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Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.
Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes.
An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.
- Sales Rank: #1306690 in Books
- Published on: 2004-01-01
- Released on: 2004-01-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .50" w x 6.00" l, .87 pounds
- Binding: Paperback
- 211 pages
Review
"This scathing treatise by a seventeenth-century Venetian nun . . . should make uneasy reading for historians, theologians, Catholics, fathers, mothers, and brothers alike, as it exposes a system whereby daughters in Counter-Reformation Venice were 'imprisoned' in convents as nuns. . . . It is unusual to hear quite so loudly and clearly what a woman (let alone a nun) thought of her life in seventeenth-century Catholic Europe." (Kate Lowe Journal of Ecclesiastical History)
From the Inside Flap
Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.
Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes.
An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.
About the Author
Letizia Panizza is a research fellow in the Department of Italian at Royal Holloway, University of London. She is the editor of Women in Italian Renaissance Culture and Society and coeditor of A History of Women's Writing in Italy. She also wrote the introduction to Lucrezia Marinella's The Nobility and Excellence of Women and the Defects and Vices of Men, published by the University of Chicago Press.
Most helpful customer reviews
7 of 7 people found the following review helpful.
She speaks whereof she knows
By Marie Sharon
Arcangela Tarabotti, shunted by her father at a young age into the cloister because she was one of six daughters, was lame (incidentally as was her father) and considered unmarriageable, speaks from first-hand experience and a certain fury and rage, holding nothing back. She tells of the many girls sent without any recourse of their own to what amounts to a lifetime of incarceration that holds no relief or release for them.
She blames the patriarchal system, which is firmly upheld by the church, and the family reasons for maintaining their wealth and saving dower money for the sons of the family. She had two brothers but six sisters, only two of whom were not placed in nunneries. She also blames families, fathers particularly, for not providing any education for their daughters, or at best an indifferent education directed by people not fit to teach. This kept women in their place, ignorant, and powerless.
She does not quibble with those young women who enter the cloister with a true vocation and out of desire to be brides of Christ, but she does condemn fathers who dump their unwanted daughters, their superfluous daughters, their illegitimate daughters, and even guardians who consign their females wards to the cloister in order to control their inheritance should they have any.
She admits to having no great facility with Latin, but it is obvious that she is well-read in translation and has an exceptionally good mind, using her education, mainly hard-sought and self-taught, to a fine degree in making her point. She takes on writers of the literary circle, the Incogniti, and handles them with aplomb and wisdom. She does have an axe to grind, and she makes no excuse for it.
I do question just how the Italian system works when giving daughters to the cloister. In England it was expected that the wealthy families granted the convent/church a "dower" when delivering a daughter into holy orders. I have not determined this as yet, but it is a concern, I think, that needs to be addressed, just to have things straight.
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