Welsh background, his family's history in Wisconsin and his relationships with his immediate family, particularly his mother. My complaint is that Secrest does not carry this analysis over to his architecture - most of his works receive a paragraph or less. I was hoping for a biography of Wright that placed his work in an socio-historical framework as well as accounting for his personality. Secrest briefly mentions how Wright bristled at being called a pre-modernist and how much of a romanticist he was, but she only mentions this to elucidate Wright's personal interactions with others. If you're looking for more info that places Wright's work in a historical or theoretical framework, look somewhere else.
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